The Wonderful One-hoss Shay : A Logical Story

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In summary, the Deacon's masterpiece, the wonderful one-hoss shay, was built in such a way that it lasted a hundred years with no problems. One weak spot was found and fixed so that it would not break down. The horse ran without breaking down for eighteen hundred and fifty-five years. However, the Deacon's art of constructing the shay wore it down and it finally stopped running in fifty-five years.
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Ivan Seeking
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The Wonderful "One-hoss Shay": A Logical Story

The Deacon’s Masterpiece
or, the Wonderful "One-hoss Shay":
A Logical Story
by Oliver Wendell Holmes (1809-1894)

Have you heard of the wonderful one-hoss shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it — ah, but stay,
I’ll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits, —
Have you ever heard of that, I say?

Seventeen hundred and fifty-five.
Georgius Secundus was then alive, —
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the Earth open and gulp her down,
And Braddock’s army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what,
There is always somewhere a weakest spot, —
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace, — lurking still,
Find it somewhere you must and will, —
Above or below, or within or without, —
And that’s the reason, beyond a doubt,
A chaise breaks down, but doesn’t wear out.

But the Deacon swore (as Deacons do,
With an “I dew vum,” or an “I tell yeou”)
He would build one shay to beat the taown
’N’ the keounty ’n’ all the kentry raoun’;
It should be so built that it couldn’ break daown:
“Fur,” said the Deacon, “’tis mighty plain
Thut the weakes’ place mus’ stan’ the strain;
’N’ the way t’ fix it, uz I maintain,
Is only jest
T’ make that place uz strong uz the rest.”

So the Deacon inquired of the village folk
Where he could find the strongest oak,
That couldn’t be split nor bent nor broke, —
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the “Settler’s ellum,” —
Last of its timber, — they couldn’t sell ’em,
Never an axe had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he “put her through.”
“There!” said the Deacon, “naow she’ll dew!”

Do! I tell you, I rather guess
She was a wonder, and nothing less!
Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,
Children and grandchildren — where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake-day!

EIGHTEEN HUNDRED; — it came and found
The Deacon’s masterpiece strong and sound.
Eighteen hundred increased by ten; —
“Hahnsum kerridge” they called it then.
Eighteen hundred and twenty came; —
Running as usual; much the same.
Thirty and forty at last arrive,
And then come fifty, and FIFTY-FIVE.

Little of all we value here
Wakes on the morn of its hundreth year
Without both feeling and looking queer.
In fact, there’s nothing that keeps its youth,
So far as I know, but a tree and truth.
(This is a moral that runs at large;
Take it. — You’re welcome. — No extra charge.)

FIRST OF NOVEMBER, — the Earthquake-day, —
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There couldn’t be, — for the Deacon’s art
Had made it so like in every part
That there wasn’t a chance for one to start.
For the wheels were just as strong as the thills,
And the floor was just as strong as the sills,
And the panels just as strong as the floor,
And the whipple-tree neither less nor more,
And the back crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!

First of November, ’Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-hoss shay,
Drawn by a rat-tailed, ewe-necked bay.
“Huddup!” said the parson. — Off went they.
The parson was working his Sunday’s text, —
Had got to fifthly, and stopped perplexed
At what the — Moses — was coming next.
All at once the horse stood still,
Close by the meet’n’-house on the hill.
First a shiver, and then a thrill,
Then something decidedly like a spill, —
And the parson was sitting upon a rock,
At half past nine by the meet’n-house clock, —
Just the hour of the Earthquake shock!
What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you’re not a dunce,
How it went to pieces all at once, —
All at once, and nothing first, —
Just as bubbles do when they burst.

End of the wonderful one-hoss shay.
Logic is logic. That’s all I say.
 
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  • #2


Why is it, that with a BA in Literature AND an MFA in creative writing, I have never seen that before?

(That's called a "rhetorical question." I am not expecting an answer to it. See what I learned?)
 
  • #3


Chi Meson said:
Why is it, that with a BA in Literature AND an MFA in creative writing, I have never seen that before?
English lit doesn't seem to like irony.
So you never get any Wendell Holmes or Ambrose Bierce although I think Mark Twain sneaks in.
 
  • #4


As a mechanical engineering student, this was required reading. Quoted in our "Machinery Design" textbook as the perfect machine - however hypothetical.
 
  • #5


Q_Goest said:
As a mechanical engineering student, this was required reading. Quoted in our "Machinery Design" textbook as the perfect machine - however hypothetical.
It also inspired Henry Ford to send people around junkyards to see what was left of the Model T.
Supposedly they never found one where the axle had failed - so his response was to make the axle thinner.
 
  • #6


mgb_phys said:
It also inspired Henry Ford to send people around junkyards to see what was left of the Model T.
Supposedly they never found one where the axle had failed - so his response was to make the axle thinner.
Ya know, that's quite the inspiration! I design high pressure (6000 psi) pumps, but I've only ever seen piston rings and valves fail. I'll have to make the cylinders thinner so I fail one of those once in a while. :tongue2:
 
  • #8


Chi, while I don't claim a broad exposure to poetry, I was surprised that I had never heard or read this before. Also, as Q mentioned, it struck me as a perfect poem for MEs. John Lithgow recited a bit of this last night from his book of poems recently published, on Bill Moyer's Journal. This was another that he read that caught my ear. [morbid but a strikingly effective]

The Death of a Ball Turret Gunner.
From my mother's sleep I fell into the State,
And I hunched in its belly till my wet fur froze.
Six miles from earth, loosed from its dream of life,
I woke to black flak and the nightmare fighters.
When I died they washed me out of the turret with a hose.

-- Randall Jarrell

SperryBallTurret.jpg
 
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1. What is "The Wonderful One-hoss Shay: A Logical Story" about?

"The Wonderful One-hoss Shay: A Logical Story" is a poem written by Oliver Wendell Holmes in 1858. It tells the story of a horse-drawn carriage, or "shay", that is built to last for 100 years without any part wearing out before the others.

2. Why is the poem considered a "logical" story?

The poem is considered a "logical" story because it follows a logical and mathematical progression. Each part of the shay is designed to last exactly as long as the other parts, which ultimately leads to the shay's sudden and complete collapse after exactly 100 years.

3. What is the significance of the "one-hoss shay" in the poem?

The "one-hoss shay" is a symbol of perfection and balance. It represents a machine that is perfectly designed and balanced, with no weak points or flaws. It also serves as a metaphor for life and the inevitability of death, as the shay ultimately collapses after its 100 year mark.

4. What is the moral of "The Wonderful One-hoss Shay: A Logical Story"?

The poem's moral is that nothing in this world is perfect or lasts forever. Despite the shay's seemingly perfect design, it still meets its end after 100 years. The poem reminds us to appreciate the present and not get too caught up in the pursuit of perfection and immortality.

5. Why is "The Wonderful One-hoss Shay: A Logical Story" still relevant today?

The poem's themes of balance, perfection, and the inevitability of death are still relevant today. It also serves as a reminder to not take things for granted and to appreciate the present. Additionally, the poem's use of logic and mathematics makes it a timeless piece that can be appreciated by readers of all ages.

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