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How/why music causes emotion? |
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| Jan16-13, 06:22 PM | #86 |
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How/why music causes emotion? |
| Jan16-13, 06:27 PM | #87 |
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| Jan16-13, 06:37 PM | #88 |
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I would like to throw my two cents in the hat for the topic, although I have only read the first page so I have no idea if someone else has stated this yet.
I see music as no different than color. We have settled on specific color frequencies, and have color wheels that show what colors go well with each other. If you like the color combinations an artist used on a painting, you will find it appealing. If you like the tone combinations in a music piece, you will find it appealing. I remember a couple of years ago seeing an article about an ancient flute, and the scientists had made a replica that they had played and posted the mp3. I was amazed at the modern tones, it was "in tune" with any hand made modern flute might use. I think it is something in our brains, where we find the frequencies in color and music as universally appealing. |
| Jan16-13, 06:51 PM | #89 |
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I tried to find articles on testing different musical intervals on infants i.e. blank un socialised canvases, to see if there was any truth in the idea that we are inclined naturally to appreciate 'nice harmony' over clashing tones, but couldn't really find anything. |
| Jan16-13, 07:25 PM | #90 |
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Hi Ben. Certainly, you learn to like certain music styles because of familiarity. I was going for a more fundamental aspect, but there is nothing wrong with your point. FYI I listened to Rachmaninoff the other day. His music makes me happy.
And BTW, I found the article with the mp3. 35,000 years ago this flute played tones that modern man still find appealing. http://cosmiclog.nbcnews.com/_news/2...r-cavemen?lite Now that I find amazing. My brother makes native American flutes, and it is basically the same tones, 35,000 years later. Awesome. |
| Jan16-13, 09:23 PM | #91 |
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The Magritte was not posted to illustrate "pretty" anyway. It was posted to illustrate that the thing you draw is not the art, the drawing is the art. "This is not a pipe" is true because it's a painting of a pipe, not the pipe itself. As Magritte said, you can't fill the painting with tobacco and smoke it. Likewise, the pipe is not a painting, even if you have an aesthetic reaction to it. If you want to define those peripherals as part of doing biology, consider this: Biologists and artists have to clean their glasses. Since cleaning one's glasses is part of the process of biology, I am, when I clean my glasses, a biologist, am I not? I must be at least partially a biologist since I do one thing that is part of the process of biology. No? |
| Jan16-13, 10:08 PM | #92 |
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It could well happen that an accident would produce something that was cool to look at. Here again though, just because you have a positive aesthetic reaction to a thing doesn't mean it's art. Physics and scientific theories are certainly not ever considered art. Art allows for complete fiction, fiction as the ultimate goal of a piece. Science absolutely not. An artist may pour his soul into depicting the way he wishes things were. The most a scientist can do is construct a gedanken fiction in the service of illuminating the way things actually are. |
| Jan17-13, 03:56 AM | #93 |
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| Jan17-13, 06:05 AM | #94 |
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I hope this might clarify some things-
"The choice of Duchamp's Fountain as the most influential work of modern art ahead of works by Picasso and Matisse comes as a bit of a shock," said art expert Simon Wilson. "But it reflects the dynamic nature of art today and the idea that the creative process that goes into a work of art is the most important thing - the work itself can be made of anything and can take any form." http://news.bbc.co.uk/1/hi/entertainment/4059997.stm The person responsible for the snow shovel, urinal and “Nude Descending a Staircase” was Duchamp. Reading on further down the page that included Zoobyshoe’s quote- “In 1917 he submitted the now famous Fountain, a urinal signed R. Mutt, to the Society of Independent Artists exhibition only to have the piece rejected. First an object of scorn within the arts community, the Fountain has since become almost canonized by some as one of the most recognizable modernist works of sculpture. The committee presiding over Britain's prestigious Turner Prize in 2004, for example, called it "the most influential work of modern art."[15] http://en.wikipedia.org/wiki/Dada “Anti-art”, if you get the joke, in denying artistic boundaries, denies itself (or it affirms both boundaries and itself, or in achieving a redefinition or lack of definition of art makes the term in that application obsolete). The term has been described as a “Paradoxical neologism”, and is like the ironical term “postmodernism”. http://en.wikipedia.org/wiki/Anti-art “The definition of art is controversial in contemporary philosophy. Whether art can be defined has also been a matter of controversy. The philosophical usefulness of a definition of art has also been debated.” Claims denoting clear boundaries suggest an agreed definition. Some definitions of art are too narrow to include “the most influential work of modern art”, and many other works considered art. There are various definitions here. Definitions of art- http://plato.stanford.edu/entries/art-definition/ Formalist definitions (elements of design, etc.) combined with intentionalism was one way of allowing for Abstract Expressionism, in that formalism allowed for non-figurative works and placing importance on intention helped distinguish their expressions from “kitsch” or wall-paper. Greenberg had been regarded as a leading promoter of this idea, but distances himself in a quote here- http://en.wikipedia.org/wiki/Formalism_(art) Intention might not be important, e.g.- http://en.wikipedia.org/wiki/Death_of_the_Author Although I don’t consider them necessary, some examples come to mind. I relinked this recently, exhibited at the Hayward and Serpentine Galleries- Or there were the working diagrams by theoretical physicists who were invited to show their images on the walls at the RA. (http://www.royalacademy.org.uk/) |
| Jan17-13, 07:46 AM | #95 |
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http://upload.wikimedia.org/wikipedi...White_1917.jpg |
| Jan17-13, 08:05 AM | #96 |
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| Jan17-13, 11:45 AM | #97 |
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Something art and science share is their investigative nature. In that they're united, I'd claim. However, art allows an individual to investigate his own psyche and present the results for consideration. The truth he tries to unravel is something like, "This is how my mind operates." Every psyche is valid here. The success or failure lies in how effectively the artist manages to communicate whatever part of his psyche he's working on to his audience. A scientist, on the other hand, is not permitted to explore how he wishes the universe operated and present it as science. What we want from a scientist is someone who more accurately explains the external, objective truth. |
| Jan17-13, 12:21 PM | #98 |
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| Jan17-13, 05:50 PM | #99 |
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"This result is too beautiful to be false; it is more important to have beauty in one's equations than to have them fit experiment." -- Dirac "It seems that scientists are often attracted to beautiful theories in the way that insects are attracted to flowers — not by logical deduction, but by something like a sense of smell." -- Steven Weinberg "The emergent physics laws (such as the law of dipolar interaction and the law of non-interacting phonons) are simple and beautiful" -- Xiao-Gang Wen Of course it's harder to see why cancer might be beautiful, and similarly there are subjects in art which are not beautiful such as war, which is why I agree that truth comes first both in art and science - but I think we do hope that at some deep level truth and beauty are allied. This book is not about heroes. English Poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except war. Above all I am not concerned with Poetry. My subject is War, and the pity of War. The Poetry is in the pity. Yet these elegies are to this generation in no sense consolatory. They may be to the next. All a poet can do today is warn. That is why true Poets must be truthful. ~Wilfred Owen http://www.illyria.com/poetry.html |
| Jan17-13, 10:03 PM | #100 |
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| Jan17-13, 10:14 PM | #101 |
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How/why does this sucession of notes convey such a sense of anxious fury? Such furious anxiety? I get all tense listening to it, and my heart rate goes up.
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| Jan18-13, 03:50 AM | #102 |
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This performance is not note-perfect, but the variety of appropriate articulation is much greater, don't you think? Let me ask a counter-question: are there things that don't evoke any emotion? What is the physiological basis of flat affect? Also, would fear conditioning using sound be an appropriate simplification of the OP question? |
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