Directionality of sound vs. frequency

In summary, low frequency sounds, such as low bass notes, disperse omni-directionally because the size of most objects in the environment are smaller than the wavelength of these sounds. This causes them to diffract around the objects rather than being blocked or reflected. On the other hand, high frequency sounds are more directional because the size of most objects in the environment are larger than the wavelength of these sounds, causing them to be blocked or reflected. There is no specific formula that governs this, but the angle of diffraction can be approximated by arcsin(1/R), where R is the ratio between the aperture size and the wavelength. Additionally, sound sources tend to radiate high frequencies more directionally due to the size of
  • #1
tinkeringone
15
0
Why do low frequency sounds (like low bass notes) disperse omni-directionally, whereas high frequency sounds are much more directional?
Also is there a formula that governs this?
 
Physics news on Phys.org
  • #2
Diffraction

The same effect applies to water waves, radio waves and other electromagnetic radiation.

Consider a wave proceeding through a narrow aperture. Assume that the aperture is large compared to the wavelength and call the ratio between them R.

If the wave propagates at an angle of arcsin(1/R) to the left then the resulting wave form will interfere with itself, completely cancelling out. The part of the wave going through at the right edge will be exactly one cycle behind the part of the wave going through at the left edge.

[If you measure angles in radians then arcsin(1/R) ~= 1/R and you can simplify the formula accordingly]

For apertures that are small compared to the wavelength, there is no such interference regardless of angle and the wave simply spreads out.


And now I start waving my hands furiously...

Consider an obstacle around which a wave is propagating. The situation is exactly symmetric. The "shadow" of this object will have the same shape as the diffraction pattern from an aperture.

So if you have an obstacle that is 5 wavelengths in extent, you will have a shadow whose edges are at an angle of about 1/5 radians.

And if you have an obstacle that is less than one wavelength in extent, you will not have a noticible shadow at all.

For a fixed size object, this means that large wavelengths go around and for short wavelengths, the object casts shadows.


I'm no expert on this stuff and am working from first principles here, so forgive me if there are more apt descriptions or better formulas.
 
  • #3
One thing missing from post #2 was the wavelengths involved. A low frequency sound (say about 34 Hz) has a wavelength of 10m. A high pitched sound of say 3.4 kHz (whcih is about the most sensitive frequency for human hearing) has a wavelength of 100mm. At the upper frequency limit for humans the wavelength is about 20mm.

Many objects in the environment have sizes in between those limits, so they block or reflect high frequencies, but low frequences just diffract around them (remember to think in 3D - e.g. for a row of houses, low frequency sound will diffract over the roofs, not get blocked by the relatively small "gaps" between the houses)

Another issue is that sound sources usually radiate high frequencies much more directionally that low frequencies, for the same basic reason - the size of the object generating the sound. compared with the wavelength being generated.
 

1. What is the relationship between directionality of sound and frequency?

The directionality of sound refers to the direction in which sound waves travel, while frequency is a measure of the number of sound waves per second. The two are related in that the directional properties of sound can affect the frequency of the sound waves, as well as how they are perceived by the human ear.

2. How does the direction of sound impact its frequency?

The direction of sound can impact its frequency in several ways. For example, when sound waves travel in a straight line, their frequency remains constant. However, when sound waves are reflected or diffracted by objects, their frequency can change, resulting in a different perceived pitch or tone.

3. Can the direction of sound affect the amplitude or intensity of the sound?

Yes, the direction of sound can affect the amplitude or intensity of the sound. When sound waves are directed towards a specific point, the amplitude or intensity of the sound can increase, creating a louder or more powerful sound. This is known as sound focusing.

4. How does the directionality of sound impact its transmission through different mediums?

The directionality of sound can impact its transmission through different mediums in a few ways. For instance, sound waves may travel faster or slower depending on the medium they are passing through, which can affect their frequency. Additionally, the directional properties of sound can also change as it passes through different mediums, resulting in a change in frequency or perceived pitch.

5. Are there any practical applications of understanding the relationship between directionality of sound and frequency?

Yes, understanding the relationship between directionality of sound and frequency is essential in various fields, including audio engineering, music production, and architectural acoustics. It can also be useful in designing sound systems, noise control, and understanding how sound travels in different environments.

Similar threads

  • Electromagnetism
Replies
10
Views
1K
Replies
2
Views
2K
Replies
11
Views
3K
  • Introductory Physics Homework Help
Replies
23
Views
2K
Replies
31
Views
707
Replies
20
Views
3K
  • Electromagnetism
Replies
4
Views
1K
  • Electromagnetism
Replies
15
Views
1K
  • Electromagnetism
Replies
1
Views
6K
  • Introductory Physics Homework Help
Replies
3
Views
200
Back
Top