I'm getting shocked Electricity grounding with 2-prong?

In summary: If you are playing with an amp that is not properly grounded, you may get small shocks. However, it shouldn't be anything big. Just be aware of the dangers and be careful. You also use this amp at your own risk.
  • #1
thementor5
1
0
Hi,

My main question is how to ground a 2-prong if the electrical utility originally was a 3-prong, but the grounder fell off?

The story is that I went to this new music studio and played the electric guitar while singing in the mic. The mic shocked me. I guess something wasn't properly grounded. not sure of exact physics.

And this got me thinking, because next week I'm playing an outside gig, and we're using a piano amp as the amplifier for the vocals. and this piano amp originally had a 3-prong cord, but the grounder fell off, and so it's just a 2-prong cord now. (this would mean that it's not grounded i guess)
So, If I'm singing through this, and playing the electric guitar at the same time, I'm guessing that the mic would shock me again. would it?

so, how could i ground this?

thanks
 
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  • #2
The mic shocked me.
Get used to it. This usually means that the mixer isn't grounded properly. It happens a lot in the biz, and you should really just get used to it. It's usually just a nuisance, but BE CAREFUL: it can be deadly sometimes. Note that the singer from Stone The Crows was killed by a badly grounded system.

As for your particular case, you're correct. The Piano amp is NOT grounded properly and probably shouldn't be plugged in without the third prong.

However, if you have your heart set on playing with that amp, then I guess you can. You may get small shocks, but it shouldn't be anything big. KNOW THAT YOU USE THAT AMP AT YOUR OWN RISK!

Your best bet is to take the amp to an amp store/repair shop or even just get an electrician to replace the plug, it will make sure that it's grounded properly and you can stay safe.
 
  • #3
To be honest, you will only get a shock if the equipment is actually faulty. Proper Earthing will carry fault current to Earth and save you from an actual shock but there is no reason why you should get a shock from an unearthed device if there are no paths from the supply live to the case or microphone ground.
A proper Power Supply Unit will isolate the LV Electronics from the high voltage Mains. Even when there are valves involved there is no excuse.
It is a problem at gigs where you have to use other people's equipment, of course. If your system is fairly uncomplicated then you should get it checked out for not much money.

An isolating transformer in a supply can remove a lot of the dangers - but they are a bit expensive. I seem to remember the BBC used to supply Bands via isolating transformers. Equipment that is constantly being thrown around in the back of vans is more at risk than static equipment.
 
  • #4
Get someone to re-wire the plug.
 
  • #5
Not a bad idea.
 
  • #6
Isn't the third prong there incase the live wire gets loose and touches the device's case. So if you touch the device you will not getting shocked as the third prong will create a short allow the current to flow through. That is what I always thought the third prong was for :S.
 
  • #7
Do NOT "get used to it" or you may soon be an ex-musician. The plug must be replaced by someone that knows what they are doing. Do not use that amp again until it is repaired. That means not just attaching a plug with a ground prong on it, but also maintaining the polarity of the two flat prongs.

If you went to a music studio and got shocked, either the owner of the studio hasn't grounded his equipment properly or the receptacles were installed improperly WRT polarity. OR, you brought your own guitar amp and that was plugged in ungrounded or with reverse polarity. Never use an ungrounded amplifier, either for vocals or instruments.

I can't tell you how many guitar amps I have seen with the ground lug missing from the plug. When I was running open-mic jams weekly, I'd look over every amp that people brought in, and if they weren't properly grounded, I didn't allow them to be used. I usually had a spare amp around, and would let them use that. Ungrounded musical equipment is a hazard to everyone near it, not just the person playing through it. Remember that your guitar is shielded through the amp's ground, and that your metal bridge and strings are connected to that ground. What's going to happen if you touch another guitarist whose amp is running on reverse polarity to your amp? Bzzt! The dangers are greatly magnified if you are playing while standing on soil or concrete.

If you happen to own an older amp that did not come with a ground lug, you really must get a competent repair-person to replace the power-cord. If you own an older Fender that has a "hum" switch, get your repair person to disable it. It flips the polarity of the amp's power-supply, and once you have a properly installed grounded power cord, that is unnecessary and potentially dangerous.
 
  • #8
salman213 said:
Isn't the third prong there incase the live wire gets loose and touches the device's case. So if you touch the device you will not getting shocked as the third prong will create a short allow the current to flow through. That is what I always thought the third prong was for :S.

Yours is the correct answer.

The removal of the ground prong with subsequent "shocks" indicates a faulty circuit. The circuit should be fixed, and then the 3 prong plug should be replaced.



Om, electrical safety inspector, USN, 1978-1983
 
  • #9
OmCheeto said:
Om, electrical safety inspector, USN, 1978-1983

I wonder, where is the ground when you are under water...
 
  • #10
Borek said:
I wonder, where is the ground when you are under water...

I'm sure somewhere there was a pile of dirt with a 6 foot long copper rod buried in it. Though for the life of me, I don't remember ever seeing it. It must have been under the battery.
 
  • #11
Musicians/studios are notorious for removing the ground pin from equipment as a 'quick and easy' solution to ground loops.

OmCheeto said:
I'm sure somewhere there was a pile of dirt with a 6 foot long copper rod buried in it.
That must limit the range of operations slightly ( I think Borek was referring to the N part of USN)
 
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  • #12
mgb_phys said:
Borak

Please, Borek, not Borak nor Borat :grumpy:
 
  • #13
Borek said:
Please, Borek, not Borak nor Borat :grumpy:
Pass the horse-urine beverage, please. :tongue:
 
  • #14
Borek said:
Please, Borek, not Borak nor Borat :grumpy:
Sorry typo (result of typing one handed on a tablet with a coffee in the other hand)

ps. I understand how you want to keep your film career separate - avoid the paparazzi and so on, hence the disguise.
 
  • #15
mgb_phys said:
Musicians/studios are notorious for removing the ground pin from equipment as a 'quick and easy' solution to ground loops.

From the sounds of the scope of this problem, I'm starting to think that maybe the nerds purposely design the equipment to kill musicians. They do after all, get their money for nothing, and their chicks for free.
 
  • #16
Musicians who are scraping by and playing dives would often snap the ground lug off the plug when they had to play in a place that was wired long ago. Even worse, there was a long gap in the US when receptacles were not polarized, and the plugs on old amps had power lugs of the same size. This presented some dangerous situations. It is not surprising that amp technicians called Fender's "hum switch" the "death switch", since you could be working next to another musician whose amp/instrument setup was quieter with a polarity exactly opposite to yours. Not good.

BTW, for any musician with an urge to re-wire their own amps, please reconsider. Especially with older tube amps. You will need to replace zip-cord with fat 3-conductor cords, which means that you'll need a heavy reamer to enlarge the holes that the power cords enter through. You'll need the press-in restraints that hold the cord, and protect the cord's insulation from abrasion so that the conductors in the cord don't contact the chassis of the amp. Most of all, you'll need some smarts to figure out when some amp is designed in a way that can be very dangerous to the user when you touch switches or try to replace fuses. Fender was very bad at these things, though their amps were popular.
 
  • #17
Do NOT "get used to it" or you may soon be an ex-musician.

You still have to get used to it, as a solid 10-15% of the places you play will shock you, from THEIR mixers and so forth...
 
  • #18
Wetmelon said:
You still have to get used to it, as a solid 10-15% of the places you play will shock you, from THEIR mixers and so forth...

It might be wise to (make repairs and) avoid unsafe situations?
 
  • #19
Wetmelon said:
You still have to get used to it, as a solid 10-15% of the places you play will shock you, from THEIR mixers and so forth...
Or form a 50s rock tribute band and all wear crepe soled shoes?
 
  • #20
For Pete's Sake yes, get it fixed.

I'll make it easy. http://xkcd.com/730/" .
 
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  • #21
turbo-1 said:
If you went to a music studio and got shocked, either the owner of the studio hasn't grounded his equipment properly or the receptacles were installed improperly WRT polarity. OR, you brought your own guitar amp and that was plugged in ungrounded or with reverse polarity. Never use an ungrounded amplifier, either for vocals or instruments.

"Polarity" has nothing to do with it. The way Line and Neutral happen to be connected will make no difference whatsoever to the situation in properly working equipment. The reason that the line and neutral should be connected correctly is that there is less possibility of shock if there happens to be a fault in the equipment - i.e. a path from a part of the circuit at high voltage to ground. Both live and neutral should, in any case, be isolated by the power supply circuitry (transformer) from the equipment ground / Earth and from any other equipment that may be connected.
What is very important, however, is that the line and neutral of the actual supply should not be reversed (i.e. the polarity must be preserved through any distribution leads and splitters). This is so that any fuse will be in the live leg of the supply and can be relied upon to cut mains volts from further downstream when it blows. If the fuse turns up in the neutral leg, the current will be interrupted but parts of the equipment will still be live even though the equipment is nominally 'disconnected'.
A residual current circuit breaker will always prevent any more than an annoying, slight shock, and will refuse to turn on if there is any (>a few mA) leakage to ground.

If the same rules applied to electronic musical equipment as are applied to 'site' equipment, then no one would tamper with their own gear and safety would be much improved. I would go so far as to say that anyone who doesn't appreciate what has been written on this thread and who can't distinguish the correct from the incorrect information shouldn't be let anywhere near a screwdriver and wire cutters. I should have thought that the terms of insurance for public events would be scary enough to discourage ignorant tampering . . . .
 
  • #22
sophiecentaur said:
"Polarity" has nothing to do with it.
That is incorrect and it is dangerous misinformation. In grounded amps, the ground is tied to neutral. If the receptacle your amp is plugged into was wired improperly, the amp's chassis will be referenced to "hot" not "neutral". If you are using an older amp with a "hum" switch, it is used to switch your amp's ground reference between "hot" and "neutral". This is very common on Fender tube amps. My favorite little tube amp is a Fender Vibro Champ with an un-grounded and non-polarized plug (both prongs the same size). I have taped a tiny diagram to the plug to make sure that I always plug it in with proper polarity at home, and I NEVER played out with it.

Mix-and-match polarity on stage or in the studio (regardless of cause) is dangerous. If you're a guitarist and you get crossed up with a "hot" mic or come in contact with another guitarist or bassist with improperly grounded or polarity-referenced gear, you can get significant, even deadly shocks. There is a reason that professional musicians' amp-techs re-wire Fender fuse-holders and disable hum-switches (death switches) - protecting the lives of the musicians that they work for.

For any posters here that doubt the veracity of my information, head out to a Borders or other big book store, and browse Dave Funk's "Tube Amp Workbook", Aspen Pitman's "The Tube Amp Book", or any of Gerald Weber's excellent books on guitar amplifiers. These authors cannot afford to get it wrong, for liability reasons at a minimum.

If you are a musician, you owe it to yourself to learn enough about electrical safety to know when you are out of your league and need expert advice, so you'll seek appropriate service from people who know what they're doing. Not from posters on on-line forums with no service experience.

And remember, if you are counting on a fuse to save you from a fatal shock, your heart can stop before the fuse blows, especially if some wing-nut has replaced the amp's fuse with one of a higher value and/or a slower "blow-time". Another reminder: When you are playing electric guitar, your picking and fretting fingers are at the same ground potential as your amp. Your guitar is ground-referenced through the ring-connection of your guitar cord to the chassis of your amp. If you touch something that is not at that same ground potential, some current will flow. If it's a little, you may not notice. If it's a lot, it can kill you.
 
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  • #23
turbo-1 said:
...In grounded amps, the ground is tied to neutral...

So what happens when this amp is plugged into a GFCI outlet?
 
  • #24
Averagesupernova said:
So what happens when this amp is plugged into a GFCI outlet?
Your point is? Have you ever played in a club when the receptacles on the stage were CFGI's. I have been playing music for over 40 years and have never encountered one.

Your deflection of this topic is not relevant.
 
  • #25
turbo-1 said:
If the receptacle your amp is plugged into was wired improperly, the amp's chassis will be referenced to "hot" not "neutral".
I have had first hand experience with this situation while playing in bands. I've even experienced this where home owners put in their own circuits where switches are wired to switch of the neutral, leaving the device hot. Good way to see a few sparks.
 
  • #26
turbo-1 said:
Your point is? Have you ever played in a club when the receptacles on the stage were CFGI's. I have been playing music for over 40 years and have never encountered one.

Your deflection of this topic is not relevant.

Cool your jets. I asked a simple question. If you want me to assume you don't know what you are talking about (or at the very least don't know what would/should happen if it is plugged into a GFCI), then your reply has done just that. I don't care how many clubs you've played in and I don't care if you've never seen a GFCI in a club. My point is (since you asked) is that anything that has the ground and neutral tied together and is plugged into a GFCI, the GFCI will trip. And anything that trips a GFCI when plugged into one is UNSAFE.
 
  • #27
dlgoff said:
I have had first hand experience with this situation while playing in bands. I've even experienced this where home owners put in their own circuits where switches are wired to switch of the neutral, leaving the device hot. Good way to see a few sparks.
And when the club's owner hires an unlicensed family member to add some receptacles around the stage. I ran open-mike jams in two taverns, after I checked every single outlet in the place. I would not accept that responsibility without performing due diligence. There is some pretty loose and inaccurate "advice" being handed out in this thread and I don't think that Greg should be exposed to any liabilities that might result.
 
  • #28
turbo-1 said:
Your point is? Have you ever played in a club when the receptacles on the stage were CFGI's. I have been playing music for over 40 years and have never encountered one.

Your deflection of this topic is not relevant.

I disagree. Being shocked is what GFCI's were designed to prevent. And that is what the OP is complaining about.

If there are any musicians out there with amps designed to kill you, please join the PF postcard club, send me your amp, and I'll fix it for free. Shipping and insurance on such antiquated stuff not included.
 
  • #29
Averagesupernova said:
Cool your jets. I asked a simple question. If you want me to assume you don't know what you are talking about (or at the very least don't know what would/should happen if it is plugged into a GFCI), then your reply has done just that.
You will never find such a ground-fault receptacle on any stage in any tavern or club. That would be ideal, but you will never see it. Bands come and go, with no discipline, for the most part, and no venue would possibly re-wire such that entire sections of the band would drop out on a whim.

I'm not trying to be a jerk. I'm trying to convey some safety information that might possibly save a member from a serious injury or death. It's not a matter of argumentation. It's a matter of safety, and it's a matter of proper appreciation of the US electrical wiring system.
 
  • #30
OmCheeto said:
If there are any musicians out there with amps designed to kill you, please join the PF postcard club, send me your amp, and I'll fix it for free. Shipping and insurance on such antiquated stuff not included.
I have already fixed countless amps and made them safe for their users, including old Gibson and Gretsch point-to-point circuit amps that are a "little" bit tougher to test and service than tag-board, and PCB amps.

If you want to encourage complacency until somebody dies, that's your look-out.

Convincing venues to convert all their receptacles to ground-fault standards? Priceless, and NEVER HAPPEN.
 
  • #31
DaveC426913 said:
For Pete's Sake yes, get it fixed.

I'll make it easy. http://xkcd.com/730/" .

Drats Dave! Where was this circuit the other day when I was playing homework helper?

oms_worst_putdown_ever.jpg
 
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  • #32
turbo-1 said:
I have already fixed countless amps and made them safe for their users, including old Gibson and Gretsch point-to-point circuit amps that are a "little" bit tougher to test and service than tag-board, and PCB amps.
Good!
If you want to encourage complacency until somebody dies, that's your look-out.
The kids amp is shocking him! I told him it was unsafe at any voltage! I told him to send it to me and I'll fix it! How is that encouraging complacency?! Ahhhhh!
Convincing venues to convert all their receptacles to ground-fault standards? Priceless, and NEVER HAPPEN.

Yah. Might be boring to go to all acoustic.

https://www.youtube.com/watch?v=<object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/j1qb1CA3a88&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/j1qb1CA3a88&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object>
 
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  • #33
OmCheeto said:
Good!The kids amp is shocking him! I told him it was unsafe at any voltage! I told him to send it to me and I'll fix it! How is that encouraging complacency?! Ahhhhh!
There has been a ton of misinformation and down-playing of risk in this thread. It is wrong! I appreciate that you have offered to fix his amp, but he's not going to ship it to you, and against the background of the obviously erroneous information posted by some people on this thread, he might think that it's OK to get zapped from time to time, as long as he doesn't die. If he does, that's a moot point.

I would also offer to rehabilitate and upgrade any amplifier that any member would ship to me with guaranteed return shipping, and simple parts (no labor) charges, for safety purposes. Not a problem. I can't tell you how many amps from the 50's through the 70's (tube amps are my love) I have stripped, modified, and rehabilitated. Every time, I would not let any owner claim that "originality" trumped safety. If somebody wanted me to tune an amp and said that I couldn't re-wire the fuse holder (Fenders are the worst here) during the service, I would tell him to take it to someone else. Bye!
 
  • #34
41PoSuePdNL._SL500_AA300_.jpg
 
  • #35
Turbo I never said "ALL STAGES SHOULD USE GFCIs!" My point is that if a GFCI won't run something without tripping it should not be run without a GFCI either. I don't think anyone in this thread is harping on safety as much as you are yet you seem to miss a lot of points. Hell, you even point blank asked me:
Your point is?
 

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