Favorite Poem Sharing: "After All" by Henry Lawson

  • Thread starter Andromeda321
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In summary: But I'd rather not. In summary, the author reflects on her experience of death, and how it has changed over time.
  • #1
Andromeda321
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So what is everyone's favorite poem? Come on, you know you have one...
I'll go first. :shy:

After All
by Henry Lawson
The brooding ghosts of Australian night have gone from the bush and town;
My spirit revives in the morning breeze,
though it died when the sun went down;
The river is high and the stream is strong,
and the grass is green and tall,
And I fain would think that this world of ours is a good world after all.

The light of passion in dreamy eyes, and a page of truth well read,
The glorious thrill in a heart grown cold of the spirit I thought was dead,
A song that goes to a comrade's heart, and a tear of pride let fall --
And my soul is strong! and the world to me is a grand world after all!

Let our enemies go by their old dull tracks,
and theirs be the fault or shame
(The man is bitter against the world who has only himself to blame);
Let the darkest side of the past be dark, and only the good recall;
For I must believe that the world, my dear, is a kind world after all.

It well may be that I saw too plain, and it may be I was blind;
But I'll keep my face to the dawning light,
though the devil may stand behind!
Though the devil may stand behind my back, I'll not see his shadow fall,
But read the signs in the morning stars of a good world after all.

Rest, for your eyes are weary, girl -- you have driven the worst away --
The ghost of the man that I might have been is gone from my heart to-day;
We'll live for life and the best it brings till our twilight shadows fall;
My heart grows brave, and the world, my girl, is a good world after all.
 
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  • #2
For some (to me) strange reason, I'm very fond of Southey's Inchcape Rock...in a "this is the first toy I played with" sort of way.

That's not my favorite poem, though...really can't pick just one.
 
  • #3
Rhyme of the Ancient Mariner :biggrin:
 
  • #4
Mary had a little lamb,
And it was always gruntin'
She tied it to a five-bar gate
And kicked it's little...
 
  • #5
"George Gray," from Spoon River Anthology. It's the epitaph of a fictional character.

I have studied many times
The marble which was chiseled for me—
A boat with a furled sail at rest in a harbor.
In truth it pictures not my destination
But my life.
For love was offered me and I shrank from its disillusionment;
Sorrow knocked at my door, but I was afraid;
Ambition called to me, but I dreaded the chances.
Yet all the while I hungered for meaning in my life.
And now I know that we must lift the sail
And catch the winds of destiny
Wherever they drive the boat.
To put meaning in one’s life may end in madness,
But life without meaning is the torture
Of restlessness and vague desire—
It is a boat longing for the sea and yet afraid.
 
  • #6
I don't know if I have a single favorite. I like Keats "La Belle Dame Sans Merci" and Poe's "Raven", among many others. I guess my favorite today, would be:

"Lady Lazarus", Sylvia Plath (as remembered by Mentat)

I have done it again.
One year in every ten
I manage it ----

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify? ----

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves into see

Them unwrap me hand and foot ----
The big strip tease.
Gentleman, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing my scars, there is a charge
For the hearing of my heart ---
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash ---
You poke and stir.
Flesh, bone, there is nothing there ----

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.
 
  • #7
I am also a Plath fan. "Mad Girl's Love Song" was my favorite.

My most beloved poem from childhood was The Highwayman.

And I love everything ever written by T.S. Eliot.
 
  • #8
Math Is Hard said:
I am also a Plath fan. "Mad Girl's Love Song" was my favorite.

Excellent. I only posted "Lady Lazarus" because I memorized it :smile:.

Another one I really like and have memorized (note: I'm not typically a Shakespeare fan...this is pretty much the only thing I've ever really like by him):

Sonnet 116
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds
Or bends with the remover to remove.
Oh, no. It is an ever-fixe'd mark
That looks on tempests and is never shaken.
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within its bending sickle's compass come.
Love alters not with its brief hours and weeks,
But bears it out e'en to the edge of doom.
If this be error and upon me proved,
I never writ nor no man ever loved.
 
  • #9
My heart leaps up when I behold
A rainbow in the sky,
So it was when my life began,
so it is now I am a man.
Or strike me dead,
For the child is father to the man.
And if I could wish my days to be
wrapped round and round in natural piety.

Something like that anyway . . . Wordsworth you know.
There's a line in it with profound consequences. Know it?
Salty
 
  • #10
Rumi

In your light I learn how to love.
In your beauty, how to make poems.
You dance inside my chest,
where no one sees you,
but sometimes I do,
and that sight becomes this art.


Thou and I - Rumi

Joyful the moment when we sat in the bower, Thou and I;
In two forms and with two faces - with one soul, Thou and I.

The colour of the garden and the song of the birds give the elixir of immortality
The instant we come into the orchard, Thou and I.

The stars of Heaven come out to look upon us -
We shall show the moon herself to them, Thou and I.

Thou and I, with no 'Thou' or 'I', shall become one through our tasting;
Happy, safe from idle talking, Thou and I.

The spirited parrots of heaven will envy us -
Wen we shall laugh in such a way, Thou and I.

This is stranger, that Thou and I, in this corner here...
Are both in one breath here and there - Thou and I.
 
  • #11
If, by Rudyard Kipling.

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream -- and not make dreams your master;
If you can think -- and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with kings -- nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run --
Yours is the Earth and everything that's in it,
And -- which is more -- you'll be a Man, my son!
 
  • #12
I just rediscovered this one last night (long story)...

Empties Coming Back
by Angelo De Ponciano
Have you ever sat by the railroad track
and watched the emptys cuming back?
lumbering along with a groan and a whine--
smoke strung out in a long gray line
belched from the panting injun's stack
--just emptys cuming back.

I have -- and to me the emptys seem
like dreams I sometimes dream--
of a girl -- or munney -- or maybe fame--
my dreams have all returned the same,
swinging along the homebound track--
just emptys cuming back.
 
  • #13
The Calf Path
By Sam Walter Foss

I.

One day, through the primeval wood,
A calf walked home, as good calves should;

II.

But made a trail all bent askew,
A crooked trail as all calves do.
Since then three hundred years have fled,
And, I infer, the calf is dead.
But still he left behind his trail,
And thereby hangs my moral tale.
The trail was taken up next day,
By a lone dog that passed that way.
And then a wise bell-wether sheep,
Pursued the trail o'er vale and steep;
And drew the flock behind him too,
As good bell-wethers always do.
And from that day, o'er hill and glade.
Through those old woods a path was made.

III.

And many men wound in and out,
And dodged, and turned, and bent about;
And uttered words of righteous wrath,
Because 'twas such a crooked path.
But still they followed - do not laugh -
The first migrations of that calf.
And through this winding wood-way stalked,
Because he wobbled when he walked.

IV.

This forest path became a lane,
that bent, and turned, and turned again.
This crooked lane became a road,
Where many a poor horse with his load,
Toiled on beneath the burning sun,
And traveled some three miles in one.
And thus a century and a half,
They trod the footsteps of that calf.

V.

The years passed on in swiftness fleet,
The road became a village street;
And this, before men were aware,
A city's crowded thoroughfare;
And soon the central street was this,
Of a renowned metropolis;
And men two centuries and a half,
Trod in the footsteps of that calf.

VI.

Each day a hundred thousand rout,
Followed the zigzag calf about;
And o'er his crooked journey went,
The traffic of a continent.
A Hundred thousand men were led,
By one calf near three centuries dead.
They followed still his crooked way,
And lost one hundred years a day;
For thus such reverence is lent,
To well established precedent.

VII.

A moral lesson this might teach,
Were I ordained and called to preach;
For men are prone to go it blind,
Along the calf-paths of the mind;
And work away from sun to sun,
To do what other men have done.
They follow in the beaten track,
And out and in, and forth and back,
And still their devious course pursue,
To keep the path that others do.
They keep the path a sacred groove,
Along which all their lives they move.
But how the wise old wood gods laugh,
Who saw the first primeval calf!
Ah! many things this tale might teach -
But I am not ordained to preach.
 
  • #14
I second Mad Girl's Love Song:


"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)

The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.

I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)

God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.

I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)

I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
 
  • #15
"The LORD is my shepherd; I shall not want. He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever."

~ (Psalm 23, KJV), God. :wink:
 
  • #16
The Lovesong Of J Alfred Prufrock, by TS Eliot is my favorite of all, but this poem of more reaonable length, is also something special to me.

The Song of Wandering Aengus

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.

-- William Butler Yeats
 

1. What is the meaning behind "After All" by Henry Lawson?

"After All" is a poem about the struggles and hardships of life, and how even in the face of adversity, we must keep moving forward and find solace in the small joys and moments of happiness.

2. Why is "After All" considered one of Henry Lawson's most famous poems?

"After All" is considered one of Henry Lawson's most famous poems because it encapsulates the themes of resilience and perseverance that are prevalent in his other works, and resonates with readers on a deep emotional level.

3. How does "After All" reflect the Australian identity?

"After All" reflects the Australian identity through its depiction of the harshness of the Australian landscape and the resilience and determination of its people to overcome challenges and find beauty in the midst of struggles.

4. What literary devices does Henry Lawson use in "After All"?

Henry Lawson uses repetition, imagery, and personification in "After All" to create a powerful and impactful poem that conveys the struggles of life and the importance of resilience.

5. What message can we take away from "After All"?

The message of "After All" is that no matter how difficult life may be, we must keep moving forward and find joy in the small moments, for they are what make life worth living.

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