Finishing my story

  • Thread starter Thread starter DaveC426913
  • Start date Start date
Click For Summary
SUMMARY

The forum discussion centers on the completion of a short story titled "Mosasaur Summer," which is 4,300 words long. The author is grappling with whether to depict the direct resolution of the plot or to transition directly to the character resolution, focusing on the emotional aftermath of the adventure experienced by a teenager and their Great Mother. The author seeks to maintain character focus rather than plot-driven action, while also questioning the depth of their narrative style. Feedback from peers suggests writing both resolutions to gain clarity on character development.

PREREQUISITES
  • Understanding of narrative structure in short stories
  • Familiarity with character-driven storytelling techniques
  • Knowledge of pacing and resolution in fiction writing
  • Experience with peer feedback and critique processes
NEXT STEPS
  • Research character resolution techniques in short fiction
  • Explore narrative pacing strategies for short stories
  • Study examples of successful character-driven endings
  • Practice writing multiple endings to a single story for clarity
USEFUL FOR

Writers, particularly those focused on short fiction, creative writing students, and anyone interested in character development and narrative resolution techniques.

DaveC426913
Gold Member
2025 Award
Messages
24,235
Reaction score
8,355
I've written a(nother) short story, Mosasaur Summer, this one a mere 4,300 words.

I've gotten all the way to the end of the climax and now I don't know how I should finish it. I'm trying to decide if I should write out the direct resolution to the action, or if I should skip ahead to the character resolution itself.

There's only two characters, a young teenager and their Great Mother, who have just been on a wild adventure together that culminates in a chase and calamity that will save the day. What I don't know is if I should assume the day was saved extra scaenam (i.e. off-screen) and dissolve directly to the character reckoning.

If I understand correctly, the reason one might do this is to keep the focus on the characters - which is presumably what the core of a good story is about - not on the plot/action.

I just can't seem to write it.

I wonder sometimes if my stories are too direct, too stripped down. i.e. too little back story or side-story, so that there is insufficient hooks remaining need tying up.

Throwing this out there in the faint hope of breaking my block.

I've sent it to a couple of friends for review but haven't gotten much feedback (One of my reviewers wants everything to be a full-blown action story, beginning-to-end. What I'm going for is more of a glib 'so that happened' vibe, told in retrospect, from the teen's POV).
 
Physics news on Phys.org
Write both and choose. Write the direct resolution scene first, because it will tell YOU something more about the characters. Then write the character resolution.
 
  • Informative
  • Like
Likes   Reactions: Rive and DaveC426913
DaveC426913 said:
I wonder sometimes if my stories are too direct, too stripped down.
Short stories are just right that way, IMO. 3-4-5000 words length won't give you much wiggle room.

Action or characters - @Frabjous is right: I've seen it working both ways, but never seen it working without the feeling that the other one was also properly written...
 

Similar threads

  • Poll Poll
  • · Replies 12 ·
Replies
12
Views
2K
  • · Replies 118 ·
4
Replies
118
Views
12K
  • · Replies 4 ·
Replies
4
Views
3K
  • · Replies 10 ·
Replies
10
Views
3K
  • · Replies 96 ·
4
Replies
96
Views
11K
  • · Replies 1 ·
Replies
1
Views
2K
  • · Replies 7 ·
Replies
7
Views
3K
  • · Replies 22 ·
Replies
22
Views
4K
Replies
4
Views
3K
Replies
6
Views
3K