Can you explain where the mathematics are in music?

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Discussion Overview

The discussion explores the relationship between mathematics and music, focusing on how mathematical principles manifest in musical theory, composition, and performance. Participants share their perspectives on whether music can be considered mathematical and the implications of this relationship in practice.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification
  • Debate/contested

Main Points Raised

  • One participant questions the mathematical nature of music, suggesting that while patterns and organization exist, they do not perceive music as inherently mathematical.
  • Another participant emphasizes the role of equal temperament in western music, explaining how it relates to frequency doubling and logarithmic division, and mentions the mathematical structure underlying chord progressions.
  • A different viewpoint argues that while mathematics can explain aspects of music, traditional music practice does not rely on mathematical methods, which are often distinct from the rules of harmony and counterpoint.
  • Some participants note that while counting beats is a basic mathematical concept used in music, deeper mathematical relationships may exist in the brain, as evidenced by studies linking music performance to improved mathematical abilities.
  • Historical references are made to Pythagoras, who is noted for discovering relationships between music and mathematics through observations of sound patterns.
  • One participant shares a resource, an electronic book, that discusses the mathematical aspects of music, suggesting further reading for those interested.

Areas of Agreement / Disagreement

Participants express a range of views on the relationship between music and mathematics, with some asserting that there is no direct application of mathematics in playing music, while others highlight mathematical structures in musical theory. The discussion remains unresolved, with multiple competing perspectives present.

Contextual Notes

Some claims rely on specific definitions of mathematical concepts and may not encompass all aspects of music theory or practice. The discussion reflects a variety of experiences and interpretations of the relationship between music and mathematics.

Niaboc67
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I am a musician, I've been playing guitar form 8 years now. And piano and drums as well for under 3. People tell me music is mathematical same with artwork, something i am also very proficient at. Is it purely from the patterns of the notes and timing of the pitches that make it mathematical? Or the organization of notes into chords derived from scales and intervals. I understand how there are mathematical principals but the application doesn't seem like it, to me. I don't perceive it as mathematical, i am not a math wiz at all so i find it funny how something that people say is composed of math comes naturally for me. Can anyone illuminate this?

Thank you
 
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Oh where to begin...

The most fundamental aspect of modern western music is equal temperament. This comes from observing that if you raise by an octave you double the frequency. The chromatic notes arise from dividing this interval by 12 logarithmically.

A 12 note scale has relations with abelian groups. IIRC there is a connection between the subgroups and triads (i.e. all chords are mathematical). Some subgroups are "better" and these correspond to consonance. There's also some mathematical reason as to why the harmonic seventh is "sweeter" than the standard minor seventh.

Counterpoint. Oh counterpoint. There are entire books that use math to teach students how to compose counterpunctual music.

I remember glancing through a math paper which looked at chord progressions. The very complicated progressions in orchestral music seem to have deep underlying structure. I don't remember much from the paper though.
 
It's correct to say that that mathematics can be used to explain certain aspects of music but, as traditional music is practiced, playing or composing music does not use mathematical methods. The rules of harmony and counterpoint have their own jargon and rules of thumb. (Such as "b to f and f to b is the devil in music".) These rules are somewhat systematic but they are not a form of mathematics that it is taught in math courses.

I think a few peoplel do apply mathematics and computer science to analyze, composea and genrate music. Such people must know mathematical methods as they are taught in math courses. That type of education isn't gained by natural instinct.
 
pwsnafu said:
The most fundamental aspect of modern western music is equal temperament. This comes from observing that if you raise by an octave you double the frequency. The chromatic notes arise from dividing this interval by 12 logarithmically.
Equal temperament, though, is a compromise to make the practice of music simpler; no need to retune keyboard and fretted instruments at every key change. It is only an approximation to 'perfect' temperament. There's a good discussion of temperaments and history at http://www.pyxidium.u-net.com/Acoustics/MusicMaths/MusicMaths.html.
 
As a pianist and mathematician, it's my opinion that there is no clear relationship between music and math, in the sense that math is directly applicable to actually playing music or vice versa. Yes, there's the obvious use of counting beats, but that is not exactly deep mathematics, just a little counting and ratios.

However, in the brain, there could be relationships where we don't see them on the surface. There are studies showing that music correlates with better performance in math. Mathematicians, engineers, and physicists are overwhelmingly more likely to play musical instruments than the general population. I was once in a big lecture room where someone asked who played an instrument and only a few hands went up. However, among mathematicians, the proportion of people who play instruments, at least casually, is noticeably higher.
 
Take a look at the interactive application at this site HERE.

See if that helps.
 
Pythagoras was the first to have discovered the relationship between music and mathematics when he observed a pattern between the thwang of tongs at a blacksmith shop. Try searching about that thing.
 

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