Harmonic waver length with respect to open tube diameter

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SUMMARY

The discussion focuses on converting empty gas cylinders into chimes by cutting them to harmonic lengths. The cylinders are 8 inches in diameter and approximately 5 feet tall. Participants suggest that while open tube resonance is relevant, the primary concern is the material properties of the cylinders, such as stiffness and Young's modulus. Experimentation is recommended to determine the frequencies of the chimes, with the understanding that frequencies will scale linearly with length, and adjustments can be made by removing material from specific points on the cylinders.

PREREQUISITES
  • Understanding of harmonic frequencies and resonance
  • Knowledge of material properties, specifically Young's modulus
  • Familiarity with sound wave behavior in cylindrical structures
  • Basic skills in physical experimentation and tuning
NEXT STEPS
  • Research the principles of open tube resonance and its application to cylindrical structures
  • Study Young's modulus and its effect on sound frequency in materials
  • Learn techniques for tuning cylindrical chimes, including material removal strategies
  • Explore the relationship between length and frequency in musical instruments
USEFUL FOR

Musicians, sound engineers, and hobbyists interested in creating custom musical instruments from unconventional materials, particularly those working with metal chimes or resonant structures.

yahman421
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I am converting some old gas cylinders into chimes. They are empty and have the valves removed. They held inert gas, not fuel gas. They are 8" inside diameter steel cylinders approximatly 5' tall. I wish to cut them to harmonic lengths, but do not remember what I learned in physics regarding harmonics. I would like to make four or five different sounds. Can anyone help me?
 
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Hmm, this could get complicated...

My first thought was well let's just look up "open tube resonance". But that would be for the air column inside your tube. My second though was, I think we're trying to ring the cylinders themselves, so we don't much care about the air column. If that's the case you have to calculate a bunch of stuff along the lines of material stiffness, young's modulus, and such. Which is perhaps too much information.

Maybe the best way to go is experiment. (Tune and) Ring a cylinder, get the frequency, and then calculate what the others should be. If all the cylinders are the same material and size, I think your frequencies should scale linearly with length.

Depending on how much of a tin ear you have you may need to do some fine tuning. Removing material from the end is an easy way to raise the frequency. I think you can also remove material from the 1/3 nodal point in the middle to lower the frequency -- that works with marimba-like bars at least.
 

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