DaveC426913
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I've written a(nother) short story, Mosasaur Summer, this one a mere 4,300 words.
I've gotten all the way to the end of the climax and now I don't know how I should finish it. I'm trying to decide if I should write out the direct resolution to the action, or if I should skip ahead to the character resolution itself.
There's only two characters, a young teenager and their Great Mother, who have just been on a wild adventure together that culminates in a chase and calamity that will save the day. What I don't know is if I should assume the day was saved extra scaenam (i.e. off-screen) and dissolve directly to the character reckoning.
If I understand correctly, the reason one might do this is to keep the focus on the characters - which is presumably what the core of a good story is about - not on the plot/action.
I just can't seem to write it.
I wonder sometimes if my stories are too direct, too stripped down. i.e. too little back story or side-story, so that there is insufficient hooks remaining need tying up.
Throwing this out there in the faint hope of breaking my block.
I've sent it to a couple of friends for review but haven't gotten much feedback (One of my reviewers wants everything to be a full-blown action story, beginning-to-end. What I'm going for is more of a glib 'so that happened' vibe, told in retrospect, from the teen's POV).
I've gotten all the way to the end of the climax and now I don't know how I should finish it. I'm trying to decide if I should write out the direct resolution to the action, or if I should skip ahead to the character resolution itself.
There's only two characters, a young teenager and their Great Mother, who have just been on a wild adventure together that culminates in a chase and calamity that will save the day. What I don't know is if I should assume the day was saved extra scaenam (i.e. off-screen) and dissolve directly to the character reckoning.
If I understand correctly, the reason one might do this is to keep the focus on the characters - which is presumably what the core of a good story is about - not on the plot/action.
I just can't seem to write it.
I wonder sometimes if my stories are too direct, too stripped down. i.e. too little back story or side-story, so that there is insufficient hooks remaining need tying up.
Throwing this out there in the faint hope of breaking my block.
I've sent it to a couple of friends for review but haven't gotten much feedback (One of my reviewers wants everything to be a full-blown action story, beginning-to-end. What I'm going for is more of a glib 'so that happened' vibe, told in retrospect, from the teen's POV).