Algr said:
Yes, but that is what people were doing in the 1990s. The text is written as if this was a new idea for H266.
Many compression ideas have been around for a long time - many over the 20 years royalties apply. The simple compression method I gave is just one of them. That is the idea behind the EVC baseline I mentioned. It uses nothing but ideas whose patent/royalty has expired. The interesting thing about EVC (baseline) is that it encodes very fast and has compression efficiency nearly as good as HEVC, loaded with royalty problems. In fact, perceptually, it could be as good as HEVC:
HEVC bought about the paradigm shift to considering patent/royalty issues. It used a lot of then-new ideas in the standard, which was ratified in 2013. At first, everything was fine, but the patent holders of those ideas were 'sneaky'. What they did is wait until HEVC was widely adapted. Then wham - hit users with royalties for their patent. I have heard in discussions (but do not hold me to it) big companies like Samsung have teams of lawyers just working on that alone. Nobody (except maybe the patent holders) wants a repeat of that debacle. That is not to say HEVC will not be in use for some time. At the moment, X264 is the dominant codec, but it is expected over the next few years, HEVC will be the dominant codec - then it too will fade, being replaced by newer codecs. But the lesson has been learned - royalties must be simplified, and a lot of effort is going into doing just that. VVC is the natural successor to HEVC and builds on it. In doing so, it is loaded with the same royalty issues as HEVC. The codec developers are aware of it and will do all they can to ensure it is manageable. But it may not succeed. EVC handles it differently by having the baseline and the main profile. The main profile uses techniques that can be switched on or off. If the same royalty tactics that were used with HEVC is tried, they switch it off.
Then we have AV1:
https://research.mozilla.org/av1-media-codecs/
Everything in it is royalty-free. It compresses better than the EVC baseline. Its problem is compression time - it is horrid. Work is being done to reduce it, with some success. Many think it will become the dominant codec.
Now let's return to LCEVC. The straightforward compression method I detailed is likely royalty-free. But the tricks developed by V-Nova to make it better are not. V-Nova is very aware of the royalty issue and has released the royalties they will charge, which the industry, in general, seems to be happy with:
https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=147003
Although I mentioned baseline EVC in my insights article, many think it is a natural fit for AV1. But when operating at 1/4 resolution, the differences in codec compression efficiency not as big an issue - it exists, of course, but the information in the enhancement layer compensates to some extent - it is the same regardless of codec. The big benefit of using LCEVC with the newer codecs is that encoding time is drastically reduced as it operates at lower resolutions. So by using AV1 at 1/4 resolution encoding, AV1 encoding time is manageable. Also, AV1 is a complex codec, where a lot can go wrong and frame dropouts occur. Experiments using it with and without LCEVC has been interesting:
https://www.lcevc.org/wp-content/uploads/AV1-with-LCEVC-pub-1.pdf
With a royalty structure the industry is happy with, the increase in compression efficiency, reduction in encoding time and dropout reduction in complex codecs, LCEVC looks to have a bright future.
Thanks
Bill