How Do Light Frequencies Combine to Create New Colors?

in summary, the equation to find the result equivalent frequence of a mixture of two different light frequencies in same proportions is not simple. you would need to ask in the biological section of the forum. for the second case, the result color is not equivalent to anyone frequence because it depends on how our brains interpret the resulting signals.
  • #1
JPC
206
1
hey

i am wondering, what's the equation to find the result equivalent frequence of a mixture of two other different light frequences in same proportions ?
(like if u have one red torch , and one blue torch , and u aim the light of each on the same zone)

or is the result color not equivalent to anyone frequence ?

--------------------------------------------------

and now as for if u have dots that reflect let's say only one very short interval of frequence. Let's say there are two sorts of these dots , and let's just asume that the first reflects a big majority of x frenquence and the other of y. on a picture u have a distributed mixture of these two dots,
how can u calculate the result equivalent frequence ?

or in the result color not equivalent to anyone frequence ?
 
Science news on Phys.org
  • #2
Please do not use chat talk.
 
  • #3
To be honest I don't think you can mix frequencies to get a simple equation. My understanding is that you can add and subtract spectra from each other but you cannot add and subtract frequencies the way you add and subtract whole numbers (5 + 5 != 10). For example, mixing pure red light (700nm) with pure blue light (400nm) does not produce pure yellow (550nm), even though it looks like it does. You'll get an interference pattern where most of the wave appears to be 550nm, but with little bits of noise all over the wave.
Reversing the process to go from an interference pattern to seeing the component waves is called a "Fourier Transform"
 
Last edited:
  • #4
Most perceived colors do not correspond to single wavelengths or frequencies. The color that we perceive when a mixture of wavelengths enters the eye depends on how the rod or cone cells in the retina respond to it, and how our brains interpret the resulting signals. I don't know much about the physiology of color vision, but I do know that it's rather complex.
 
  • #5
Hum for the first case,
theres already infinite single wavelenght that are visible
and now infinite ways to assemble single wavelenght to make different colors

but how many different colors our brain can make us see ? i mean, does our brain see the difference between wavelenght 550 and 550 + (1 / 10^99). Hum , must ask in the biological section of the forum

------------------------------------------

but for the second case

JPC said:
and now as for if u have dots that reflect let's say only one very short interval of frequence. Let's say there are two sorts of these dots , and let's just asume that the first reflects a big majority of x frenquence and the other of y. on a picture u have a distributed mixture of these two dots,
how can u calculate the result equivalent frequence ?

or in the result color not equivalent to anyone frequence ?

Doesnt it rather have to do with ourselves. If we had far more pixels in our vision, we would see images printed by our printers differently.
Because, every sensitive cell in our eyes must make up one color. I don't know how it decides of the result color. Well for that i should ask in the biological part of the forum
 
Last edited:
  • #6
How many colors can you see? Bare minimum, at least 65536. I know that because I can tell right away when a video game is running in 16 bit instead of 32 bit color.
 
  • #7
ShawnD said:
How many colors can you see? Bare minimum, at least 65536. I know that because I can tell right away when a video game is running in 16 bit instead of 32 bit color.

not exactly rigorous reasoning. you haven't shown that after pruning the 4294967296 colors down to 65536, that you can differentiate every one of the 65536 colors that remain. if there are sufficiently indifferential colors remaining, some of those can be replaced with colors you had missed after the pruning. suppose you went from 4294967296 to 4294967295 colors and the color that was culled was one of them that you liked and missed, would you say that you can see 4294967296 colors? i

t's a matter of perceptual modeling and bit allocation.
 
  • #8
JPC said:
hey

i am wondering, what's the equation to find the result equivalent frequence of a mixture of two other different light frequences in same proportions ?
(like if u have one red torch , and one blue torch , and u aim the light of each on the same zone)

or is the result color not equivalent to anyone frequence ?
If you have red and green torches your vision might say the zone was red, orange, yellow, yellow-green or green depending on how bright each torch was.
There is a kicker here.
For example, if you change the surrounding area of the zone from black to white then "yellow" would change to brown.
Nothing simple here.

Red and blue torches would make the zone magenta or purple hues.

JPC said:
and now as for if u have dots that reflect let's say only one very short interval of frequence. Let's say there are two sorts of these dots , and let's just asume that the first reflects a big majority of x frenquence and the other of y. on a picture u have a distributed mixture of these two dots,
how can u calculate the result equivalent frequence ?
The results of combining two colors of paint and the same two colors of light beams is different. So the color you see would depend on if the dots(pixles) were on a display monitor or printed on paper. The count of x dots vs the count of y dots changes the color and the color of the area surounding the dots also changes the color.
 
  • #9
JPC said:
i mean, does our brain see the difference between wavelenght 550 and 550 + (1 / 10^99). Hum , must ask in the biological section of the forum
No, you won't.
Even the bandwith of a laser, a relatively monochromatic source is somewhat more than this.
How much change is required to see a different color probably varies considerably over the visible spectrum.
The eye's color receptors don't overlap evenly.
 
  • #10
Radiometrically speaking, e/m waves obey the principle of superposition and you cannot get any new frequencies by combining two (or more) e/m waves.

Claude.
 
  • #11
Claude Bile said:
Radiometrically speaking, e/m waves obey the principle of superposition and you cannot get any new frequencies by combining two (or more) e/m waves.

Claude.

In free space then ok.
AFAIK If the e/m waves encounter the appropriate medium then they can mix and generate the standard sum/difference frequencies.
For example, mixing red light (700nm) with blue light (400nm) would produce 1100nm and 300nm.
Neither of which is remotely in the visible range.
 
  • #12
but where u got the equation :
frequency x
frequency y

result : x-y and y-x

whats the principle , the physical explanation ?
 
  • #13
JPC said:
but where u got the equation :
frequency x
frequency y

result : x-y and y-x

whats the principle , the physical explanation ?
NoTime refers to sum and difference frequency generation which can occur in a chi^2 nonlinear medium. Normally, in the linear regime, the polarisation of an atom and the applied electric field both oscillate at the same frequency. In the nonlinear regime, additional frequency components are introduced into the oscillation of polarisation (i.e. the oscillation of the electron about its parent nucleus) by virtue of the fact that polarisation no longer varies linearly with the applied field (this is where the nonlinear comes from).

All media are nonlinear to some extent, but only media with certain crystalline structures will exhibit chi^2 nonlinearity. Lithium Niobate and BBO and two very commonly used chi^2 media.

Sum and difference frequency generation requires a high-powered, coherent source (i.e. a laser). In addition, the nonlinear medium itself has to be aligned very precisely to achieve significant generation of new frequencies. Suffice to say, that unless you are a laser specialist, or engage in some form of research with lasers or optics, you are unlikely to ever witness this effect first hand, at least until laser tvs come out.

Claude.
 
Last edited:

What is mixing light?

Mixing light refers to the process of combining different frequencies of light to create a new color. This can be done using additive color mixing, where colored lights are overlapped, or subtractive color mixing, where pigments are mixed together.

How do frequencies of light affect color?

The frequency of light determines the color we perceive. Each color has a specific frequency, with red having the lowest frequency and violet having the highest. When different frequencies of light are mixed, our eyes perceive a new color based on the combined frequencies.

What are primary colors of light?

The primary colors of light are red, green, and blue. These colors cannot be created by mixing other colors of light, but they can be combined to create all other colors. This is known as the RGB color model and is commonly used in digital displays.

How does mixing light differ from mixing paint?

Mixing light is an additive process, meaning that when different colors are mixed together, the result is a brighter color. On the other hand, mixing paint is a subtractive process, as the pigments absorb certain frequencies of light, resulting in a darker color.

Can all colors be created by mixing light?

Yes, all colors can be created by mixing different frequencies of light. This is known as the color spectrum and includes all the colors visible to the human eye. However, some colors may be difficult to create, such as pure black or white, which require the absence or presence of all frequencies of light, respectively.

Similar threads

Replies
5
Views
2K
Replies
7
Views
4K
Replies
29
Views
3K
Replies
29
Views
2K
Replies
7
Views
2K
Replies
4
Views
893
Replies
4
Views
4K
Back
Top