Raucousness In Music

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SUMMARY

The evaluation of music heavily relies on the concept of raucousness, which divides listeners into two distinct groups: those who prefer raucous music, such as death metal, and those who favor non-raucous genres like European classical music. Raucousness is primarily centered around the frequency of 1000 Hertz, where reducing this frequency results in less raucous sound, while boosting it enhances raucousness. This phenomenon is limited in its effect but is a crucial aspect of music perception.

PREREQUISITES
  • Understanding of sound frequency and its impact on music perception
  • Familiarity with music genres, particularly raucous and non-raucous categories
  • Knowledge of audio manipulation techniques
  • Basic concepts of music theory related to dynamics and texture
NEXT STEPS
  • Research sound frequency manipulation techniques in audio production
  • Explore the characteristics of different music genres, focusing on raucousness
  • Study the impact of frequency on listener preferences in music psychology
  • Learn about the role of dynamics in classical music compositions
USEFUL FOR

Music enthusiasts, audio engineers, and anyone interested in the psychological effects of sound frequencies on music appreciation.

Hornbein
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Possibly the single most important thing in the (subjective) evaluation of music is raucousness. I've noticed that most people will listen either only to raucous music or only to non-raucous music. The two groups don't overlap much. Death metal is the most raucous, easy listening (do they still call it that?) with lush strings the least.

It's possible to add or subtract some of the raucousness from music. It centers around 1000 Hertz. Reduce that and what one hears is less raucous, boost for more. This effect is limited but there.

European classical music is non-raucous, with the exception of some violin soloists or Penderecki symphonies.
 

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