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Why is English compulsory at school? |
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| Feb19-13, 04:36 PM | #103 |
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Why is English compulsory at school? |
| Feb19-13, 04:36 PM | #104 |
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If the goal is to respect cultures, then movies do a great job as well. And so does actually talking to people of a different culture. |
| Feb19-13, 04:38 PM | #105 |
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| Feb19-13, 04:42 PM | #106 |
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The same with literature. If you are going to force literature on students (like teaching it in class), then you can expect that most students start hating literature. Certainly if the books you assign are totally not engaging or interesting. I think the easiest way to ruin the beauty of a subject is to let it being taught in high school... |
| Feb19-13, 05:27 PM | #107 |
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In theory, reading fiction is about putting oneself in another's shoes and thinking about how one would react in those circumstances. Otherwise, people read fiction for entertainment/escape. Writers write fiction to earn a living, although some are really good story tellers, and they write primarily to tell stories and influence others. That's perhaps the difference between pulp fiction and classic literature. I think a couple of the writers for Monty Python majored in English/literature. It worked for them. It worked for Abraham Lincoln, because he communicated with his colleagues and the public with storiers. On the other hand, I strongly disliked having to read plays, poetry and most fictional prose, because I didn't care for analyzing the symbolism, etc, and I felt I could make better use of my time reading historical non-fiction, and math and science. |
| Feb19-13, 05:27 PM | #108 |
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| Feb19-13, 05:38 PM | #109 |
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The hard part is to get the student motivated to learn something. Once you accomplished that, he won't take the lazy route. In a standard school system, teachers have to teach everybody. So they can't take out time for 1 vs 1 teaching and for motivating all the students. But maybe motivating students is much easier in a nonstandard environment. I'm not an expert on it, so I'm just saying what I think here. |
| Feb19-13, 05:52 PM | #110 |
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1. The vast majority of children (even up through high school aged) don't know what they want to do as a career.
2. Money. Programs cost money for teachers, classroom space, and learning materials, among other things. There are many highschools and even middle schools which have implemented, or plan to implement, curricula for engineering, business, psychology, the arts, and more. This, I think is a great thing, and I'm sure you Literature-naysayers would agree, given the common themes being thrown out here However, they are high level (as in, in engineering you'll learn electronics, mechanisms, civil, etc. Rather than just one field), and even the engineering ones typically don't rid you of those pesky english courses unless, maybe, you are in a private tech school, because these classes teach you... 3. Critical thinking. Maybe Scotty Fitzgerald simply liked the name Daisy when he was naming Gatsby's obsession. But your 8th grade english teacher isn't going to hear that for a moment. Discussion about literature give us practice at looking at things from many angles. It allows us to view things from other peoples perspectives, so that we might apply that in our dealings with other people. I thought Bartleby was a right jerk, and probably could have left the story at that, but I wrote an 8 page paper on how he compared to Sisyphus. It is an excercise in examining every aspect of the limited data one has in front of him and drawing as many correlations and conclusions as possible while remaining coherent and consistent. 4. They also get you writing. Most children and teens don't write for fun and only do so when they are given assignments. Most classes have you write reports, and I think it has been a growing trend that teachers in other disciplines are becoming more critical of students' writing, but no one scrutinizes the quality of one's papers more strictly than English teachers. This is a good thing. Even with 12 years of learning grammar and writing styles, the quality of many people's writing is dreadful. 5. If nothing else, it's practice with the tedious. Every career has things that are tedious, classes in which you are not fully engaged emotionally yet nonetheless require you to put in effort teach you how to do good work even if you aren't interested in it. |
| Feb19-13, 08:19 PM | #111 |
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Let's look at Shakespeare. He has been read, translated, and republished constantly in the ~400 years since he wrote. The academy has recognised the apparent universality of his writing as he has had a great deal of influence and many different people of many different cultures throughout many different historical contexts. Despite social change, he has maintained relevancy. While this doesn't necessarily prove anything, he is apparently more important to civilisation than, say, his contemporary, Ben Jonson, which is why the academy focuses more on Shakespeare. Though this system is not perfect, it's better than teachers following their personal taste, in my opinion. Shakespeare's writing, for whatever reason, has demonstrated more importance to English literary tradition than any other writing, which is why he is usually the focus of literary studies regardless of the personal tastes of the person or people designing the curricula. To quote the aforementioned Ben Jonson: "He was not of an age, but for all time!" I would never presume to say which contemporary art will survive, but as to why contemporary artists aren't appreciated as much in the academy, I think it's partially because they're still young, and perhaps they haven't yet proven they've transcended context and achieved enduring universality in the eyes of academics. One thing I can say for certain is that not every artist working today will be appreciated in a few hundred years, whether for better or worse. |
| Feb19-13, 11:58 PM | #112 |
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Students are getting into Harvard and Caltech science programs and going on to become successful scientists with the way the current curriculum is set up, and they are still learning from these English classes whether they think the information and skills are useful or not, so I really don't see what the big deal is. If you ask me, it's just complaining for the sake of complaining. At the very least, constructing and enforcing a balanced curriculum relieves immature students of the responsibility that would come with choosing courses. It gives them a template for their education. |
| Feb20-13, 12:11 AM | #113 |
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. It's not like any of us can change it at this point if we wanted to or not, for better or for worse. People are just sharing their opinions / frustrations is all. Of course being forced to take literature classes isn't the end of the world but it is nice to see why it is mandatory in the first place for reasons outside of "because students are too young to know what they want to do". Anyways, just to give you a more positive stance on the matter: I can certainly say there have been many circumstances where I have enjoyed classroom discussions pertaining to certain novels. I can tell you right now that I found the ones coupled with Shakespeare's works excruciatingly painful and at times felt the poor man was rolling in his grave knowing what English teachers were doing to stretch the meanings and truths in his works to ridiculous extents. The ones I enjoyed greatly were exactly those related to the books I listed in reply to Astro above. On the other hand, I love any and all political discourses.
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| Feb20-13, 12:22 AM | #114 |
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Yes, it takes a good teacher to teach a good work. While some things are not worth discussion, some things certainly are, and a good teacher who has studied the work and the author long enough can judge what is important, and deep thought is a skill that should be passed on to the student. Unfortunately, as I've said before, good teachers are hard to come by these days, especially in literary studies. |
| Feb20-13, 12:29 AM | #115 |
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| Feb20-13, 08:06 PM | #116 |
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English goes well for me when I have a decent teacher who is more liberal with how he/she teaches. Last year I really enjoyed my English 10 class because our teacher let us discuss whatever book we were reading as a class. This allowed us, as students, to give our thoughts on the book, or any interesting observations that we found, without any intrusion or pointless comments from teachers.
Conversely, this year, my British Literature teacher feels the need to give her own idea as to what went on in any given part of the book after a student makes a comment: Student: "I think it's interesting how Hamlet's situation has become better as the play progresses, yet Ophelia has become more and more depressed." Moronic Teacher: "Oh yes yes yes [one minute of ridiculous bantering]. In FACT, I would even go so far as to say that Ophelia is the most opressed character in the entire play!" Class: *Is silent because the discussion is meant to be for students to convey their interpretations of the literature, not for the teacher to show off the fact that, yes, she has in fact read the play 20+ times in the duration of her career.* That would almost be like a student in a math class excitedly telling his teacher that he has almost found the solution after quite some thought, and then the math teacher blurts out what the answer is, and how to get there, thus entirely ruining any further progress that the student could make, because now the solution has been revealed. /rant |
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