Talent Worthy of Wider Recognition

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  • Thread starter Thread starter Hornbein
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    Guitar Lead
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SUMMARY

The forum discussion highlights the evolution and recognition of the double lead guitar technique, originally popularized by George Harrison and later embraced by artists like Jimmy Page and the Allman Brothers. Contemporary musicians such as Orianthi and D_Drive continue to innovate within this style, showcasing complex guitar lines and synchrony. The conversation also touches on the disparity between concert ticket prices and performance quality, emphasizing that fame often dictates cost rather than artistic merit. Notable mentions include classical violinist Hilary Hahn and emerging talents like Yuki from D_Drive and Evlee, who are gaining attention for their exceptional skills.

PREREQUISITES
  • Understanding of double lead guitar technique
  • Familiarity with rock music history and key artists
  • Knowledge of concert performance dynamics
  • Awareness of contemporary guitarists and their contributions
NEXT STEPS
  • Research the double lead guitar technique and its applications in modern rock
  • Explore the discography of Orianthi and D_Drive for innovative guitar work
  • Investigate the impact of ticket pricing on concert attendance and quality perception
  • Learn about emerging guitarists like Evlee and their influences in the music industry
USEFUL FOR

Musicians, music enthusiasts, and industry professionals interested in guitar techniques, concert dynamics, and the evolution of rock music.

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  • #93
I love McCoy Tyner's cocktail piano.

 
  • #94
The Nankai Trio. The James Brown fatback beat goes fusion. Numba One on my hit parade.



That drum fill at 1:00 burns me up. Why doesn't everyone do that? They probably will, sooner or later.

Here's James and the Famous Flames doing the original fatback. They say the drummer is Clyde Stubblefield.



Dennis Chambers said that when he was 13 years old he was so good at the fatback beat that James tried to hire him. James wouldn't provide a tutor though so Mom said no.
 
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  • #95
Shoko Okubo plays the blues.

 
  • #96
She was at this time 16 years old. It was a contest in which contestants played over the same prerecorded track.

 
  • #97
Junior High School band. 13 to 15 years old

 
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  • #98
Nankai Trio. Guitarist Shoya Kitagawa [Northriver] burning it up.



They are performing in October in Tokyo in tiny jazz clubs. I might go see them.
 
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He's 72 years old.
 
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  • #105
Japanese punk?
 
  • #106
difalcojr said:
Japanese punk?
I don't worry much about genres, but I'd say no. Punk had a emphasis on being unskilled. I'd say that ebass slapper has the best chops I've ever heard. Her stage name is F Chopper Kago. I once tried to get her autograph without buying any merchandise. She just smiled and said no.

Japanese rock tends to be a lot faster and complicated than the western style. Even TV shows have theme songs like this. Japanese kids are all energetic. No exceptions.
 
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  • #108
There was a punk movement in Japan that died out some years ago. I like this number, which very strangely sounds like English. Is that just some huge coincidence? I guess so.



I once read "if there is ever an anarchist movement in Japan it will be a very well organized one."
 
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Hornbein said:

Wow, Jon Lord, Keith Emerson and Thijs Van Leer would be impressed I think!
 
  • #114
The creativity and talent in this world is astounding


 
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  • #115
Ballad



Latin



She wrote these instant classics. Damn.
 
  • #116
The Outsiders! A real proto-punk psychedelic band that never made it. Too bad. They're good. Like the Dukes of Stratosphere but real.

 
  • #117
Not Mary Hopkin



The Red Army Ensemble! Can't beat that.

 
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