Red Light in Darkrooms: Benefits for Photographic Film

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Discussion Overview

The discussion centers on the use of red light in darkrooms for developing photographic film, exploring the reasons why red light does not damage film and the implications of light wavelength and intensity on photographic materials.

Discussion Character

  • Technical explanation, Conceptual clarification, Debate/contested

Main Points Raised

  • Some participants propose that red photons are less energetic, making materials less sensitive to them.
  • It is noted that photographic paper can be handled under red light, while film generally requires complete darkness to maintain sensitivity.
  • One participant mentions that there are special 'blue sensitive' films that can be handled in red light for specific applications.
  • Another participant discusses the relationship between wavelength and energy, stating that intensity relates to the amplitude of light waves and that energy is inversely related to wavelength.
  • A clarification is made regarding the distinction between wavelength and intensity, emphasizing that while red light has low energy photons, high intensity can be achieved with a large number of photons.
  • It is highlighted that for chemical reactions in film, a single photon must have enough energy to knock out a single electron, regardless of the number of photons present.

Areas of Agreement / Disagreement

Participants express various viewpoints on the relationship between light wavelength, intensity, and the sensitivity of photographic materials. There is no consensus on all aspects, particularly regarding the handling of different types of photographic materials under red light.

Contextual Notes

Some statements rely on specific definitions of sensitivity and energy, and the discussion does not resolve the complexities of how different types of photographic materials react to various wavelengths of light.

a.a
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Why is it that red light can be used in darkrooms when developing film?
What is so special about it that it doesn't damage photographic film?
I figure red light high wavelength, thus less intensity?
 
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Red photons are less energetic and so materials are less sensitive to them.
Actually you can only handle photographic paper under red light, film is generally handled in complete darkness - otherwise it wouldn't be sensitive to the red light in the picture.

- there are some special 'blue sensitive' only films that can be handled in red light for specialist applications
 
a.a said:
I figure red light high wavelength, thus less intensity?

Intensity is related to (the square of) the amplitude of the light wave. Energy is related (inversely) to the wavelength of the light wave.

Just some minute details but very important.

Also, you may be interested to know that in semiconductor manufacturing, it is common to use a photoactive polymer matrix for the purpose of micro-patterning. These compounds are sensitive to UV and deep-UV light. So in these rooms, the lighting is yellow. Same idea as the previous post.
 
Just to clear up an important point.
Wavelength is related to the energy of an individual photon.
intensity is the total energy/power of a whole bunch of them.
So red or infrared light has low energy photons but an infrared cutting laser has very high intensity because it puts a lot of them together.

The very important point for chemical reactions, like those in film, is that a single photon has to knock out a single electron - if the single photon doesn't have enough energy then no matter how many of them you supply they still won't cause the reaction.
 

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