How to Make Voice and Voiceless Sounds

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To produce voiceless sounds, the glottis should be more open and tense, while for voiced sounds, it should be narrower and less tense. The vocal cords play a crucial role in sound production, as they vibrate for voiced sounds and remain still for voiceless sounds. This can be demonstrated by placing a hand on the larynx while pronouncing vowels; vibration indicates voiced sounds, while whispering shows a lack of vibration, indicating voicelessness. The pairs of sounds discussed—'b' vs. 'p', 'd' vs. 't', 'g' vs. 'k', and 'z' vs. 's'—highlight the difference between voiced and voiceless consonants, and this distinction is present in many languages, including Vietnamese. Understanding and controlling vocal cord vibration is essential for mastering these sound contrasts.
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Is this correct: to make voiceless sound the glotis more open and more tense; to make voice sound the glotis more narrow and less tense?I don't know how to make the vocal cord vibrate and to make it not vibrate?
 
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What do you do differently between the following pairs of sounds? (first is voiced, second is voiceless)

'b' versus 'p'
'd' versus 't'
'g' versus 'k'
'z' versus 's'

Do any of these pairs both exist in Vietnamese (which is your native language, if I remember correctly)?
 
The glottis has nothing to do with voicing. At least not in the English language. It's all about the vocal cords.

fxdung said:
I don't know how to make the vocal cord vibrate and to make it not vibrate?
In all languages most vowels are voiced. Put your hand on your neck where the larynx is and start pronouncing the vowels you know. Of English, or Vietnamese. Any language really. You will feel vibration in the voice box.
Then say those same vowels, but whispering. Whispering disengages the vocal cords. Your hand will sense a lack of vibration.
You want to control that vibration to contrast the voiced/unvoiced consonants.
 
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