Harmonics, Notes, Beat frequency

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SUMMARY

The discussion focuses on the relationship between harmonics, notes, and beat frequency in musical instruments. It establishes that while a wavelength theoretically has an infinite number of harmonics, only a finite number are audible due to the limitations of human hearing, typically ranging from 20 Hz to 20,000 Hz. The conversation clarifies that beat frequency does not occur between harmonics because they do not create new sounds; instead, they contribute to the timbre of the instrument based on their amplitude and phase variations.

PREREQUISITES
  • Understanding of wave equations, specifically f=nv/2L
  • Knowledge of harmonic series and their relationship to musical notes
  • Familiarity with the concept of beat frequency and its calculation
  • Basic principles of sound perception and human hearing range
NEXT STEPS
  • Study the harmonic series in string instruments and their impact on sound quality
  • Explore the concept of timbre and how it differentiates musical instruments
  • Learn about the physics of sound waves and their properties
  • Investigate the relationship between frequency, amplitude, and perceived sound in music
USEFUL FOR

Musicians, sound engineers, acoustics researchers, and anyone interested in the physics of sound and music theory.

Bengo
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Homework Statement


When an instrument plays a note, the resulting sound is a combination of all the possible harmonics for that instrument in its momentary configuration. For instance, a musician changes notes on a violin by pressing the strings against the neck of the instrument, thus shortening the string length and changing the possible harmonics. A given shortened string will play at one time all the possible harmonics allowable by its string length. A given note is the same set of harmonics for all instruments.

1. Doesn't a wavelength have an infinite possibility of harmonics?

2. Why is there no beat frequency if each harmonic has a different frequency.

These aren't actual questions from my study books but they are really confusing to me.

Homework Equations



1. f=nv/2L

2. beat frequency= abs (f1=f2)

The Attempt at a Solution



1. My reasoning for thinking that there is an infinite number of possible harmonics is that you can keep increasing n in f=nv/2L.

2. Maybe there is no beat frequency because the frequencies are not close enough together or maybe the fundamental frequency "envelopes" the rest of the harmonic frequencies?
 
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Bengo said:
1. Doesn't a wavelength have an infinite possibility of harmonics?

2. Why is there no beat frequency if each harmonic has a different frequency.

1. My reasoning for thinking that there is an infinite number of possible harmonics is that you can keep increasing n in f=nv/2L.

In theory that is correct, but the amplitude of the harmonics usually decreases as n increases, and also you can only hear a finite number of harmonics because of the limited range of human hearing (about 20 Hz to 20000 Hz).

The number of audible harmonics in the sound of different instruments can vary from only 2 or 3, up to more than 30.

2. Maybe there is no beat frequency because the frequencies are not close enough together or maybe the fundamental frequency "envelopes" the rest of the harmonic frequencies?
From your formula, the beat frequency between two harmonics m and n is the same frequency as another harmonic, abs(m-n). So "beats between harmonics" don't create anything new in the sound.
 
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Bengo said:
1.
A given note is the same set of harmonics for all instruments.


No. The thing that distinguishes one instrument from another, all playing the same fundamental frequency (e.g. A=440 Hz which is A above middle C) is the variation in amplitude and phase of the various harmonics.
 

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