The brain on the ceiling of the Sistine Chapel

  • Thread starter Thread starter Math Is Hard
  • Start date Start date
  • Tags Tags
    Brain
Click For Summary
The discussion centers around the interpretation of a painting by Michelangelo, specifically its resemblance to a human brain, and its implications in the context of behavioral neuroscience. Participants explore whether Michelangelo intentionally depicted a brain to symbolize intelligence or knowledge, considering his anatomical expertise and the artistic conventions of his time. Some argue that the shape could be coincidental, while others suggest it may reflect deeper themes related to the divine and human consciousness. The conversation also touches on historical beliefs about the brain's function, with references to various philosophers and medical theories from antiquity to the Renaissance. Ultimately, the debate highlights the complexity of interpreting artistic symbolism and the potential for multiple meanings within Michelangelo's work, suggesting that while the brain-like shape is notable, definitive conclusions about the artist's intent remain elusive.
Math Is Hard
Staff Emeritus
Science Advisor
Gold Member
Messages
4,650
Reaction score
39
creation.gif


This painting is being used for the cover of my behavioral neuroscience text for the reasons mentioned at this link:
http://www.thecaveonline.com/APEH/michelangelosbrain.html

I am sure it is all purely coincidental but it is still fun to look at.
 
Physics news on Phys.org
p.s. I wanted to put this in Skepticism and Debunking but for some reason the tags wouldn't work there. Everytime I hit preview all I got was a link to the image. :confused:
 
I don't think this is supposed to be a brain.
 
outrage ! :wink:
 

Attachments

  • creation.gif
    creation.gif
    69 KB · Views: 1,030
Upon reading the title and seeing the painting, I can definitely see the "brain" in the image. Of course this is coming from a neuroscientist who also knows that the brain "likes" to make associations between recognizable images and the abstract. But I have seen a lot of brain in my time and that shape is pretty "brainy". We'll have to see what Moonbear thinks, she's a cerebrophile as well.

I can also agree with the statement in the link which talks about God imparting life upon Adam. He certainly seems alive in the picture, eyes open, upper body propped up on elbow, arm raised. Perhaps this was the moment of "neural enlightenment" as depicted by Michelangelo and imagined by Meshberger, or perhaps simply the moment after life was given. It's provoking...
 
I've been told by a Biologist friend that without a doubt it is a human Brain. It is too exact and Michaelangelo was of course known for dissecting humans; his knowledge of anatomy was second to none in that era.

It has been suggested by some, that Michaelangelo was having a cruel joke on his paymasters by putting God inside a Human brain - the implication being that that is where God resides.. as a thought of Man only.

Wow! They don't tell you that at the Vatican!
 
The question is "Did Michaelangelo intend to suggest a brain to the viewer?" It would be very hard to make a case that he did, given the time it was painted. How many Catholics back then had any idea what a human brain looked like? Did Michaelangelo associate the brain with "intelligence"? As I recall, didn't people believe that the organ of thinking was the heart back then?

It is a "brainy" shape to my eyes as well, but he could easily have arrived at the same shape by throwing down some drapery, randomly to get inspiration for a background for his "creator" image. It is essentially drapery.
 
zoobyshoe said:
The question is "Did Michaelangelo intend to suggest a brain to the viewer?" It would be very hard to make a case that he did, given the time it was painted.

No, the idea was that he alone, the artist, would know and that no one else would.
He was (possibly that is, it is only a theory) sticking a finger up at the church.
 
zoobyshoe said:
The question is "Did Michaelangelo intend to suggest a brain to the viewer?" It would be very hard to make a case that he did, given the time it was painted. How many Catholics back then had any idea what a human brain looked like? Did Michaelangelo associate the brain with "intelligence"? As I recall, didn't people believe that the organ of thinking was the heart back then?

I'm a bit fuzzy on the time scale, but I think the brain was thought to be a 'cooling system' for blood at some point. At what point this was, would of course be of interest, anyone?
 
  • #10
Adrian Baker said:
No, the idea was that he alone, the artist, would know and that no one else would.
He was (possibly that is, it is only a theory) sticking a finger up at the church.
This theory kind of goes against the picture of Michaelangelo we get from the stories. One story is that he overheard two guys attributing his unsignedPieta to a different sculptor. That night he went in and carved "This statue was sculpted by Michaelangelo Buonarroti," or some such explicit thing, on the sculpture.(Whatever it says is still there to be plainly seen). It doesn't seem he would bother with any such insult (the brain thing) if he, alone, would know it was there.
 
  • #11
Considering the similarities between the painting and the human brain, and knowing Michelangelo's familiarity with human anatomy, I think it is far more likely that the image is intentionally represented as a human brain. What Michelangleo intended this to mean I am not sure of.
 
  • #12
Maybe it means "knowledge"
 
  • #13
Joel said:
I'm a bit fuzzy on the time scale, but I think the brain was thought to be a 'cooling system' for blood at some point. At what point this was, would of course be of interest, anyone?
Yes, the brain thing is only potentially possible if we can prove Michaelangelo thought the brain was the seat of intelligence, which might not be the case.
 
  • #14
(zooby...zooby! you quoted the wrong thing)
 
  • #15
Hippocrates (b. 460 bc) of Cos in Asia Minor, is better known. He was an Asclepiad -- i.e. a member of the medical guild, and is the originator of the Hippocratic Oath (click here to read it. But note: Contrary to popular belief, few if any doctors are required to take this or any other oath!). Despite his background, he preferred to avoid mystical interpretations and stick close to the empirical evidence. For example, in a treatise called “On the sacred disease” (meaning epilepsy), he dismissed the usual demonic-possession theory and suggested that it was an hereditary disease of the brain.
http://www.ship.edu/~cgboeree/neurophysio.html
http://en.wikipedia.org/wiki/Creation_of_Adam
It has been speculated that the brain is the seat of behavior for millenia. Anatomy was an important part of the Renaissance.
 
  • #16
yomamma said:
(zooby...zooby! you quoted the wrong thing)
Not that I'm aware of.
 
  • #17
yomamma said:
Maybe it means "knowledge"
I think that may be a good guess. This would be a controversial meaning. The tree of knowledge was forbidden to Adam and Eve. It is the source of the original sin. Showing God presenting man with knowledge could be interpreted as an attack on the catholic faith. What was Michelangelo's religious background? Are there any other possible meanings?
 
  • #18
Huckleberry said:
It has been speculated that the brain is the seat of behavior for millenia. Anatomy was an important part of the Renaissance.
What did Michaelangelo think the brain did? That's what matters. If we can find a quote from him saying he believed the brain was the seat of intelligence, or the organ of thought, then this brain-in-the-painting theory has a chance.
 
  • #19
Scrap that 'cooling system' thing, according to my neuroscience book the brain was indeed concidered to be responcible for behaviour already at the roman time (thanks to some gladiator physican called Galen). However, by poking the brain with a finger he observed that the cerebrum is soft and the cerebellum had hallows chambers, ventricles. His obvious conclusion was that the soft part received and stored sensory input and the hard, hallow part worked like a hydralik pump, controlling muscles through - what he thought - was hollow neurons. But it was not like all this had anything to do with intelligence, not even descartes thought that and he lived in the 17th century. So, the hydraulic notion prevailed through the renesanse, according to this book (bear, connors, paradiso).

Of course, this doesn't say anything about what Michelangelo did or didn't know at the time.
 
  • #20
DocToxyn said:
Upon reading the title and seeing the painting, I can definitely see the "brain" in the image. Of course this is coming from a neuroscientist who also knows that the brain "likes" to make associations between recognizable images and the abstract. But I have seen a lot of brain in my time and that shape is pretty "brainy". We'll have to see what Moonbear thinks, she's a cerebrophile as well.
It's a sheep brain! :smile: The shape isn't quite right for a human brain, but it's just about right for a ruminant. Oh, and it even has the pituitary attached! :biggrin: And, in case anyone is uncertain, it appears to be a mid-saggital cut. :smile:
 
  • #21
Spritis, Brain and Minds: The Historical Evolution of Concepts of the Mind
Address:http://www.cerebromente.org.br/n16/history/mind-history_i.html

This gives a brief overview of the history of people's conceptions about the brain.

Artistotle, it appears, was the originator of the "cooling system" notion.

Da Vinci seems to have believed the brain was the seat of intelligence, but that was his personal assessment. The great anatomist, Vesalius, was drawing great pictures of the brain while at the same time proposing the ventricles were the storage place of "animal spirits".

So, the function of the brain was not generally agreed upon and there is no telling what Michaelangelo might have thought about it.
 
  • #22
zoobyshoe said:
What did Michaelangelo think the brain did? That's what matters. If we can find a quote from him saying he believed the brain was the seat of intelligence, or the organ of thought, then this brain-in-the-painting theory has a chance.
I think the brain in the painting theory is already relevant. It seems more likely to me that Michelangelo would recognize the images that he puts into his art, especially ones that carry such a potent message.


This is kind of interesting
http://www.svcc.edu/academics/classes/murray/Ezine/sistine.html
What Michelangelo Thought
After Michelangelo had finished his work on the Sistine Chapel he wrote a poem of his agony during the painting of this Sistine Chapel.



I've got myself a goiter from this strain,
As water gives the cats in Lombardy
Or maybe it is in some other country;
My belly's pushed by force beneath my chin.

My beard toward Heaven, I feel the back of my brain
Upon my neck, I grow the breast of a Harpy;
My brush, above my face continually,
Makes a splendid floor by dripping down.


My Lins have penetrated to my paunch,
My rump's a crupper, as a counterweight,
And pointless the unseeing steps I go.



In front of me my skin is being stretched
While it folds up behind and forms a knot,
And I am bending like a Syrian bow.


And judgment, hence must grow,
Borne in mind, peculiar and untrue;
You cannot shoot well when the gun's askew.


John, come to the rescue
Of my dead painting now, and of my honor;
I'm not in a good place, and I'm no painter.
 
Last edited by a moderator:
  • #23
http://quotes.prolix.nu/Authors/?Michelangelo

This site quotes michelangelo and there are several quotes where michelangelo refers to the brain as the center of thought.
 
Last edited by a moderator:
  • #24
The symbol of the apple was in very popular use when depiciting scenes from the garden of eden during Michelangelo's time. When adam & eve ate of the forbidden fruit, they gained knowledge.
 
Last edited:
  • #25
Huckleberry said:
I think the brain in the painting theory is already relevant.
Not if Michaelangelo thought it was a cooling system.
It seems more likely to me that Michelangelo would recognize the images that he puts into his art, especially ones that carry such a potent message.
Not if the "potent message' is a product of your imagination. What it looks like to you has no particular bearing to what Michaelangelo saw in it. Find for me what Michaelangelo thought about the function of the brain.
 
  • #26
Huckleberry said:
http://quotes.prolix.nu/Authors/?Michelangelo

This site quotes michelangelo and there are several quotes where michelangelo refers to the brain as the center of thought.
"A man paints with his brains and not with his hands"

That works.
 
Last edited by a moderator:
  • #27
Zooby's on our side now
 
  • #28
yomamma said:
Zooby's on our side now
From Math Is Hard's link:

"NOTE TO APEH STUDENTS:
On the first day of class we expressed the concept that throughout this course there would be no right or wrong, only that which you could prove or not prove. Now that you have written the Renaissance Essay consider your views in light of this "new" evidence. In writing your essay, how much did you use your intellect. did you simply take the safe traditional route or did you really think before you wrote? "

So, the ability to prove Michaelangelo believed the brain was the seat of thought is all that's important here, since that wasn't necessarily the common view at the time.
 
  • #29
There are 9 scenes from the book of Genesis depicted on the cieling of the sistine chapel. These include the creation of man and the original sin. Some sites that I checked out said that Michelangelo was a religious man that was conflicted with his homosexuality. It seems that he was homosexual, but I am dubious of how conflicted he may have been. He was not pleased to be painting the Sistine Chapel.

I don't know why he put the image of God in what appears to be the image of a human (errr, sheep) brain.
 
  • #30
Huckleberry said:
I don't know why he put the image of God in what appears to be the image of a human (errr, sheep) brain.
God, and the angels with him, are depicted against drapery. This was a very common device at the time. Angels, saints etc. floated in the sky surrounded by swirling drapery.

Is this drapery really a brain, or is that just the old seeing-animals-in-the-cloud thing?
 
  • #31
It looks like a hollow hemisphere.
 
  • #32
I can't say for certain that it is a brain. The evidence seems to heavily suggest it. Michelangelo believed the brain was the center of thought. He was an accomplished Renaissance artist who would be familiar with symbolism in art. Biologists concur that the image does indeed resemble a brain of some type. The image of a brain in this context can carry significant meaning. And Michelangelo may have had a personal religious conflict in this regard that would inspire the image.

Certainly not conclusive, but it does suggest to me that it is meant to resemble a brain and is not just a coincidence.
 
  • #33
Huckleberry said:
The evidence seems to heavily suggest it. Michelangelo believed the brain was the center of thought. He was an accomplished Renaissance artist who would be familiar with symbolism in art. Biologists concur that the image does indeed resemble a brain of some type. The image of a brain in this context can carry significant meaning. And Michelangelo may have had a personal religious conflict in this regard that would inspire the image.
No, you're connecting some dots via a confirmational bias. There is really no obvious signifigance to the shape at all.
 
Last edited:
  • #34
Yet another PF investigation begins! (watch out)
 
  • #35
zoobyshoe said:
No, you're connecting some dots via a confirmational bias. There is really no obvious signifigance to the shape at all.
Besides the first sentence, which one of those statements is untrue? What evidence would one need to make a convincing argument?
 
  • #36
yomamma said:
It looks like a hollow hemisphere.
I happen to have a book of his work. This panel is enlarged and presented on a fold out page. A closer view reveals that the drapery is of a magenta color, and that the odd shapes dangling off the main bulk are distinctly tentacle-like. Since magenta is very close to purple, it is clear to me that this shape is, in fact, a weird purple jellyfish. Clearly, this is an inside joke that Michaelangelo knew would not be appreciated till today.
 
  • #37
zoobyshoe said:
I happen to have a book of his work. This panel is enlarged and presented on a fold out page. A closer view reveals that the drapery is of a magenta color, and that the odd shapes dangling off the main bulk are distinctly tentacle-like. Since magenta is very close to purple, it is clear to me that this shape is, in fact, a weird purple jellyfish. Clearly, this is an inside joke that Michaelangelo knew would not be appreciated till today.

evo said:
fear of purple nocturnal roving jellyfish - Porphyronyctotropocnidariazoobiephobia

memories...
 
  • #38
Huckleberry said:
Besides the first sentence, which one of those statements is untrue? What evidence would one need to make a convincing argument?
The truth of each individual statement is not the issue. The issue is the confirmational bias. You have selected a group of statements that tend to confirm your theory, and have excluded anything that might suggest the theory is hollow. Such things include what DocToxyn referred to, our tendency to see patterns in everything. Check all the other panels of the Sistine Chapel. Does he use a similar shape in drapery anywhere else? Could be he just liked that shape for drapery. That sort of thing.
 
  • #39
Huckleberry said:
I don't know why he put the image of God in what appears to be the image of a human (errr, sheep) brain.

Extending the "finger" theory, perhaps the sheep brain signifies that religious believers are mindless sheep following a herd mentality. Or perhaps the sheep brain is meant to reflect the symbol of the lamb in Christianity.

Seriously though, I don't think I'd put much stock in this. As zooby mentioned, drapery was a common element of paintings in those days, and the amorphous, blobby shapes they take makes them sort ambiguous looking and hence open to projective interpretation, like an ink blot. (Maybe this is a painting about life, and the drapery is supposed to be an amoeba?) This reminds me of those cases where someone bows in awe to a potato or something because it looks like the virgin Mary. Our brains are naturally wired to recognize patterns and also to search for meaning, which can lead to some compelling but ultimately empty illusions.
 
  • #40
hypnagogue said:
Extending the "finger" theory, perhaps the sheep brain signifies that religious believers are mindless sheep following a herd mentality.
The "herd mentality" is more easily derivable from viewing it as a weird, purple jellyfish, which are know to rove, nocturnally, in herds.
 
  • #41
It's an apple. Look at it. Look in the top right corner, do you see the stem? You guys do know it's an apple, right?
 
  • #42
I doubt the shape of the brain had anything to do with a herd mentality. :smile: If it really is supposed to be a brain, it could just be that people of the time were simply more familiar with the shape of a sheep brain, having likely eaten the things, or it just might not have fit within the overall painting to have a shape that was too realistic of a human brain. The elongation seems necessary for the overall composition.

Does anyone know where people of the time thought the soul resided, or particularly Michaelangelo? I'm wondering if this could be symbolic of the residence of God within the human soul, if it was thought the soul was in the brain.

And I have to also agree with Zooby and DocToxyn that this could also just as easily be us seeing shapes in the clouds. We have a tendency to see what we want to see sometimes. If it hadn't been pointed out to you it was the shape of a brain, would you have seen it? I might have, but that's just because I look at and think about brains every day, but would most people?
 
  • #43
It also reminds me of a heart.

But I'm hungry and the apple is considered the fruit that imparts knowledge in the adam & eve story, so symbolically, an apple would make sense.
 
  • #44
A potato that looks like the Virgin Mary was not created by the human mind of a master sculptor. Considering Michelangelo's artistic ability, I think it is likely that he consciously included the brain to accompany the image of God. Symbolism in art is very common, especially during the Renaissance period.

This site suggests that Michelangelo at one time was a neoplatonist. This does not fit well with the standard christian philosophy of good and evil. He may have worked this concept into his art, as many artists of that era did.
In his last years, Michelangelo renounced all his Neoplatonist ideals in favour of an ascetic piety, and turned away completely from the figurative arts. In one sonnet, he wrote:

"Thus I now know how fraught with error was the fond imagination which made Art my idol and my king, and how mistaken that earthly love which all men seek in their own despite ... no brush, no chisel will quieten the soul."

http://www.geocities.com/Athens/Delphi/5600/renart.html
http://www.answers.com/topic/neoplatonism

Somebody's term paper. Interesting, and looks well documented.
In conclusion, it is possible that Michelangelo incorporated Neoplatonic philosophy into several works of his art. In a few of his artworks, he used figura serpentia and the expression of Neoplatonic ecstasy, which depict the Neoplatonic concept of divine light enrapturing the soul. He linked the physical state of his figures with their moral state, which is another theme in Neoplatonic philosophy. Also, certain interpretations of his artwork express the similarities and differences between Neoplatonism and Christian doctrines.
http://writing.fsu.edu/oow/2003/neoplatfinal.htm
 
Last edited by a moderator:
  • #45
Evo said:
It also reminds me of a heart.

But I'm hungry and the apple is considered the fruit that imparts knowledge in the adam & eve story, so symbolically, an apple would make sense.
:smile: Yes, it was looking more like an apple before I ate dinner too. :biggrin:

Here's the picture with an overlay of a sheep brain outline over it, just for fun.
 

Attachments

  • sheepoverlay.jpg
    sheepoverlay.jpg
    16.9 KB · Views: 474
  • #46
Moonbear said:
:smile: Yes, it was looking more like an apple before I ate dinner too. :biggrin:

Here's the picture with an overlay of a sheep brain outline over it, just for fun.
You're right, it's a perfect match for a sheep brain! This makes even more of a statement! :-p
 
  • #47
DocToxyn said:
Upon reading the title and seeing the painting, I can definitely see the "brain" in the image. Of course this is coming from a neuroscientist who also knows that the brain "likes" to make associations between recognizable images and the abstract.
The brain likes to make associations between recognizable images and the abstract. So do artists' brains.
Moonbear said:
If it hadn't been pointed out to you it was the shape of a brain, would you have seen it? I might have, but that's just because I look at and think about brains every day, but would most people?
Most people would not. It wasn't until 1990 that someone made the conclusion and brought it into the public eye. But as Moonbear might look at it and see a brain, Michelangelo might as well. He had the anatomical knowledge. He had the artistic capability. And he may have had the religous motive.

Evo brings up a good point. It kind of does look like an apple, or a heart maybe. Both would be images that could be appropriate in a religous context. What else does it look like?
 
  • #48
Evo said:
You're right, it's a perfect match for a sheep brain! This makes even more of a statement! :-p
I don't know about a perfect match, but closer than it is to a human brain. I like your apple idea too. Maybe it's all of the above. He might have just been having some fun painting stuff in just to see if anyone noticed. :biggrin: I can't believe Dan Brown missed this one in his books. :smile:
 
  • #49
The pituitary gland doesn't seem to fit in the overlay. Besides that the shape is very close. What's up with the pituitary gland?
 
  • #50
Huckleberry said:
The pituitary gland doesn't seem to fit in the overlay. Besides that the shape is very close. What's up with the pituitary gland?
Well, between that green drape and the leg sticking out, those are sort of in the right place. The front foot overlaps well with the optic nerve. The brain I had to create the line drawing from had the optic nerve cut close to the optic chiasm, so you don't really get the effect you would if a longer section of nerve were left intact sort of dangling down.

But, to be honest, if he had included the pituitary, people would have been more likely to think the image included a scrotum than notice that it resembled a brain with a pituitary attached.