Common Flaws in Movie, TV & Story Plots

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Discussion Overview

The discussion revolves around identifying and critiquing flaws in plots from various movies, TV shows, and stories. Participants share specific examples and express their thoughts on inconsistencies, illogical character actions, and unresolved plot points.

Discussion Character

  • Debate/contested
  • Exploratory
  • Conceptual clarification

Main Points Raised

  • One participant notes a flaw in "The Hunt For Red October," questioning why a SONAR operator can detect the submarine after a day when it was initially presented as undetectable.
  • Another participant suggests that the character played by Sean Connery wanted to be detected to defect, implying a deeper narrative purpose.
  • Concerns are raised about inconsistencies in the "Star Trek" series, particularly regarding the portrayal of shapeshifters across different shows.
  • A participant critiques the character motivations in "Closer," arguing that the protagonist's actions lack logic and consistency, questioning the basis for significant plot developments.
  • There is a humorous exchange regarding the attractiveness of Julia Roberts compared to Natalie Portman, reflecting personal opinions rather than plot flaws.
  • Another participant mentions that the portrayal of submarine crew behavior during tense situations seems unrealistic, noting the absence of typical human reactions in high-stress scenarios.
  • Discussion includes a reference to Sean Connery's character having his crew sing to be detected, adding another layer to the plot's complexity.
  • One participant reiterates the stealth capabilities of the submarine as a reason for Connery's character's actions, suggesting a focus on the narrative's underlying themes.

Areas of Agreement / Disagreement

Participants express a range of opinions on the flaws discussed, with no clear consensus on the validity of the critiques or the interpretations of character motivations. Multiple competing views remain regarding the effectiveness and logic of the plots mentioned.

Contextual Notes

Some discussions rely on personal interpretations of character actions and motivations, which may vary widely among viewers. The critiques often depend on subjective views of storytelling and character development.

Who May Find This Useful

Readers interested in film and television critique, storytelling analysis, and narrative structure may find the discussions relevant.

Ivan Seeking
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What are some obvious flaws found in plots for movies, TV shows, novels, short stories, etc?

I just noticed this in the movie The Hunt For Red October.

The basis of the movie is the imminent threat posed by a Soviet built and operated first strike weapon that can't be detected: The nuclear submarine, Red October. However, the first SONAR operator to encounter this threat to humanity finds that he is able to detect and track the sub after about, oh, a day. Soooooo, why the rest of the movie? :smile:
 
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Thinking...thinking...
 
I with to hell I didn't have to go to bed now, because I could fill a couple of dozen pages with this crap. I'll start on it tomorrow after work (or while getting ready for work, if I have time).
 
The ones I hate are all the inconsistancies between the different Star Trek series. In Deep Space Nine, Odo is a member of the only known race of shapeshifters. Yet, on Next Generation, there was an episode with a shapeshifter whose home planet was, apparently, well known, and in our quadrant (not the gamma quadrant where Odos people come from.)
 
In the movie Closer, Jude Law's character meets a photographer (Julia Roberts) during a photo shoot ofr his new published book. He falls in love with her while being in a relationship with another girl. Soon after, perhaps a few days, he goes online and begins a cybersex session with another man and pretends to be this woman. He tells the man (Clyve Owen's character) to meet Julia at a local aquarium where ofcourse Julia has no idea what's going on, but my grudge against is, why would he even do that in the first place? He shows no sign of repeating this pattern or doing it on a regular basis. there's no logic behind doing it, yet its a strong basis for the rest of the story.
 
Ivan Seeking said:
What are some obvious flaws found in plots for movies, TV shows, novels, short stories, etc?

I just noticed this in the movie The Hunt For Red October.

The basis of the movie is the imminent threat posed by a Soviet built and operated first strike weapon that can't be detected: The nuclear submarine, Red October. However, the first SONAR operator to encounter this threat to humanity finds that he is able to detect and track the sub after about, oh, a day. Soooooo, why the rest of the movie? :smile:
Isn't the point that Connery wanted to be detected so he could defect, but Baldwin's superiors and peers just don't get it.
 
whozum said:
In the movie Closer, Jude Law's character meets a photographer (Julia Roberts) during a photo shoot ofr his new published book. He falls in love with her while being in a relationship with another girl. Soon after, perhaps a few days, he goes online and begins a cybersex session with another man and pretends to be this woman. He tells the man (Clyve Owen's character) to meet Julia at a local aquarium where ofcourse Julia has no idea what's going on, but my grudge against is, why would he even do that in the first place? He shows no sign of repeating this pattern or doing it on a regular basis. there's no logic behind doing it, yet its a strong basis for the rest of the story.
Surely a bigger flaw is: who the hell would crawl over Portman to get to Roberts?
 
El Hombre Invisible said:
Surely a bigger flaw is: who the hell would crawl over Portman to get to Roberts?
I would. She was gorgeous in that dress and hat at the polo match in Pretty woman.
 
Yeah, Roberts 20 years ago maybe, but now? That gaunt, grey, sunken face... skulking and sulking around her studio... nah.
 
  • #10
Ivan Seeking said:
What are some obvious flaws found in plots for movies, TV shows, novels, short stories, etc?

I just noticed this in the movie The Hunt For Red October.

The basis of the movie is the imminent threat posed by a Soviet built and operated first strike weapon that can't be detected: The nuclear submarine, Red October. However, the first SONAR operator to encounter this threat to humanity finds that he is able to detect and track the sub after about, oh, a day. Soooooo, why the rest of the movie? :smile:

Well, I think it was supposed to sound like a natural phenomenon, which it did (a magma displacement.) Even after the capatin and sonar operator decided it was a Russian sub, none of their higher ups (the fleet commander) did. What bugs me is that in all that time they were chasing the sub, no crewman ever dropped a wrench on his foot and started cursing? From what I gather watching old submarine movies (where the crew stands motionless and dead silent during depth charge attacks) a sonar operator would be able to hear that and say 'yup, that's a submarine captain, no doubt about it.'
 
  • #11
If I recall, didn't Sean Connery have his crew start singing in order to be detected at some point?
 
  • #12
The reason for Connery defecting was the first strike stealth capability of the sub.
 

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