How Can I Obtain the 2-Form and P-Form Associated with a Vector Field?

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Discussion Overview

The discussion centers on obtaining the 2-form and p-form associated with a vector field, specifically in the context of differential geometry and the use of musical isomorphisms. Participants explore the relationships between vector fields, 1-forms, 2-forms, and p-forms, as well as the implications of using different metrics.

Discussion Character

  • Technical explanation
  • Conceptual clarification
  • Debate/contested

Main Points Raised

  • Some participants describe how to obtain the 1-form associated with a vector field using the musical isomorphism, but express uncertainty about how to derive the 2-form and p-form.
  • One participant notes that various operations (exterior derivatives, interior products, wedge products) can be used to relate different forms, but emphasizes that these are not isomorphisms and can result in loss of information.
  • Another participant explains that the musical isomorphisms are valid in any coordinate system on a Riemannian manifold, but the choice of metric affects the isomorphism.
  • It is mentioned that the Hodge star operator can be used to obtain a 2-form from a 1-form, contingent on the existence of a metric, and that this process may not yield a 2-form in all cases.
  • Some participants provide specific formulas for the 2-form in Cartesian coordinates and discuss the interior product's role in associating vector fields with forms.
  • There is a mention that the association of vector fields with forms is generally true for pseudoforms, indicating a distinction in the types of forms being discussed.
  • One participant asks for recommendations on literature regarding pseudoforms, indicating an interest in further exploration of the topic.

Areas of Agreement / Disagreement

Participants express a range of views on the relationships between vector fields and forms, with some providing specific methods and examples while others highlight the limitations and conditions under which these associations hold. No consensus is reached on a definitive method for associating p-forms with vector fields without loss of information.

Contextual Notes

The discussion highlights the dependence on metric choices and the potential for different outcomes based on the mathematical framework used. There are unresolved questions regarding the general applicability of the methods discussed.

davi2686
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if i have a vector field \vec{F}=(f_1,f_2,f_3),i know which for obtain 1-form associated with it i do \vec{F}^{\flat}=f_1dx^1+f_2dx^2+f_2dx^3, but how can i get the 2-form and p-form associated with that vector field?

And one more thing, the musician isomorphisms which i used is only valid in cartesian coordinates? in general i have to use in some way the metric to obtain the p-form associated?
 
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There are various ways to move between the various spaces of p-forms (exterior derivatives, interior products, wedge products etc.), however these are almost never isomorphisms so you can't identify a vector field with a p-form without losing information along the way.

The musical isomorphisms, which are indeed valid in any coordinate system in a Riemannian manifold work because the metric gives an isomorphism of the tangent space with the cotangent space. In coordinate free form, this is simply given by v^\flat(w)=g(v,w) for two vector fields v,w. Since every manifold (at least finite dimensional) can be given a Riemannian metric using a partition of unity, it follows that the isomorphism is true for any manifold. However, a different choice of metric will give a different isomorphism so you need to specify the metric explicitly to say what the isomorphism actually is. By using the universal property of tensor products, this can of course be upgraded to an isomorphism
(TM)^{\otimes n}\otimes (T^*M)^{\otimes m} \cong (TM)^{\otimes n-i}\otimes (T^*M)^{\otimes m+i}
whenever the indices make sense simply by using the musical isomorphisms in each factor. Be careful to note that the right factors here are tensor product of cotangent spaces, not the alternating tensor product so these are not p-forms (think of the difference between a metric and a symplectic form.)

The way to get a 2-form associated with a 1-form in 3-dimensions is to use the Hodge star operator, which again depends on the existence of a metric. It can be defined as taking the 1-form \mu to the unique 2-form *\mu such that the equality \omega\wedge *\mu=g(\omega,\mu) \mathrm{vol}_n holds. If you write this down explicitly in the case of \mathbb{R}^3 and the standard Euclidean metric, this will give you the usual 2-form associated to a vector field that allows you to think of cross products in terms of the exterior derivative.

For a general manifold, note that if \omega\in \Omega^n(M^d), then *\omega\in \Omega^{d-n}(M^d). Hence, you can start with a vector field, convert it to a 1-form using the metric however if you now use the hodge star, you get a d-1-form not a 2-form. So, in this case you can no longer associate vector fields with 2-forms.

In general there is no way to associate a p-form with a vector field, at least none that doesn't lose information along the way since these spaces are not isomorphic. Of course you can define a many maps from vector fields to p-forms using different combinations of the standard operations I mentioned above however there is no reason for the operator you create to be interesting.
 
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davi2686 said:
if i have a vector field \vec{F}=(f_1,f_2,f_3),i know which for obtain 1-form associated with it i do \vec{F}^{\flat}=f_1dx^1+f_2dx^2+f_2dx^3, but how can i get the 2-form and p-form associated with that vector field?

And one more thing, the musician isomorphisms which i used is only valid in cartesian coordinates? in general i have to use in some way the metric to obtain the p-form associated?

Well, the inverse map of the musical isomorphism makes use of the matrix ## g^{ji} ## , which is the inverse of the metric ## g_{ij} ## , so in this sense the inverse map depends on your original choice of metric.
 
davi2686 said:
if i have a vector field \vec{F}=(f_1,f_2,f_3),i know which for obtain 1-form associated with it i do \vec{F}^{\flat}=f_1dx^1+f_2dx^2+f_2dx^3, but how can i get the 2-form and p-form associated with that vector field?

And one more thing, the musician isomorphisms which i used is only valid in cartesian coordinates? in general i have to use in some way the metric to obtain the p-form associated?

The two form in cartesian coordinates is just \beta_{\vec{F}}= f_1 dx^{1} \wedge dx^{2}+ f_2 dx^{1}\wedge dx{2}+ f_3 dx^{2} \wedge dx^{3}. The general formula for a vector v associated to the n-1 form is given by \gamma^{n-1}:= \iota_{v}vol^{n} for example \gamma^{2}=\iota_{v}vol^{3} where \iota_{v}vol^{3}= \sqrt{g}(v_1 dx^{1} \wedge dx^{2}+ v_2 dx^{1}\wedge dx{2}+ v_3 dx^{2} \wedge dx^{3}). And \iota_{v} is the interior product. Hope that helps. If you want to convert it back, you just have to divide by \sqrt{g}.
 
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JonnyMaddox said:
The two form in cartesian coordinates is just \beta_{\vec{F}}= f_1 dx^{1} \wedge dx^{2}+ f_2 dx^{1}\wedge dx{2}+ f_3 dx^{2} \wedge dx^{3}. The general formula for a vector v associated to the n-1 form is given by \gamma^{n-1}:= \iota_{v}vol^{n} for example \gamma^{2}=\iota_{v}vol^{3} where \iota_{v}vol^{3}= \sqrt{g}(v_1 dx^{1} \wedge dx^{2}+ v_2 dx^{1}\wedge dx{2}+ v_3 dx^{2} \wedge dx^{3}). And \iota_{v} is the interior product. Hope that helps. If you want to convert it back, you just have to divide by \sqrt{g}.

Actually, this is in general only true for pseudoforms. So to every vector there is an associated pseudoform in general ! Sry
 
JonnyMaddox said:
Actually, this is in general only true for pseudoforms. So to every vector there is an associated pseudoform in general ! Sry

Hi JonnyMaddox, do you know some book which talks about pseudoforms?
 

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