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SpaceTiger
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George Jones said:2. Which John song was inspired by an easy high rider?
She saaaaaaaaid, I know what it's like to be dead. Didn't she Mr. Fonda?
George Jones said:2. Which John song was inspired by an easy high rider?
George Jones said:3. Inspiration for the title of a song that Paul wrote as a piano exercise for himself?
SpaceTiger said:Not sure about this one, but I'd say Martha My Dear. I've heard claims that it was inspired by his dog, Martha, and also his muse. I'd go with the latter.
Jeff Reid said:I remember there was some song where Ringo states at the end of the song, "I'm very bored", which was misunderstood to be "I buried Paul".
The other supposed clue was Paul being the only one barefoot on the cover of Abbey Road, which would have required Paul knowing he was going to die relatively soon after that picture was taken.
SpaceTiger said:Got to get you into my life...hoo hoo hoo! <John in falsetto> dee dee dee dee</>
She saaaaaaaaid, I know what it's like to be dead. Didn't she Mr. Fonda?
Gokul43201 said:I remember a little bit about scrambled eggs. I think Paul "heard" the music during an acid (or somesuch) trip...and he came out of it, and played it exactly how he remembered.
Gokul43201 said:Harrison playing slide to a John song (which happened a lot in their later years).
Wishbone said:wait, post beatles he became amazing?
you obviously don't know much about him then, he was an amazing guitarist, and the best musician out of all of them.
Lennon really was much less of a musician than people give him credit for
I love John's vocals. There was a terrible fight between Paul and John, because Paul wrote almost all the lyrics and music for their early songs, and John contributed very little, but John insisted in getting equal credit. It was a huge thing back in the late 60's.SpaceTiger said:However, his vocal performances were by far the best and his songwriting skills were certainly on par with Paul's.
Evo said:I love John's vocals. There was a terrible fight between Paul and John, because Paul wrote almost all the lyrics and music for their early songs, and John contributed very little, but John insisted in getting equal credit. It was a huge thing back in the late 60's.
Yeah, I just remember a huge animosity between Paul and John.SpaceTiger said:To the best of my knowledge, they both contributed approximately equally to the writing load throughout the run of the Beatles. In fact, John dominated the early years and his overall count is a bit higher (check out the book, Beatlesongs). On A Hard Day's Night (the album), for example, he was the dominant writer on all but three of the songs. As a general rule of thumb, the writer of the song would do the lead vocals. There are a few exceptions to this, but not very many, so it's a quick and easy way to determine the writer.
There was a recent dispute over the credit for a few of the songs that were solely McCartney numbers, such as "Yesterday". McCartney was upset because Yoko was getting a crapload of money for a song that neither she nor any of the Beatles had anything to do with. However, the dispute occurred long after Lennon was already dead and McCartney eventually decided to give up.
The decision for split authorship was made in the early 60s because they were very frequently collaborating back then. The order was chosen to be alphabetical. At the time, it may even have been to McCartney's advantage to share authorship on all of their songs. As for the informal credits to the songs, there were only a few small disputes, most notably "In My Life" and "Eleanor Rigby". In the former, Paul claims to have written the entire melody, while John claims it was only the middle 8. The words are indisputably John's, but I don't think historians agree on who wrote most of the melody. In "Eleanor Rigby", John claimed to have helped with the lyrics, while Paul and a few others say he contributed nothing. I think it's generally accepted that Paul was right on that one.
Evo said:Yeah, I just remember a huge animosity between Paul and John.
George, the least "public" of the Beatles really had talent. I love his songs in the movie "Time Bandits".
So someone else HAS heard of them!Astronuc said:Iron Butterfly.
yomamma said:So someone else HAS heard of them!
yomamma said:name another song of theirs..NOBODY CAN!
Sooooooo close! What piece is most like the Symphony #9 without being the Symphony #9?Gokul43201 said:Zooby's Quetion : I haven't got a clue (there were all kinds of different pieces snuck in there), but I'm going for the most likely wrong "duh" guess: Symphony No. 9
Ron Bushy's drum solo inspired a lot of percussionists/drummers.yomamma said:So someone else HAS heard of them!
Astronuc said:I had the album Let it Be, and I ejoyed Revolution from the album Hey Jude.
SpaceTiger said:I would say with a good bit of confidence that Paul was the best "musician" out of the bunch. He was a competent (to put it mildly) bassist, drummer, guitarist, and pianist during his time with the Beatles. However, I think both John and George were better "artists".
George's guitar parts were good for the purpose that they served, but I think even he would admit that his technical abilities were nothing compared to, for example, his friend, Eric Clapton.
Wishbone said:none of them were as good as eric clapton was at guitar of course, but george great. but if harrison was by lightyears the best guitar player out of any of them, any guitarist can tell you that. John and paul were just like you mentioned, competent, but nothing more than that.
Well you had to have been then there in that time.SpaceTiger said:That's a shame, those were both kinda lame albums, IMO. The former was an overproduced, disorganized mess and the latter was simply a compilation album used as an excuse to put "Hey Jude" onto a long-player.
Yeah, 1965 was a pivotal year. Those albums were more like The Beatles II.SpaceTiger said:I would say the most musically important Beatles albums (in chronological order) were:
Rubber Soul
Revolver
Sgt. Pepper
White Album
Abbey Road
Each one is a different experience and each one broadened my musical horizons.
:rofl: I don't listen to much post-90's rock. In fact I don't listen to much post 70's rock. Don't get me wrong, there was good stuff after about 1975, but really good stuff was less frequent.SpaceTiger said:I don't listen to a lot of music pre-90s, but the Beatles (along with Zeppelin and Floyd, of course) laid much of the groundwork for modern rock and pop. I think anyone interested in rock music should listen to them.
Astronuc said:I really didn't get much to the Beatles that much - too Top40ish - like the Hollies, The Monkees, Gerry & the Pacemakers, etc. That was fine when I was 10 or younger.
I was more into so-called acid or psychedelic rock.
Yeah, 1965 was a pivotal year. Those albums were more like The Beatles II. :rofl:
I don't listen to much post-90's rock. In fact I don't listen to much post 70's rock. Don't get me wrong, there was good stuff after about 1975, but really good stuff was less frequent.
I've heard those tunes. I'm sorry, but the Beatles didn't really appeal to me, once I heard the other groups that I listed.SpaceTiger said:Revolver, Sgt. Pepper, and the singles during the 1966-1967 period were part of what defined acid rock and brought it to the fore. Have you never heard Strawberry Fields Forever or Tomorrow Never Knows?
Astronuc said:For me, the Beatles II was psychedelic rock lite. They just couldn't compare to Hendrix, Led Zeppelin, The Who, Robin Trower and the others.
Actually, I really like band that incorporate the electric organ and Mellotron, which is one reason I like Emerson, Lake and Palmer. And I like really good, strong base lines - another reason I like EL&P.SpaceTiger said:It looks to me like you're big on guitar-driven rock. In the cases of Zeppelin, Hendrix, and Floyd, I think this was used to great effect and brought the music to a new level. Much of the time, however, I just felt that it was distracting and ostentatious, especially with guitarists like Stevie Ray Vaughn.
SpaceTiger said:Take, for example, Paul's guitar solo on "Taxman"...certainly nothing to scoff at./QUOTE]
taxman, srsly? compared to some of the **** harrison did? not even close. And Zeppelin is a great case of where you can argue the guitar player was the worst at his instrument and still better than almost anyone else at his time. SRV was of course fantastic also though.
Actually, I really like band that incorporate the electric organ and Mellotron
Astronuc said:Most rock is guitar driven.
I also like what I would call really technical guitar, like MacLaughlin and Dimeola. I forgot to mention Michael Hedges. Listen to Aerial Boundaries if you haven't heard it.
Wishbone said:taxman, srsly? compared to some of the **** harrison did?