Composer reveals musical chords' hidden geometry

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SUMMARY

The discussion centers on the innovative use of advanced geometry to explore musical chords and their relationships. Participants highlight the limitations of traditional twelve-note systems, suggesting that incorporating microtones could unlock new chord possibilities. The conversation also touches on the potential of using familiar geometric shapes, such as circles, to generate melodies through sound remapping. This approach could lead to fresh musical ideas and compositions.

PREREQUISITES
  • Understanding of musical notation and the five-line staff
  • Familiarity with the circle of fifths and chromatic scale
  • Knowledge of microtonal music theory
  • Basic concepts of geometry as applied to music
NEXT STEPS
  • Research microtonal music theory and its applications
  • Explore advanced geometric representations in music composition
  • Investigate sound remapping techniques for melody generation
  • Study the relationship between musical intervals and geometric shapes
USEFUL FOR

Musicians, composers, music theorists, and anyone interested in the intersection of geometry and music theory.

icho100
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Making graphical representations of musical ideas is not itself a new idea. Even most non musicians are familiar with the five-line musical staff, on which the notes that appear physically higher represent sounds that have higher pitch. Other common representations include the circle of fifths, which illustrates the relationships between the 12 notes in the chromatic scale as though they were the 12 hours on a clock's face.

http://pawst.com/post/588785-advanced-geometry-used-to-understand-musical-structure"
 
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Fascinating. How could this be used to find new chords? Presumably it would have to incorporate micro tones, because when you only have twelve notes in an octave all the possibilities have already been tried so there are no new chords to discover in that system.

Have they tried using familiar shapes like circles or whatever to see how they sound as melodies when remapped back to sound?
 
http://research.yale.edu/ysm/article.jsp?articleID=76
 
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