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Sorry to laugh, but the first instrument I learned was the violin, around the age of 9. I took all available classes in our public school system for the next 5 years.Hornbein said:Violin is one of the hardest instruments. Guitar is maybe the easiest (excepting simple things like recorders).
berkeman said:
Jean-Luc Ponty, Love that guy.OmCheeto said:Sorry to laugh, but the first instrument I learned was the violin, around the age of 9. I took all available classes in our public school system for the next 5 years.
Trying to play the guitar, for me, is basically impossible.
Whose idea was it to put all those lumps on the neck?
ps. It might have been that background that got me interested in Jean Luc Ponty, way back when.
per wiki; "Jean-Luc Ponty (born 29 September 1942) is a French jazz and jazz fusion violinist and composer. He is considered a pioneer of jazz-rock, particularly for his use of the electric violin starting in the 1970s."
Yes.Hornbein said:Violin is one of the hardest instruments.
Not me. I know my limitations.AlexB23 said:Do you folks own any violins, electric or otherwise?
AlexB23 said:What is your favorite style of violin music?
I've actually heard about them and listened to some. Interesting music.Hornbein said:the Mahavishnu Orchestra
DennisN said:Yes.
Not me. I know my limitations.
I've tried cello once (I knew a cellist*) and it was very fun, cello is a lovely instrument.
But it requires much practice of course, the coordination requirement of the left hand and the right hand is not something you learn quickly. A guitar you can pretty much play right away (sort of). Not so with cellos, violas and violins; you really have to make them play (using the bow).
And an additional difficulty with violins is that the fingerboards are really small compared to e.g. guitars and cellos, which means small inaccuracies in where you place your finger(s) lead to large note inaccuracies.
* Actually I know a couple of professional classical musicians, including an opera singer and a cellist. I've recorded them live once.
Mostly classical music for me.
Here is an unbelievably good violinist, playing a really difficult piece:
Paganini Caprice no.24 [HQ]
Edit: And here is a lovely cello piece, if I may...
It's Bach*, so it's good of course.
And a real treat for the soul.
Mischa Maisky plays Bach Cello Suite No.1 in G
* Sidenote:
Bach is STILL influencing musicians today, his legacy is incredible:
(a number of famous musicians are hailing Bach in the video below, e.g. the famous song A Whiter Shade Of Pale was directly influenced by Bach)
The Bach Effect: What the GREATS Hear That You Don’t (Rick Beato)
Goes to show that a violin made out of a real tree has better quality compared to the electronic variety.Jonathan Scott said:I play the violin (also viola and piano) at a high amateur standard and my wife plays the cello. We've both played concerto movements with orchestra in informal public concerts (and I've played piano concerto movements too). I've been playing for 60 years or so (since I was 8). It does take a lot of work to get to the point where you don't mind being in the same room as yourself! However, the most important thing (as with any musical activity) is to try to listen to yourself objectively and play in the way you would like to hear it, rather than merely playing along with some imagined performance in your head.
I bought a Yamaha SV-110 electric violin quite a few years ago which I hoped would enable me to practise with less disturbance to others, using headphones, but I never got really comfortable with that solution, and there was quite a bit of background hiss too. And of course, I did not use any sort of electronic modification to the sound, unlike in the video above, as I was trying to improve my classical violin playing.
Hi all, I just got home and decided to have a go with a bit of scrap wood, keeping these suggestions in mind. I'm doing a lot better than before!
Not pressing down too much seems to be a key point, plus getting the right angle between blade and surface (ideally, close to 0 degrees). In fact, I found that it helps to slightly increase the pressure on the pull stroke and to partially counter the weight of the saw on the push stroke.
I suspect that my muscle memory from my violin lessons (40+ years ago) is kicking in and helping to pull this off. Although I probably sound a lot better right now, sawing wood, than back then on the violin.
Edit: After sawing away for a couple more minutes, I realized that the comparison with the violin bow is actually more apt than I thought. It's a good idea to reduce the pressure just when the bow, uh, saw, changes direction, especially when pushing. Then, once it's moving freely, you can bear down (not too hard!) in order to get a bit more cutting done on the push strokes.
Now you've got it. It IS tricky when you're new to it.
When I saw Electric Violin, I immediately thought of Jean-Luc. I collected most of his albums - on vinyl, then CD - when the vinyl was a bit worn, and the phonograph got damaged (too may moves).nsaspook said:Jean-Luc Ponty, Love that guy.