- #246
Lisa!
Gold Member
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- 98
"A successfull man is one who builds solid foundations with the rocks that others throw at him"
http://www.cnn.com/2007/HEALTH/01/11/procrastination.nation.ap/index.html?eref=rss_topstoriesWASHINGTON (AP) -- After 10 years of research on a project that was supposed to take only five years, a Canadian industrial psychologist found in a giant study that not only is procrastination on the rise...
fourier jr said:Dedekind expressed the opinion about the concept of a set. He imagined a set as a closed sack containing definite objects which are not seen, and of which nothing is known except that they are existing and are definite. Some time later Cantor made known his idea of a set. He raised his colossal figure, with lifted arm he made an imposing gesture, and with a glance in an indefinite direction he said, "I imagine a set to be like an abyss."
Emmy Noether
- comedian on Letterman whose name I didn't get.Why do real estate agents get head shots?
GregA said:You're just jealous because all the voices are talking to me
I remember Seeing this on a t-shirt and thought it was brilliant
IMPORTANT NOTICE:
If you are one of the hundreds of parachuting enthusiasts who bought our "Easy Sky Diving" book, please make the following correction: on page 8, line7, the words "state zip code" should have read "pull rip cord".
If all economists were laid end to end, they would not reach a conclusion.
Martyrdom is the only way in which a man can become famous without ability.
Patriotism is your conviction that this country is superior to all other countries because you were born in it.
You'll never have a quiet world till you knock the patriotism out of the human race.
The fact that a believer is happier than a skeptic is no more to the point than the fact that a drunken man is happier than a sober one.
The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man.
You are going to let the fear of poverty govern your life and your reward will be that you will eat, but you will not live.
The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them: that's the essence of inhumanity.
When a stupid man is doing something he is ashamed of, he always declares that it is his duty.
We have no more right to consume happiness without producing it than to consume wealth without producing it.
Parentage is a very important profession, but no test of fitness for it is ever imposed in the interest of the children.
A government that robs Peter to pay Paul can always depend on the support of Paul.
He knows nothing; and he thinks he knows everything. That points clearly to a political career.
Beware of the man whose God is in the skies.
Democracy substitutes election by the incompetent many for appointment by the corrupt few.
Democracy is a device that insures we shall be governed no better than we deserve.
Liberty means responsibility. That is why most men dread it.
This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being thoroughly worn out before you are thrown on the scrap heap; the being a force of Nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy.
There is only one religion, though there are a hundred versions of it.
The fickleness of the women I love is only equalled by the infernal constancy of the women who love me.
All professions are conspiracies against the laity.
Alcohol is the anesthesia by which we endure the operation of life.
Americans adore me and will go on adoring me until I say something nice about them.
Capitalism has destroyed our belief in any effective power but that of self interest backed by force.
Do not waste your time on Social Questions. What is the matter with the poor is Poverty; what is the matter with the rich is Uselessness.
Find enough clever things to say, and you're a Prime Minister; write them down and you're a Shakespeare.
Hatred is the coward's revenge for being intimidated.
Hegel was right when he said that we learn from history that man can never learn anything from history.
I'm an atheist and I thank God for it. (he was agnostic)
Youth is a wonderful thing. What a crime to waste it on children
That would seem to belong in a thread on 'ego'.Evo said:Help me find this quote!
It's something similar to
"one would be surprised at how little is actually said about them in their absence"
"one would be disappointed to find out how little is said about them behind their backs"
What is this quote? I thought I had either posted it in this thread or someone else did. I can't find it now.
ranger said:Schrodinger's Dog, that's a strong collection of quotes dude!
Shaw's career started with frustration and near poverty. Neither music criticism (written under the name of a family friend) nor a telephone company job lasted very long, and only two of the five novels Shaw wrote between 1879 and 1883 found publishers: Cashel Byron’s Profession (1882), a novel about prizefighting as an occupation that anticipates the theme of prostitution as an antisocial profession in the play Mrs. Warren’s Profession (1893), and An Unsocial Socialist (1883). By the mid-1880s Shaw discovered the writings of Karl Marx and turned to socialist polemics and critical journalism. He also became a firm (and lifelong) believer in vegetarianism, a spellbinding orator, and tentatively, a playwright. He was the force behind the newly founded (1884) Fabian Society, a middle-class socialist group that aimed at the transformation of English government and society. In 1887, Shaw spoke and marched in the Bloody Sunday demonstrations that ended up as a riot in Trafalgar Square. Through the Fabian Society’s founders, Sidney and Beatrice Webb, Shaw met the Irish heiress Charlotte Payne-Townshend, whom he married in 1898, soon after his earnings as a writer made him financially self-sufficient.
Shaw’s early journalism ranged from book reviews and art criticism to music columns (many of them championing the controversial work of the German composer Richard Wagner) from 1888 to 1890 under the signature “Corno di Bassetto” (basset horn), later under his own initials. Shifting to the Saturday Review as drama critic, a post he held from 1895 to 1898, Shaw became the champion of the Norwegian dramatist Henrik Ibsen, about whom he had already written his influential The Quintessence of Ibsenism (1891).
Playwriting
Shaw was a novelist, critic, pamphleteer, essayist, inveterate letter writer, politician and public speaker, but he is by far best known today as a playwright. He did not finish his first play, however, until in his mid-30s. Shaw was born at 33 Synge Street in Dublin, Ireland to rather poor Church of Ireland parents, George Carr Shaw (1814-1885) and Lucinda Elizabeth (Gurly) (1830-1913). Shaw had two sisters, Lucinda Frances (1853-1920), a singer of musical comedy and light opera, and Elinor Agnes (1854-1876); both died of tuberculosis.
Shaw was educated at Wesley College, Dublin and moved to London during the 1870s to embark on his literary career. He wrote five novels, none of which was published, before finding his first success in the late 1880s as a music critic on the Star newspaper, under the pseudonym "Corno di Bassetto". From 1895 to 1898, Shaw was the drama critic on Frank Harris's Saturday Review.
During this time, Shaw became a socialist and joined the Fabian Society. He was heavily involved in politics and even held office as a borough councilor in the St. Pancras district of London from 1897 to 1903. While Shaw's political beliefs inform his plays, they do not generally overwhelm them.
Shaw started working on his first play, Widower's Houses, in 1885, in collaboration with critic William Archer. Archer, who came up with the structure, felt Shaw was no playwright (an opinion he apparently never changed), and the project was abandoned. Years later, Shaw gave it another shot and, in 1892, completed his first play—alone.
Widower's Houses debuted at London's Royalty Theatre on December 9, 1892. Shaw would later call it one of his worst works, but he had found his medium. He would go on to write over 50 plays, most of them full-length.
Many of his earliest pieces had to wait years to receive major productions in London, but they are still being performed today. Among them are Mrs. Warren's Profession (1893), Arms and the Man (1894), Candida (1894) and You Never Can Tell (1895).
His first financial success as a playwright came from Richard Mansfield's American production of The Devil's Disciple (1897). Shaw, in fact, would often see his plays succeed in America (and Germany) before they did in London.
The ideas in his earliest theatrical work were unconventional, and his wit unmatched by contemporaries (save Oscar Wilde), but his plays were still designed for the theatre of his time. Once he became more experienced, and more popular, his plays tended to be less compact and talkier, though no less successful. These works from what might be called the beginning of his "middle" period include Caesar and Cleopatra (1898), Man and Superman (1903), Major Barbara (1905) and The Doctor's Dilemma (1906).
From 1904 to 1907, several of his plays had their London premieres in notable productions at the Court Theatre, managed by Harley Granville-Barker and J.E. Vedrenne.
His first original play performed at the Court, John Bull's Other Island (1904), though not one of his more popular plays today, made his reputation in London when, during a command performance for King Edward VII, the King laughed so hard he broke his chair.
By the 1910s, Shaw was a well-established playwright. New works such as Fanny's First Play (1911) and Pygmalion (1912)—on which My Fair Lady was based—had long runs in front of large London audiences. (Even though Oscar Straus's The Chocolate Soldier (1908)--an adaptation of Arms And The Man--was very popular, Shaw detested it and for the rest of his life forbade any musicalization of his work, including a potential Franz Lehar operetta based on Pygmalion. Only after Shaw's death did My Fair Lady become possible.)
Many feel Shaw's outlook was changed by World War I, a war he—quite unpopularly—opposed. His first full-length piece presented after the War, written mostly during it, was Heartbreak House (1919). This seemed to be a new Shaw; the wit was still there, but the action and theme were darker, almost despairing at times.
In 1921, Shaw completed Back to Methuselah, his "Metabiological Pentateuch." The massive, five-play work starts in the Garden of Eden and ends thousands of years in the future. Shaw claimed it was a masterpiece, but many critics did not share that opinion.
His next original play, however, is generally conceded to be one of his best, Saint Joan (1923). Shaw had long thought of writing about Joan of Arc, and her recent canonization spurred him on. It was an international success, and is believed to have led to his Nobel Prize in Literature.
http://en.wikipedia.org/wiki/Image:George_Bernard_Shaw_1934-12-06.jpg
He continued writing plays for the rest of his life, but very few of them are as notable—or as often revived—as his earlier work. The Apple Cart (1929) was probably his most popular work of this era. Later full-length plays like Too True to Be Good (1931)[1], On the Rocks (1933)[2], The Millionairess (1935), and Geneva (1938) have been seen as marking a decline. His last significant play, In Good King Charles Golden Days[3] has, according to St. John Ervine, passages that are equal to Shaw's major works. His last full-length work was Buoyant Billions (1946–48)[4], written when he was in his nineties.
Many of Shaw's published plays come with lengthy prefaces. These tend to be essays more about Shaw's opinions on the issues dealt with in the plays than about the plays themselves. Some prefaces are much longer than the actual play. For example, the Penguin Books edition of his one-act The Shewing-up Of Blanco Posnet (1909)[5] has a 67-page preface for the 29-page piece.
One of the world's most notable theatrical voices was silenced when Shaw died in 1950 at the age of 94 due to a fall from a ladder.[2]
3trQN said:"The educated person must be taught that it is not a disgrace to fail,
and that he must analyse for every failure to find its cause.
He must learn to fail intelligently,
for failing is one of the greatest arts in the world." C.F.Kettering