- #1
rachmaninoff2 said:M. 3-4 transition in the second example is nonsense. The diminshed triad in the first example is merely awkward, and painful, much more so with the unnecessary Bb suspension. If this is a theory exercise (as I hope), lots of things to things to be improved might be
-mobile bass
-use readable notation (bass clef for RH)
-look up, in your text, a half-decent transition from IV(64) to I, there are many
-figure out what your rests mean, and why they make everything more awkward
(hint: 1st downbeat is the strongest beat)
That still doesn't work; IV-iv is very questionable harmonically... and in this case the notes are exactly repeated.bomba923 said:(Well...I'll change their F# to a Gb...
and those "toted quarter rests" will be replaced with separate quarter and eighth rests. Also, I'll transpose the RH to work with a bass clef)
Playing the right hand an octave lower on the piano means to play the same notes in the right hand, but one octave lower on the piano keyboard. This results in a lower pitch and a fuller sound.
Playing the right hand an octave lower on the piano can add depth and richness to a piece of music. It can also make it easier to reach certain chords or notes, especially for those with smaller hands.
Playing the right hand an octave lower on the piano can be challenging at first, but with practice, it can become easier. It requires coordination and strength in the fingers to play the notes in the lower octave accurately.
Not all songs will sound good when played with the right hand an octave lower on the piano. Some pieces may sound muddy or lose their intended melody. It is best to experiment and see which songs sound best with this technique.
It can be helpful to practice playing scales and simple melodies with the right hand an octave lower to get used to the feeling and coordination. It is also important to maintain proper hand and finger positioning to avoid strain or injury.