Do Other Musical Intervals Create a Creepy Sound Like the Devil's Interval?

[symbolipoint]

Are there other intervals that do what this one does? I poked around briefly on a guitar to try to check another couple of oddball chords to see which intervals were making it sound odd, but I could not see a match to any augmented 4th.

(the kind of tones or NOTES combined which make music scary or creepy)

 

[Vanadium 50]

7th with a sharped 9th, voiced root-fifth-#9.
7th with a sharped 9th and sharped 13th voiced third, #9, #13.

 

[BWV]

The ‘devils interval’ stuff is a myth - there was never any ecclesiastical ban on its use, and can find it in medieval and renaissance sacred music, although as a dissonance it was treated carefully. A dominant 7th, with the tritone between 3 and 7 is not particularly creepy.

The classic metal creepy arpeggio is a minor add 9, the grip would be x02410 (frets from the 6th through 1st string)

 

[Vanadium 50]

Also, if there were ever a piece that should use the Devil's Interval, it would be Andrea Catozzi's Beelzebub. Yet it hardly does at all!