Music Who is your favorite Jazz musician and what is your favorite song?

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The discussion centers around a shared appreciation for jazz music, with participants highlighting their favorite musicians and songs, particularly Herbie Hancock's "Maiden Voyage" and Weather Report's "Heavy Weather." Many contributors express their diverse musical backgrounds, mentioning influential artists like Pat Metheny, Miles Davis, and Jacques Loussier, while also reflecting on personal experiences with jazz in various settings, including military life. The conversation touches on the evolution of jazz and its intersection with other genres, as well as the subjective nature of music appreciation. Participants also debate the classification of certain songs as jazz, emphasizing the importance of emotional connection over strict definitions. Overall, the thread showcases a vibrant exchange of musical tastes and experiences within the jazz genre.
  • #201
Sheena Ringo -- Welcome to Tokio

 
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Science news on Phys.org
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  • #205
Anita O'Day -- Crazy He Calls Me



They don't make 'em like this no mo.
 
  • #206
Helen Forrest - Comes Love
 
  • #207
Jazz lost something when the clarinet became uncool.

Trad jazz like this had a big influence on The Beatles. After that chords got simpler in pop music. Much simpler. Gimme the sophisticated stuff.
 
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  • #209
Now there's a Latin beat. Shiina Ringo

 
  • #210
I love this jazz tune: Nokia Tune Jazz
Very interesting! It combines the piano and the sound of Nokia ringtones. :bow:
 
  • #211
The piece is Tarrega's Gran Valse. Written many decades before Nokia even existed.
 
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  • #212
Hornbein said:
My One and Only Love - Jack Wilkins

How can anyone play guitar that well and not be famous? Tough business, jazz.
I just noticed the topic a few days ago.

As for the quote from Hornbein, just understand that some great artists will be overlooked; underappreciated. They may still be successful in their art. AND influential.
 
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  • #216
Hornbein said:

Gibson semi acoustic, beautiful tone. Having a technique and musical knowledge like that helps!
A young kid?
 
  • #217
morrobay said:

A great thread. @BadgerBadger92 we salute you. I need to catch up on some of the posts.
 
  • #218
 
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  • #219
Hard to pick favorite songs, but....

Snarky Puppy- Lingus


KNOWER- I'm The President


Hella- Baby In A Coma/Child Of No Calendar
 
  • #220
Saori Yano does Latin. The band is real good too.

 
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So who is the best alto sax player in the world?

Saori Yano or Patrick Bartley Junior?

I'm glad I don't have to choose. I'd like to see them both on the same stage but the energy released might bring about the end of the world.
 
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And
 
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morrobay said:
And

Cannonball's not in this world anymore.
 
  • #225
Saori Yano -- Lover Man (Where Can You Be)

 
  • #226
What an amazing Lady, the range she has. In my top 20 jazz musicians.
 
  • #227
morrobay said:
What an amazing Lady, the range she has. In my top 20 jazz musicians.

Does anyone else have that degree of subtlety of inflection? Stan Getz I guess.



The high point though for me is pianist Kenny Barron.
 
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  • #228
I like how the head has such tight synchronization. Jazz players seldom do that.

 
  • #230
Another ballad master.

Ayumi Koketsu -- I Fall In Love Too Easily​


 
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Wynton Felder and Hank Mobley play so beautifully. Why aren't they more famous?



The first version I heard had John Coltrane's solo removed. Good idea. He hadn't got his thing together yet.

That's Miles' first wife on the cover.
 
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Astronuc said:
Video is not longer available, but my wife happened to find the tune in another video. The woman at the airport was playing a piano adaption of the main theme from the movie Interstellar. Here are a couple of other performances of the tune written by Hans Zimmer and arranged by Patrik Pietschmann .

Interstellar: Main Theme - EPIC PIANO COVER - Hans Zimmer





Interstellar Piano performed by Anahita Farahdel

 
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  • #235
Astronuc said:
Video is not longer available, but my wife happened to find the tune in another video. The woman at the airport was playing a piano adaption of the main theme from the movie Interstellar. Here are a couple of other performances of the tune written by Hans Zimmer and arranged by Patrik Pietschmann .

Interstellar: Main Theme - EPIC PIANO COVER - Hans Zimmer





Interstellar Piano performed by Anahita Farahdel


The whole cycle must be about 8 bars? It is a stunning piece and even better on organ although I like the fact you can pick everything out when it is played on piano this way.
In terms of movie themes this is in my top ten.
 
  • #236
Astronuc said:
Video is not longer available, but my wife happened to find the tune in another video. The woman at the airport was playing a piano adaption of the main theme from the movie Interstellar. Here are a couple of other performances of the tune written by Hans Zimmer and arranged by Patrik Pietschmann .

Interstellar: Main Theme - EPIC PIANO COVER - Hans Zimmer





Interstellar Piano performed by Anahita Farahdel


These guys do some great versions of music themes.

 
  • #237
I particularly like Chizuru's guitar solo. How can she get that tone out of a Stratocaster?
 
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  • #238
Buddy Rich 1985, he died in 1987.

Crack band, first trumpet and sax had been in his band a while. Great players.



Stand outs for me.

Opens with “Machine”

“Norwegian Wood” 22.00

“Love for Sale” 25.35

“No Exit” 29.55

“Channel one suite” 37.20 till finish.

If you are a drummer in particular.

29.00 probably the cleanest and most aggressive singles with accents I have ever heard. (in love for sale)

32.47 Paradiddles mainly but his left hand seems to bind all of those accented patters with his right on the toms (no exit)

38.24 Just try this fill, I dare you.

48.29 Big solo, it probably seemed a good idea at the time to film him from underneath in parts.

There are cameras right over his shoulder and in front but no, lets do some shots under his stool when you see nothing of his hands.

Besides that, just incredible art and ingenuity, he never seems to repeat himself. There is a cross over towards the end, it is so fast and smooth, just one of those “only Buddy can do" moments.
 
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pinball1970 said:

Why did such music disappear?
 
  • #242
Hornbein said:
Why did such music disappear?
The same reason progressive rock was attacked by Punk in the mid 1970s. Jazz, ballads, close harmony vocals were probably considered old fashioned by the younger generation who wanted their own music in the 1950s.
They buy records, go to live concerts and generate cash for the industry.
"Mr Sandman" is a nice example, released 1954 and Elvis hit a year later.
Some genres persist and exist alongside new trends but getting a record deal in the "old" style, suddenly gets tougher when then the new is taking over.
Not just for record releases and concerts but films and TV too. Think of all that great Jazz music in the films and TV of the 1940s and 50s and compare it to the 1960s and 70s.
Popular music pervades everything.
 
  • #243
Hornbein said:
Why did such music disappear?
Not entirely true:


Granted, they're covers (and it's not their normal repertoire)
 
  • #244
Ian Anderson of Jethro Tull. Believe they won a jazz award. Might not be strictly jazz. My favorite: Weathercock.
 
  • #245
pinball1970 said:
Not just for record releases and concerts but films and TV too. Think of all that great Jazz music in the films and TV of the 1940s and 50s and compare it to the 1960s and 70s.
Popular music pervades everything.
Popular music pervades everything. And not always in a good way. TV shows like this pop music show , American Idol with Simon Cowell and judges seemed to be selecting for and rewarding these half fast/half slow whining styles . And then this show or another similar one even called this slop, I mean style , Soul. Begs the question about the audience too: Have any of them ever heard real soul like Ray Charles?
 
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  • #246
morrobay said:
Popular music pervades everything. And not always in a good way. TV shows like this pop music show , American Idol with Simon Cowell and judges seemed to be selecting for and rewarding these half fast/half slow whining styles . And then this show or another similar one even called this slop, I mean style , Soul. Begs the question about the audience too: Have any of them ever heard real soul like Ray Charles?
Unfortunately, kids growing up only listening to garbage, will develop their musical abilities based on that, in terms of taste and analysis.

Playing would probably not even enter into it because there is little to no playing involved.
 
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  • #247
pinball1970 said:
Unfortunately, kids growing up only listening to garbage, will develop their musical abilities based on that, in terms of taste and analysis.

Playing would probably not even enter into it because there is little to no playing involved.
Eight years ago a went to a young people's nightclub in Lansing Mich. Some guy was on stage with a laptop. Every now and then he'd push a button to evoke a drop. That was it.
 
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  • #248
Hornbein said:
Eight years ago a went to a young people's nightclub in Lansing Mich. Some guy was on stage with a laptop. Every now and then he'd push a button to evoke a drop. That was it.
Like this? Talentless garbage

 
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  • #249
pinball1970 said:
Like this?


Lansing : No singers, no dancers, simpler groove.
 
  • #250
My favourite Madness track.(jazz!)

 
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