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| Jan30-11, 04:04 PM | #937 |
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Recognitions:
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| Jan31-11, 05:06 AM | #938 |
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| Feb8-11, 04:43 PM | #939 |
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In case I was missed, The weather was excellent and I was on a photo mission today.
One token of the result here: ![]() check here for a larger download |
| Feb17-11, 02:50 PM | #940 |
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Also made this one that evening:
![]() It's entered in the week challenge here. Larger version (reduced to 60%) |
| Feb19-11, 05:19 AM | #941 |
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The challenge is conceptual photography, for instance expressing a word that's not clear from the picture
So I entered this: ![]() But which word is implied?? |
| Feb25-11, 12:22 PM | #942 |
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Here's some more shots from the mill the day after the 35W collapsed..
![]() ![]() ![]()
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| Feb25-11, 04:27 PM | #943 |
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Some signs that didn't make the cut...
![]() ![]()
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| Feb25-11, 04:32 PM | #944 |
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Nice, redpenguin, I really like the photo you entered in the contest, and also the one of the same subject here, particularly, as well.
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| Feb25-11, 04:48 PM | #945 |
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Thanks for the comments fuzzy.
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| Feb25-11, 07:37 PM | #946 |
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Recognitions:
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Since we had a snow day today, I worked on photographing a glass bowl. Nothing fancy- just a pressed-glass pattern. I had a blindingly white background (snow through a window), and took two sets- one backlit with the snow, and the other side-lit using the 85mm f/1.4. The images are 100% crops. I wanted to capture the diffractive effect of glass, and with my eye I could barely make out faint rainbows. Well:
![]() ![]() ![]() ![]() These are unprocessed, and look a kajillion times more vivid than by eye. The first pair of images are backlit, and show that stepping down the aperture (f/1.4 top, f/18 below) increases the vividness of the color. The next two are sidelit, same apertures, and show that in this case, stepping down the aperture increases the contrast, but the vivid color is always present. My thinking is that shooting glass (or ice, or water) is fundamentally different than shooting opaque objects- water and glass don't absorb the light, only scatter it, and so photographing glass objects is a lot like photographing a light source directly: extreme changes in contrast, etc. I guess the message here is that shooting with as small an aperture as possible will help bring out any rainbows present. |
| Feb26-11, 03:19 AM | #947 |
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Admin
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| Mar3-11, 02:01 PM | #948 |
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Admin
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I have a problem here:
![]() Same prime lens (100mm 2.8L macro), same ISO, both pictures taken from the tripod standing in both cases in exactly the same position, with the same external flash, distance about 2 meters, ISO 100, 8.0/200 - the only difference is a body. One is 400D other is 7D. Both crops 1:1. "Standard" picture mode in both cases (which means slight automatic sharpening). 7D is much less sharper. I would say surprisingly less sharper. Does it mean it is defective? I have no idea how they should compare, but I don't like what I see. From the 1:1 crops Andre posted I felt like the image should be crisp sharp, but it is obviously not a case. |
| Mar3-11, 02:33 PM | #949 |
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Yes that's clearly not good.
This is a 100% crop (albeit fully sharpened with dpp) ![]() of this 1:1 shot with the 100mm non-L lens on the 7D. ![]() For better benchmarking you could use the test pictures of dpreview,in any test, for instance: http://www.dpreview.com/reviews/Pana...GF2/page18.asp Scroll down to the 4 crops with coins visible, select any camera you want in the pull down menu and compare. You can also download the full shot from that. Incidently, the concept of this particular picture was "magnificent" or 'magnified cent' |
| Mar3-11, 03:29 PM | #950 |
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The problem could also be the image stabilisation fighting the tripod. IS should be off on the tripod. Furthermore, it could be a calibration problem of the focussing. make an oblique picture of a yardstick, noting the exact focus point and see if there is a shift in focus. The 7D allows for individual lens focussing adjustments (menu C.Fn III 5). One of the reasons why it's so expensive. |
| Mar3-11, 03:36 PM | #951 |
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Since I've gotten my camera and my primary interest in photography is astrophotography, I thought I'd post some of my first astro images here. I do know that there is a thread in the Astronomy forum dedicated to Astrophotos, but I feel these are better here.
All of these photos were taken from my home, a small farm in south eastern Saskatchewan, where the skies are about a Bortle 3. The photos were taken with a non-tracking tripod, ISO 1600, exposure times from 10-30 seconds, with the Canon T2i Kit lens, 18-55mm. No processing has been done on the photos either(other than what my camera does itself); I am not too good at stuff like that yet. This is an out of focus image of Orion. ![]() This is a crop of the Pleiades Star cluster, M45. ![]() This is the big dipper, probably my favorite image of it, because in the original, if you zoom into the star Mizar, you can see the 4 main stars of the Mizar-Alcor system. ![]() Here is a crop of the Mizar-Alcor system from the photo above. ![]() Here is the Andromeda Galaxy, with some star trails around it. I don't have a tracking tripod, so that is why it is smeared. ![]() This is the big dipper sitting over my home town. ![]() This is Orion, with low clouds beneath, being lit up by a few farm houses.
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| Mar3-11, 04:13 PM | #952 |
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