Drawing and eyes/brain perception

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    Drawing Perception
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SUMMARY

This discussion highlights the phenomenon where artists fail to notice mistakes in their drawings due to prolonged focus on specific details. Techniques such as using a mirror or taking a break for a day allow artists to gain a fresh perspective, revealing flaws that were previously overlooked. The mental focus on particular elements, like the shape of a shadow, can hinder the overall assessment of value and coherence in the artwork. This insight is crucial for artists aiming to enhance their observational skills and improve their work.

PREREQUISITES
  • Understanding of basic drawing techniques
  • Familiarity with concepts of value and shadow in art
  • Knowledge of visual perception and cognitive biases
  • Experience with reflective techniques in art critique
NEXT STEPS
  • Research techniques for using mirrors in art critique
  • Explore the psychological effects of taking breaks on creative work
  • Learn about the principles of value and light in drawing
  • Investigate methods for breaking visual focus to enhance perception
USEFUL FOR

Artists, art students, and educators looking to improve their drawing skills and enhance their ability to critique their own work effectively.

laprenti
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This is something that most artists know about, when they draw or look at something for long periods of time they will not see the mistakes, but when they take a mirror and look at the reflection of the drawing they see all the faults. Also, leaving a drawing/painting for a day will let you see it in a new light. So, why does this happen and how does it work?
 
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laprenti said:
This is something that most artists know about, when they draw or look at something for long periods of time they will not see the mistakes, but when they take a mirror and look at the reflection of the drawing they see all the faults. Also, leaving a drawing/painting for a day will let you see it in a new light. So, why does this happen and how does it work?

Something like this: whenever you're drawing you are working on a specific thing at a specific place on the drawing, let's say the shape of a particular shadow. That narrow mental focus might come at the exclusion of paying complete attention to the value of the shadow. Leaving the drawing alone for a while, or, looking at it in a mirror, or upside down, breaks you out of looking at that shadow as a matter of shape alone, and you notice that the value is off.

That particular thing happens to me all the time. Finishing a drawing for me is often about adjusting all the values into a coherent whole. Other artists I know don't seem to get so confused about values and keep them consistent as they go along. They, however, might get fascinated by some other thing at the expense of something else, and the fresh look, where the original fascination is broken, allows them to see the flaws and take care of them.
 

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