What Produces Sound when You Clap Your Hands?

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Discussion Overview

The discussion centers around the mechanics of sound production when clapping hands, exploring the nature of oscillation, sound waves, and the physical interactions involved. Participants examine whether oscillation is necessary for sound generation and how different actions create sound in various contexts.

Discussion Character

  • Debate/contested
  • Conceptual clarification
  • Technical explanation

Main Points Raised

  • Some participants propose that sound requires oscillation, as seen with a tuning fork, while others argue that a clap produces a single compression wave without sustained oscillation.
  • One participant suggests that the air oscillates over a broad range of frequencies during a clap, while another counters that clapping does not involve the hands vibrating in the same way as a tuning fork.
  • A participant explains that sound is a disturbance in a medium, and that moving hands can create sound, even if the frequencies are too low to hear unless moved quickly.
  • Another participant describes the moment of impact during a clap as creating a severe disturbance in the air, leading to oscillations as air molecules interact.
  • Some participants discuss the difference between sustained sounds and transient sounds, noting that a clap is a single pulse disturbance, while a tuning fork produces continuous oscillation.
  • There is a discussion about the definition of oscillation, with some participants asserting that a single bump does not constitute oscillation, while others argue that air molecules do oscillate even if briefly.
  • One participant compares the sound of clapping to other examples, such as dropping a pencil, to illustrate the nature of sound waves and disturbances.
  • Some participants mention the speed of sound in different media, such as steel versus air, and how this relates to the properties of the materials involved.

Areas of Agreement / Disagreement

Participants express differing views on whether oscillation is necessary for sound production, with no consensus reached. Some agree that sound can be produced without sustained oscillation, while others maintain that oscillation is essential for certain types of sound.

Contextual Notes

Definitions of oscillation and sound vary among participants, leading to potential misunderstandings. The discussion includes references to specific examples and analogies that may not fully capture the complexities of sound production.

Cheman
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Sound and clapping...

To produce sound something needs to oscillate (eg - a tuning fork) in order to "hit" the air molecules and produce compressions and rerefactions. My question is what actually oscillates to produce the sound when you clap your hands or hit something?

Thanks in advance. :wink:
 
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There is really no oscillation. From a clap or a bang it’s just single compression wave.
 
The air oscillates - over a very broad band of frequencies. :-)
 
LoL. Well I guess Tide's answer is more correct than mine.
 
No, i don't think you've quite understood what i meant - when you clap what is it that oscillates to cause the air to oscillate in a wave? eg - tuning fork = tuning fork vibrates, then air vibrates. BUt when you clap your hands they don't vibrate.
 
Cheman said:
No, i don't think you've quite understood what i meant - when you clap what is it that oscillates to cause the air to oscillate in a wave? eg - tuning fork = tuning fork vibrates, then air vibrates. BUt when you clap your hands they don't vibrate.

You have to understand fundamentally what sound is. Sound is a disturbance in a medium (such as air) that propgates. Simply by moving your hands you create sound - the frequencies are usually just too low for you to hear but if you move them fast enough you can hear the "whooshing" sound. When you clap your hands together, that instant when your hands are just meeting causes a move severe disturbance in the air than just waving them about.

The oscillations occur when the air molecules rushing away from the site of the initial disturbance pile up and leave a partial vacuum behind them. This partial vacuum will tend to pull the air molecules back, they overshoot and pile up the other way and on and on.
 
Notice the difference between the sound of a tuning fork and a hand clap. The tuning fork is sustained due the fact that the fork oscillates. A hand clap is not sustained since it is a single "pulse" disturbance (as already mentioned. So not all noises are caused by oscillations.
 
This statement "To produce sound something needs to oscillate (eg - a tuning fork) in order to "hit" the air molecules" is incorrect. To produce a sustained note, you need oscillation but to produce just a "sound" you don't need oscillation.
 
There is oscillation, but it is short-lived and it is across a wide range of frequencies.

Consider, when you drop a pencil on the ground (forget sound for a second, think of motion) - it doesn't just *thunk*! once and stop. Nor does it bounce perfectly (oscillate) like a ball. What it does, is "clatter" for a bit.

When you clap, your hands don't impact in one fell swoop, but over a very short time - there's more than one impact in there. Additionally, the air molecules get strongly jostled about. They jostle each other and jostle back. Like the pencil, the molecules "clatter" to a stop. The waves sent out from this are of a range of frequencies and short-lived.

Another example: think of a beaded curtain - the kind that hung in doorways up until the flower children grew up. Hit it with your fist - just once, quickly. What do the beads do? Think of the beads as air molecules.
 
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  • #10
How do you define osillation? I think Halls' point is that one 'bump' is not an oscillation. The easiest demonstration is using a clothesline. Hit it smartly at one end, and only one pulse travels down the line, hits the end and is reflected. This is similar to a sound pulse, except that it's 1D and sound is in 3D. Of course, it can be Fourier-analyzed into many (sustained) component frequencies phased in such a way that they all cancel for times longer than the pulse length, but that's only important if you are doing something like designing a speaker system to reproduce the sound.

Just to add to Tide's description, it is the very last fraction of a mm before the hands come right together that squishes air out and causes the sound. This is because the air at that last point is squished out so fast that it piles up just around the impact site, thus creating a single compression pulse, that then travels to the ear, just like the pulse on the clothesline.
 
  • #11
HallsofIvy said:
This statement "To produce sound something needs to oscillate (eg - a tuning fork) in order to "hit" the air molecules" is incorrect. To produce a sustained note, you need oscillation but to produce just a "sound" you don't need oscillation.

I think it is probably more correct to say that to easily produce a sustained note one can use occillation. One can also produce a sustained note by rolling a steel clyinder across a plane for example perhaps.
 
  • #12
Tide said:
You have to understand fundamentally what sound is. Sound is a disturbance in a medium (such as air) that propgates. Simply by moving your hands you create sound - the frequencies are usually just too low for you to hear but if you move them fast enough you can hear the "whooshing" sound. When you clap your hands together, that instant when your hands are just meeting causes a move severe disturbance in the air than just waving them about.

Sound is a distubance in any medium.

I heard sound travels more swiftly through steel than air. Is that because the steel has less area to move around, and transfers the sound quicker?
 
  • #13
when you strike our one hand on the other the air between them escape quickly creating low pressure area there. After this stage the air moves to the area of low pressure hence a wave is formed, a sound wave.
 
  • #14
Mk said:
Sound is a distubance in any medium.

I heard sound travels more swiftly through steel than air. Is that because the steel has less area to move around, and transfers the sound quicker?

The speed of sound in a solid is determined essentially by its stiffness (Young's modulus) as well as the density of the material.

[tex]v = {\sqrt {\frac {Y}{\rho}}[/tex]
 
  • #15
krab said:
How do you define osillation? I think Halls' point is that one 'bump' is not an oscillation. The easiest demonstration is using a clothesline. Hit it smartly at one end, and only one pulse travels down the line, hits the end and is reflected.

Yes, and in an idealized thought experiment representing sound, you'll get that.

But you don't get it from clapping hands. There is *always* reverberation.
 
  • #16
Some more adept will get the idea, if said the billiard balls as they crack, might have idealizied this to a ping, and what have we describe of the quantum world?

Anyone one know what I am comparing?

Leave it to the brights minds to not ever loose their train of thought.

From one challenge, to another :smile:
 
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  • #17
I love this thread! Leave it to the scientific mind to ask, "What is the sound of two hands clapping?" !
krab said:
How do you define osillation? I think Halls' point is that one 'bump' is not an oscillation.
I think this is the very heart of the question. If the air pressure against your eardrum starts out at one pressure (about 14 psi), and goes to a higher pressure, then returns to the original pressure, does this not constitute a single oscilation?
 
  • #18
Oscillation is usually defines as a regularly repeating, or periodic vibratory motion. One could argue over the semantics, but I for one am happy with this definition. :)
 
  • #19
Chi Meson said:
Oscillation is usually defines as a regularly repeating, or periodic vibratory motion. One could argue over the semantics, but I for one am happy with this definition. :)

Yes, and the air molecules that transmit the sound do just that! They oscillate even if it isn't forever. By analogy, a damped harmonic oscillator is still an oscillator.
 
  • #20
Tide said:
Yes, and the air molecules that transmit the sound do just that! They oscillate even if it isn't forever. By analogy, a damped harmonic oscillator is still an oscillator.

I get your point. But (again IMO) if the nature of something is to perpetually exhibit critically damped oscillation (as with a sound pulse through air) I would prefer not yto think of it as an "oscillation."

I hope we all understand that this is really nit-picking of the highest order. For some reason it's fun.
 
  • #21
the reason I came to this site was to find out if my theory on "what the sound of clapping is", was right. I was first curious about this as I was popping bubble wrap with my daughter. I started thinking about why the plastic makes so much noise when it rips. Then I thought it wasn't the plastic but the air moving. So what about clapping? I figured the same thing was happening. Since the strength of the sound is in direct correlation to the speed of the clap. Air pressure builds up causing the air to move at a rapid speed, possibly faster than the speed of sound, causing a mini sonic boom. I went to the web to locate any theory's that might be the same, when I found this site. I would like to see what anyone thinks of this concept.
 

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