difalcojr
- 427
- 318
and it could be so romantic
difalcojr said:Please post more. It's all good.
I only know 60's jazz mostly, all from my older brother who loved it. I don't think 60's jazz is considered modern, is it? Here's one my brother played a lot. My favorite album of his.
difalcojr said:I liked jazz because they played off-key on purpose and made it sound good.
difalcojr said:few more sixties before older stack starts.
The Billie Holiday song was very hard to listen to. Guess what I don't like in jazz is the opposite of what I do like. What has already been said it can be: upbeat, uplifting, driving. Or slow and sweet, but not melancholy or too sad and bluesy for me either.pinball1970 said:I would class that as "blues" rather than jazz. I know there is cross over but I am not a fan of it particularly. The format.
Not sure why. There were just so, so many jazz musicians in the 50's and 60's. Many, many great piano players and saxophone players. Wikipedia defines this sound as soul jazz.Hornbein said:As far as great small combo jazz goes you can't beat Sonny Stitt and Gene Ammons. Some real chemistry there. I don't know why they aren't more famous.
Dixieland jazz I have seen. There was a group call Orchestra De La Luz that moved to Latin America and was quite popular for a number of years. I've also seen 50's rock done very well. Very few tribute bands and they all seem to be for The Beatles. Superfly was very popular, doing 60's rock sort of like the Rolling Stones. I think they were great. Techo was invented by Germany and Japan and evolved into hiphop. The Yellow Magic Orchestra appeared on Soul Train.difalcojr said:Not sure why. There were just so, so many jazz musicians in the 50's and 60's. Many, many great piano players and saxophone players. Wikipedia defines this sound as soul jazz.
Maybe the Japanese bands will start some tours soon where you live so you don't have to move. I think they would fill much more than a small nightclub or racetrack side stage.
BB King performed at Harrah's casino on a small, side stage during the daytime at a time in his life. He also filled the SF Fillmore Auditorium as often as he wanted.
Also, are the Japanese bands there also playing Dixieland jazz?
Or jazz with Latin beats like this one.
Found out it was Oliver Nelson who wrote the scores for Ironside, Columbo, The Six Million Dollar Man, and The Death of a Gunfighter. Here is his "Stolen Moments".pinball1970 said:One of the reason I was hooked on USA TV & film as a kid, jazz music permeated children and adult TV, film sound tracks.