Musical notation and timing help

  • Thread starter Thread starter DaveC426913
  • Start date Start date
  • Tags Tags
    Notation
Click For Summary

Discussion Overview

The discussion revolves around the concept of musical notation, specifically the use of 7/4 timing in music, as exemplified by the piece 'The Temple' from Jesus Christ Superstar. Participants explore the notation and counting of beats in this time signature, as well as the existence of other compositions that utilize similar or complex time signatures.

Discussion Character

  • Exploratory
  • Technical explanation
  • Debate/contested

Main Points Raised

  • One participant asserts that some music in Jesus Christ Superstar is played in 7/4 timing, specifically referencing 'The Temple' and claiming it has seven beats per bar.
  • Another participant suggests that 7/4 timing can be counted as a measure of 4 followed by a measure of 3, and mentions the importance of conducting to understand the rhythm.
  • Some participants express skepticism about the existence of a bar with seven notes, suggesting that music is typically notated in 4/4 or 8/4, with extra notes falling into the next bar.
  • Examples of other music with odd time signatures are provided, including works by Tool and Rush, as well as Benjamin Britten's "Young Persons Guide to the Orchestra," which features contrasting time signatures.
  • One participant describes a common notation for 7/4 time as a measure of seven with a dotted line separating it into groups of four and three beats.

Areas of Agreement / Disagreement

Participants express differing views on the notation and validity of 7/4 timing, with some supporting its existence and others questioning it. The discussion remains unresolved regarding the best way to present evidence to detractors.

Contextual Notes

There are references to various musical pieces and examples of odd time signatures, but the discussion does not resolve the assumptions about notation practices or the acceptance of 7/4 timing in musical contexts.

DaveC426913
Gold Member
2025 Award
Messages
24,551
Reaction score
8,869
I'm trying to vindicate myself in a music discussion.

In watching Jesus Christ Superstar the other day, I concluded that some of the music is played in 4/7 timing. That is, some of the music actually has 7 seven beats to the bar. (It is definitely not 7 beats plus a rest, so just don't even think about suggesting it).


There, are several, but one example is the movement called 'The Temple'. you can find it here, listed as piece 2-5. You can also see that the artist has corrobrated my claim by documenting his chords in the notation as having 7 beats.


What I want is something that demonstrates the timing notation clearly, anything I can present to my detractors. Yes, I can go buy the sheet music, either dead-tree format or online, but either way, it would cost (and it's only a gentleman's bet).

I'm hoping someone here can help me more expediently.
 
Physics news on Phys.org
I believe you want 7/4 seven beats with the quarter note getting the beat.

http://monroelab2.physics.lsa.umich.edu/phys288/Lecture%2024/
 
Last edited by a moderator:
Its distracting to count out loud, but if you learn to conduct, you can do it - http://cnx.rice.edu/content/m12404/latest/

7/4 is conducted as a measure of 4 followed by a measure of 3. You'll be able to hear the downbeats at the start of each (full) measure coinciding with your conducting.
 
Last edited by a moderator:
Right on the money Russ. Take it from a life long band geek.
 
russ_watters said:
Its distracting to count out loud, but if you learn to conduct, you can do it - http://cnx.rice.edu/content/m12404/latest/

7/4 is conducted as a measure of 4 followed by a measure of 3. You'll be able to hear the downbeats at the start of each (full) measure coinciding with your conducting.

I can most definitely count out the seven beats to the tune of the song, though it takes a bit of practice.

My question is, how is this notated? My detractors insist that there is no such thing as a bar with seven notes. That you would merely use a four-note bar, or eight note bar, letting the extra note fall into the next bar, kleaving rhythm and bars out of sync.
 
Last edited by a moderator:
Ba said:
I believe you want 7/4 seven beats with the quarter note getting the beat.

http://monroelab2.physics.lsa.umich.edu/phys288/Lecture%2024/

Thanks. But I don't see what that link does for me.

Oh. OH! There it is at the bottom! It actually says 7/4 time! And 'Money', a much better known song!


That sets me on the right path, but I'm still not sure that list in and of itself will convince my detractors. I guess I"ll need to find some actual sheet music.
 
Last edited by a moderator:
DaveC426913 said:
My question is, how is this notated? My detractors insist that there is no such thing as a bar with seven notes. That you would merely use a four-note bar, or eight note bar, letting the extra note fall into the next bar, kleaving rhythm and bars out of sync.

Not at all. I think what he's referring to is probably a type of polyrythm, but that's not relevant to this situation. It would deffinately be written as an ordinary bar with seven beats and time signature 7/4.

An example of music written in 7/4:
http://www.marchingpercussion.com/music/free/sevenfour.gif

If you'd like to find some music with odd time signatures, look into Tool, particularly tracks from "Lateralus"
Many orchestral pieces often change time signatures frequently also, and though they may be predominantly 4/4, 6/8 etc. several will have the odd passage or few bars with an odd time signature in
 
Last edited:
FredGarvin said:
Right on the money Russ. Take it from a life long band geek.
How do you think I came up with that? :wink:

Rush also does some odd time signatures - I think some in 7.
 
DaveC426913 said:
I can most definitely count out the seven beats to the tune of the song, though it takes a bit of practice.

There are plenty more out there that are even more confusing. For example, in Benjamin Britten's "Young Persons Guid to the Orchestra" He has half of the orchestra playing in essentially 4/4 while the other half is playing in 3/4 until it all comes back together again. Try tapping your foot to that part!
 
  • #10
That reminds me of a drum soloing tip I was once given-
I was told to try playing a relatively simple 16 beat pattern with the right hand, and a 15 beat pattern with the left over and over, giving the impression of something more complicated than it really is (though still terribly hard to play)
 
  • #11
russ_watters said:
Rush also does some odd time signatures - I think some in 7.
Yes. "Tom Sawyer" gets some of its odd sound that made it so unique when it first hit, from using strange time signatures.

Basically you just note it at the start of the measure as 7/4 and then note it again if it changes back to, say, 4/4.
 
  • #12
The way I've most commonly seen 7/4 is a measure of seven with a dotted line seperating it into four and three, the piece that comes to my mind is the Finale of Stravinsky's Firebird.
 

Similar threads

  • · Replies 13 ·
Replies
13
Views
5K
  • · Replies 7 ·
Replies
7
Views
4K
  • · Replies 9 ·
Replies
9
Views
4K
  • · Replies 25 ·
Replies
25
Views
6K