Dance vs. Music

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Discussion Overview

The discussion revolves around the relationship between dance and music, particularly focusing on how different tempos and time signatures can interact. Participants explore the nuances of synchronization, the perception of rhythm, and the creative possibilities when dance and music do not align perfectly. The scope includes personal experiences, theoretical musings, and examples from music pieces.

Discussion Character

  • Exploratory
  • Conceptual clarification
  • Debate/contested

Main Points Raised

  • One participant notes that they paired dance and music with seemingly unrelated tempos, discovering that seven beats of dance could align with four beats of music, which they found surprising.
  • Another participant references the Dave Brubeck piece "Take 5," which is in 5/4 time, and questions how it could be associated with a dance routine.
  • Some participants suggest that dance can occur in one time signature while music is in another without issue, emphasizing that synchronization is not always necessary for aesthetic appeal.
  • A participant shares an observation that the mind can tolerate mismatched tempos, often finding that unrelated tempos can look better than perfectly synced versions.
  • One participant describes a performance where a pianist played contrasting pieces simultaneously, illustrating the complexity and creativity possible in musical improvisation.
  • Another participant mentions that they have witnessed dance in 4/4 time with music in 5/4, noting that it appeared natural due to the absence of strict measures in dance.
  • Some participants express uncertainty about how to perceive or analyze the relationship between dance and music when tempos do not match.

Areas of Agreement / Disagreement

Participants express a range of views on the relationship between dance and music, with no clear consensus on the necessity of synchronization or the implications of mismatched tempos. Some agree that contrasting rhythms can work well together, while others remain uncertain about the effectiveness of such combinations.

Contextual Notes

Participants discuss various examples and personal experiences, but there are limitations in terms of the assumptions made about rhythm perception and the subjective nature of artistic expression. The discussion does not resolve the complexities of how different time signatures interact in practice.

Who May Find This Useful

Individuals interested in the interplay of music and dance, particularly those exploring creative expression in performance arts, may find this discussion relevant.

Hornbein
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I've made hundreds of videos pairing together dance and music. Today I did one where I thought the tempos were completely unrelated but it appeared bang on, just about perfect. When I corrected the tempo to be the same it looked completely wrong. Amazing! I've seem this kind of thing before but never to such an extreme degree.

On examining this mystery I found out that the tempos were not as unrelated as I had thought. There were seven beats of dance to each four beats of music. That's seems pretty farfetched but it worked. While slowing down the dance to eight beats for each four of music didn't work at all. Wild!
 
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Hornbein said:
I've made hundreds of videos pairing together dance and music. Today I did one where I thought the tempos were completely unrelated but it appeared bang on, just about perfect. When I corrected the tempo to be the same it looked completely wrong. Amazing! I've seem this kind of thing before but never to such an extreme degree.

On examining this mystery I found out that the tempos were not as unrelated as I had thought. There were seven beats of dance to each four beats of music. That's seems pretty farfetched but it worked. While slowing down the dance to eight beats for each four of music didn't work at all. Wild!
This was so weird I checked into it later. I must have made a mistake. The synced up version was inferior but OK, passable.

I have learned that the mind is pretty tolerant when it comes to matching up dance and music. Often completely unrelated tempos of dance and music look better than the synced up version. As far as odd times go, it doesn't matter at all. You can dance in one time signature while the music is in another and this is not a problem. Dance is an abstract art form so synchronization details don't matter all that much. What does matter is that when the music changes mood the dance usually should too. But sometimes you can get away with contrast. The music speeds up and the dance slows down, that kind of thing.

Recently I saw pianist Riyoko Takagi play the Mission:Impossible! chords with her left hand and Take Five with the right. Clever, eh? She also did a mashup of a Latin standard with a sophisticated jazz reharmonization of Smoke On The Water. I wish I had a recording of that.

It's amazing that anyone can improvise such complex things on the spot for hours and never bobble anything. Such is complete command of the music and instrument. I'm lucky if I can make it through a minute of simple music without some mistake.
 
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jedishrfu said:
There's a Dave Brubeck piece called Take 5 that has an unusual tempo, 5/4 time.

https://en.wikipedia.org/wiki/Take_Five

I wonder how it could be associated with a dance routine.
Here is dance in 4/4 with music in 5/4. It looks pretty natural. Dance doesn't have measures or bar lines so there is no problem with mixes like this.



I witnessed the premier of Mission : Impossible!. It made a big impact on twelve year old me. I recall the first episode was about using a computer to beat a roulette wheel.

Producer Barry Crane was a candidate for World's Most Self-Centered and Annoying Person. He pissed off the wrong guy and was murdered in his home.
 
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Here's an example. I'd swear that they were right in the groove together but actually the tempos are unrelated. Even knowing that, I can't see it.

 

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