Music Who is your favorite Jazz musician and what is your favorite song?

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The discussion centers around a shared appreciation for jazz music, with participants highlighting their favorite musicians and songs, particularly Herbie Hancock's "Maiden Voyage" and Weather Report's "Heavy Weather." Many contributors express their diverse musical backgrounds, mentioning influential artists like Pat Metheny, Miles Davis, and Jacques Loussier, while also reflecting on personal experiences with jazz in various settings, including military life. The conversation touches on the evolution of jazz and its intersection with other genres, as well as the subjective nature of music appreciation. Participants also debate the classification of certain songs as jazz, emphasizing the importance of emotional connection over strict definitions. Overall, the thread showcases a vibrant exchange of musical tastes and experiences within the jazz genre.
  • #101
think this classic, slow tune could be fused up or rocked up in a cover.
 
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  • #102
maybe his best known album and song:
 
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  • #103
 
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  • #104
Indeed it's not about nostalgia - Just the best jazz ever.
 
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  • #105
morrobay said:
Indeed it's not about nostalgia - Just the best jazz ever.

The studio recording w/ strings is probably my favorite piano solo ever

 
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  • #106
pinball1970 said:
Once reason jazz and Classical are so great is they feature beautiful sounds of all the different instruments.

Does not all music do that?

Well yes and no, in rock music (which I like) you are a little restricted, guitar/distorted guitar, organ but not always.

Same with the other styles but in classical you can do what the hell you want, a piano piece? You have it.

Just Cello? Yes, Just voices? Full orchestra? Organ its all there.

Same with Jazz, this one is a flute piece but there is a cool as hell electric piano solo.

BWV said:
The studio recording w/ strings is probably my favorite piano solo ever


In Jazz there are really no rules, musical theory-wise. If a chromatic scale or blue note sounds cool they go for it. I know that's not really fair comparing to other typea of music, but Jazz is really the very definition of musical anarchy. These people are so good they absorbed all the theory and then threw it all away to just play some music.
 
  • #107
sbrothy said:
In Jazz there are really no rules, musical theory-wise. If a chromatic scale or blue note sounds cool they go for it. I know that's not really fair comparing to other typea of music, but Jazz is really the very definition of musical anarchy. These people are so good they absorbed all the theory and then threw it all away to just play some music.
I don’t agree with this at all, Jazz has a vocabulary and grammar, I.e. ‘rules’ , just as 19th century classical music or any other style does
 
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  • #108
Yes I favor a little up tempo^ . Saw the Modern Jazz Quartet at Pepperdine College in Malibu. Also had contact with one band member as a Customs Inspector at LAX
 
  • #109
sbrothy said:
In Jazz there are really no rules, musical theory-wise. If a chromatic scale or blue note sounds cool they go for it. I know that's not really fair comparing to other typea of music, but Jazz is really the very definition of musical anarchy. These people are so good they absorbed all the theory and then threw it all away to just play some music.
I have no technical musical knowledge whatsoever but I dare say the musicians got a little carried away with this no rules/anarchy/fusion that started in the 70's. For me does not sound good at all
 
  • #110
BWV said:
I don’t agree with this at all, Jazz has a vocabulary and grammar, I.e. ‘rules’ , just as 19th century classical music or any other style does
You're probably right. It was a very personal opinion. I play the guitar myself (mostly blues), but I'm not the biggest fan of jazz. Perhaps I'm too far out of my comfort zone here to offer any meaningful comment.
 
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  • #111
sbrothy said:
You're probably right. It was a very personal opinion. I play the guitar myself (mostly blues), but I'm not the biggest fan of jazz. Perhaps I'm too far out of my comfort zone here to offer any meaningful comment.
I think I know where you are coming from.

In classical music the musicians take their part home, the sheet music, give it whirl then turn up to rehearsal and are guided by the conductor, tempo, phrasing, volume etc.
You can have cadenza where a soloist plays flurry often improvised but the rest of the orchestra play what is written in the score.

You get all that in a jazz set up too, where guys play their charts but can improvise on the solos if they have one.

There is a genera where all the guys are in tempo and basic structure but all of them are soloing usually clarinet, trumpet trombone (I thought that was new Orleans but just checked some out and is not that)
I am not that keen on that style.
Free form is more of a 1970s thing and everyone turns up and just stars playing!

Of the bands I have seen, they know each other well, are great technicians/musicians and find a theme and kind of just run with it, ebb and flow like they reading each others mind. Pretty far out (man)

Not everyone’s cup of tea.

I adore jazz, the structure of the tracks those scrunchy chord progressions, the technical ability of the players. So many genres and great artists.

One of the reason I was hooked on USA TV & film as a kid, jazz music permeated children and adult TV, film sound tracks.

Be-bop



Jazz funk



Is this jazz? Im claiming it- it has a flute and electric piano!
 
  • #112
Had not remembered it was so pervasive in media. Interesting. The musicians did cover all the Broadway and movie themes and songs. Which I really like still. That Wilder movie trailer script is really funny. :)

As far as different guitar styles/sounds of jazz and rock, guitar always seemed so much more subdued in jazz. Didn't rock. Here's a pair that really show this, I think. Both renowned guitarists. Like both versions, but they are very different. The jazz version original (first track):


and the rock/blues fusion version cover with Mike Bloomfield in the first guitar solo, and Elvin Bishop the second. Harmonica taking the place of cornet. I think this might well be considered jazz too:
 
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  • #113
 
  • #114
BadgerBadger92 said:
I’ve always liked Herbie Hancock
don't think this one made it yet:
 
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  • #115
Classic ^ And latin/conga drums version.
 
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  • #116
Greg Bernhardt said:
I'm a huge fan of 20s-40s jazz. I'm not big into any modern jazz.
An absolute stack of stuff that will blow your socks off Greg!
 
  • #117
difalcojr said:
Had not remembered it was so pervasive in media. Interesting. The musicians did cover all the Broadway and movie themes and songs. Which I really like still. That Wilder movie trailer script is really funny. :)

As far as different guitar styles/sounds of jazz and rock, guitar always seemed so much more subdued in jazz. Didn't rock. Here's a pair that really show this, I think. Both renowned guitarists. Like both versions, but they are very different. The jazz version original (first track):


and the rock/blues fusion version cover with Mike Bloomfield in the first guitar solo, and Elvin Bishop the second. Harmonica taking the place of cornet. I think this might well be considered jazz too:

Yes the media follow the genre, this is why game shows, TV series and films had synth naff in there.
 
  • #118
Louie Bellson. "Cool" live, from 1962, a track from Westside story.
The arrangement makes it, I could gush about it but I won't.
 
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  • #119
few more sixties before older stack starts.
 
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  • #120
I liked jazz because they played off-key on purpose and made it sound good.
 
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  • #121
and it could be so romantic
 
  • #122
She was very popular.
 
  • #123
difalcojr said:
Please post more. It's all good.
I only know 60's jazz mostly, all from my older brother who loved it. I don't think 60's jazz is considered modern, is it? Here's one my brother played a lot. My favorite album of his.

I would class that as "blues" rather than jazz. I know there is cross over but I am not a fan of it particularly. The format.
 
  • #124
difalcojr said:
I liked jazz because they played off-key on purpose and made it sound good.

In terms of being off key it is very hard to do on purpose vocally and make it sound good. This track I have never heard till today.
I picked Billy Holliday as an example of Jazz blues cross over.
The lyrics are grim and she singing with horror and disgust.
See what you think.

 
  • #125
Something a bit more light hearted.

Did they record this and mime it? Pretty certain they and Bing Crosby lip syncs with Louis Armstrong brilliantly, even when he laughs!
 
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  • #126
When Rogers and Hammerstein meets Jazz!

 
  • #127
When Jazz meets Mozart!

 
  • #128
This is great, the look, the sound. Love it.

 
  • #129
The 1980s dropped off sharply in terms of good music but there was this.
 
  • #130
This was from Disney's last film 1970. Boogie woogie @1.40!
Scatman Crothers, The Shining guy!
 
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  • #131
difalcojr said:
few more sixties before older stack starts.

I could play that every day.
 
  • #132
pinball1970 said:
I would class that as "blues" rather than jazz. I know there is cross over but I am not a fan of it particularly. The format.
The Billie Holiday song was very hard to listen to. Guess what I don't like in jazz is the opposite of what I do like. What has already been said it can be: upbeat, uplifting, driving. Or slow and sweet, but not melancholy or too sad and bluesy for me either.
That Matt Bianco piece is very good, interesting.
And now Dixieland jazz too. Happy jazz. In that Mozart cover!
And in another cover of Grieg's "Wedding Day at Troldhaugen"! Dixieland style. Lot of good music.

One more of Mose Allison, a fast piano piece with a good drum solo. He sang bluesy but played jazz piano.
 
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  • #133
This was the one jazz song selected and engraved on the golden record attached to the two Voyager 1977 space probes.
 
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  • #134
Body and Soul by Osaka Jazz

This is the drummer's channel. It appears he is hired by the best players in Osaka. I didn't know they had a jazz scene there.

I've been to Osaka. It is a big city with lots of corporate headquarters. It is unbelievably cheap for what you get. It has a huge pleasure district with sound piped onto the street. They were playing 60's Coltrane over that.

Most Japanese castles don't impress me much. They are made mostly of wood (?) and all look the same. The castle in Osaka was built by the brand new shogun as a symbol of dominance and is meant to be imposing. It is. It looms over you like nothing else. I wouldn't mess with that shogun.



If their jazz is this good I might try living there.
 
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  • #135
As far as great small combo jazz goes you can't beat Sonny Stitt and Gene Ammons. Some real chemistry there. I don't know why they aren't more famous.

 
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  • #136
A very fast Hiromi Euhara piano solo. She is the first Japanese artist to make it internationally. Won't be the last.

 
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  • #137
Buddy in Germany

 
  • #138
Hornbein said:
As far as great small combo jazz goes you can't beat Sonny Stitt and Gene Ammons. Some real chemistry there. I don't know why they aren't more famous.
Not sure why. There were just so, so many jazz musicians in the 50's and 60's. Many, many great piano players and saxophone players. Wikipedia defines this sound as soul jazz.
Maybe the Japanese bands will start some tours soon where you live so you don't have to move. I think they would fill much more than a small nightclub or racetrack side stage.
BB King performed at Harrah's casino on a small, side stage during the daytime at a time in his life. He also filled the SF Fillmore Auditorium as often as he wanted.
Also, are the Japanese bands there also playing Dixieland jazz?
Or jazz with Latin beats like this one.
 
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  • #139
Indeed the Japanese cover alot of music from soul/blues,R&R, jazz as well as culture styles They even have a low rider scene
 
  • #140
 
  • #141
difalcojr said:
Not sure why. There were just so, so many jazz musicians in the 50's and 60's. Many, many great piano players and saxophone players. Wikipedia defines this sound as soul jazz.
Maybe the Japanese bands will start some tours soon where you live so you don't have to move. I think they would fill much more than a small nightclub or racetrack side stage.
BB King performed at Harrah's casino on a small, side stage during the daytime at a time in his life. He also filled the SF Fillmore Auditorium as often as he wanted.
Also, are the Japanese bands there also playing Dixieland jazz?
Or jazz with Latin beats like this one.
Dixieland jazz I have seen. There was a group call Orchestra De La Luz that moved to Latin America and was quite popular for a number of years. I've also seen 50's rock done very well. Very few tribute bands and they all seem to be for The Beatles. Superfly was very popular, doing 60's rock sort of like the Rolling Stones. I think they were great. Techo was invented by Germany and Japan and evolved into hiphop. The Yellow Magic Orchestra appeared on Soul Train.

Japanese taste goes for complicated music hot fast and tight. They can do ballads equally well but usually prefer not to. They avoid is anything that is simple and repetitive. You don't hear contemporary US music there at all.
 
  • #142
 
  • #143
Elvin Jones -- Anthropology

 
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  • #144
Anthropology (Remastered 2002) · Dizzy Gillespie & his Orchestra ·

 
  • #145
Saori Yano Donna Lee

Bird Lives

 
  • #146
 
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  • #148
Jazz covers so many moods too. Happy jazz.
 
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  • #149
pinball1970 said:
One of the reason I was hooked on USA TV & film as a kid, jazz music permeated children and adult TV, film sound tracks.
Found out it was Oliver Nelson who wrote the scores for Ironside, Columbo, The Six Million Dollar Man, and The Death of a Gunfighter. Here is his "Stolen Moments".
 
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  • #150
Here is some more big band jazz with Gearld Wilson.
 
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