Spectral characteristics in linguistics

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Discussion Overview

The discussion revolves around the concept of spectral characteristics in linguistics, particularly in relation to prosody and sound analysis. Participants explore the definitions and implications of spectral characteristics, comparing them to other auditory variables such as frequency, duration, and intensity.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification

Main Points Raised

  • One participant expresses confusion about the term "spectral characteristics" and seeks clarification on what it entails beyond frequency and intensity.
  • Another participant explains that each instrument produces a range of frequencies, and the distribution of energy across this range helps identify different instruments playing the same note.
  • A participant provides an example comparing the trumpet and flugelhorn, noting that their different conical tapers affect the emphasis of overtones, which contributes to perceived timbre.
  • One participant briefly mentions overtones or harmonics as a related concept.
  • A later reply defines spectral characteristics as the magnitude and phase of various frequency components, referencing Fourier analysis without further elaboration.
  • One participant expresses gratitude for the clarification, indicating a reduction in confusion.

Areas of Agreement / Disagreement

Participants do not reach a consensus on the full scope of what spectral characteristics encompass, with some expressing understanding of overtones while others seek further clarification. The discussion remains somewhat unresolved regarding the complete definition and implications of spectral characteristics.

Contextual Notes

Some participants rely on technical terms like Fourier analysis without providing detailed explanations, which may limit understanding for those less familiar with the concepts. The discussion also highlights varying levels of familiarity with the topic among participants.

Forbes
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In the Wikipedia article on prosody in linguistics it says:

There is no agreed number of prosodic variables. In auditory terms, the major variables are:
  • the pitch of the voice (varying between low and high)
  • length of sounds (varying between short and long)
  • loudness, or prominence (varying between soft and loud)
  • timbre or voice quality (quality of sound)
In acoustic terms, these correspond reasonably closely to:
  • fundamental frequency (measured in hertz, or cycles per second)
  • duration (measured in time units such as milliseconds or seconds)
  • intensity, or sound pressure level (measured in decibels)
  • spectral characteristics (distribution of energy at different parts of the audible frequency range)
I have no problem with frequency, duration and intensity. However, I am at a loss to grasp what spectral characteristics refers to. I have done some Googling, but the explanations are too technical for me. Can someone please explain what spectral characteristics involve which is not covered by frequency and intensity?
 
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My understanding is that each instrument produces a range of frequencies and not a single frequency. Even if the range is closely distributed around a mean frequency.

The way we identify different instruments playing the same note is by the distribution of energy across this range.

I found this relevant Wikipedia page on pitch

https://en.m.wikipedia.org/wiki/Pitch_(music)
 
For instance the trumpet and the flugelhorn have the same length tube (something like 5 ft), but the conical taper is quite different. This makes the overtone (octave) mixture quite different in emphasis (and very slightly in tone) which our ear hears as timbre.
 
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I understand overtones/harmonics. So is that all spectral characteristics refers to when it comes to sound?
 
Spectral characteristics means the magnitude and phase of the various frequency components into which any sound can be decomposed (this is known as Fourier analysis). I am not going to parse your question for the meaning of "is that all"
 
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Thank you. I am now not so bemused as I was.
 
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