How Can New Camera Owners Improve Their Photography Skills?

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Discussion Overview

The discussion revolves around improving photography skills for new camera owners, focusing on techniques, critiques of specific photographs, and the importance of lighting and composition. Participants share their experiences and suggestions related to capturing architectural subjects and landscapes.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification
  • Debate/contested
  • Mathematical reasoning
  • Experimental/applied

Main Points Raised

  • Some participants express that the initial photographs are a good starting point but suggest the need for more experience and better weather conditions for improved results.
  • There are discussions about the effects of lighting on photographs, with some arguing that overcast conditions can lead to flat images, while others suggest that shooting during different times of day can enhance the quality of the photos.
  • One participant notes the importance of composition and suggests avoiding high contrast scenes to achieve better exposure.
  • Several participants mention the subjective nature of what constitutes a "good" or "bad" photo, emphasizing the need for experimentation and personal judgment in photography.
  • There are suggestions to use props or additional elements in the frame to enhance the visual interest of the photographs.
  • Participants discuss the utility of digital photography, including the ability to take multiple shots and edit them post-capture, which can alleviate the fear of wasting film.
  • One participant shares a personal anecdote about the challenges of photographing in certain conditions and the importance of understanding light directionality.
  • Critiques of specific photos are offered, with some participants highlighting particular images as examples of effective or ineffective photography.

Areas of Agreement / Disagreement

Participants generally agree on the need for practice and experimentation in photography, but there are multiple competing views regarding the impact of lighting conditions and composition techniques. The discussion remains unresolved on what constitutes a "flat" image and how to best approach lighting in photography.

Contextual Notes

Limitations include varying definitions of what makes a photo "good" or "bad," as well as differing opinions on the effects of lighting and weather conditions on photography outcomes.

Who May Find This Useful

New camera owners, photography enthusiasts, and individuals interested in improving their skills in capturing architectural and landscape photography may find this discussion beneficial.

  • #31
Evo said:
So did I!

LOL My vision is going, I thought at first it was a spot on my monitor and I actually tried to wipe it off.:blushing:
 
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  • #32
lisab said:
I guess I'm the odd one out...I focused on the bird.


Yep, you and Evo are for sure the odd ones out, who looks at a bird when there is a beautiful rock to look at.
 
  • #33
edward said:
That rock does capture the eye. Yet if the picture was a story the main character would be the road. (does that make any sense ??)


Yes it makes sense now, by heck i can see me becoming an artist.
 
  • #34
edward said:
That rock does capture the eye. Yet if the picture was a story the main character would be the road. (does that make any sense ??)

wolram said:
Yes it makes sense now, by heck i can see me becoming an artist.

Or another clue. The entire left third of the picture is dead space.

Another picture that fills the whole frame (I have a bigger selection at home. These are what I happened to have on my thumb drive.) But this was a pretty awesome Jeep. This was the only picture of it where I was in the right place at the right time. My other pictures of it made the viewer wonder why he liked to park in such strange places - you couldn't feel any motion.
http://img379.imageshack.us/img379/3823/chinamangulch028yu0.jpg
Low resolution barely does the picture justice. Don't make a mistake or you'll damage the rock.
 
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  • #35
BobG said:
Or another clue. The entire left third of the picture is dead space.

Another picture that fills the whole frame (I have a bigger selection at home. These are what I happened to have on my thumb drive.) But this was a pretty awesome Jeep. This was the only picture of it where I was in the right place at the right time. My other pictures of it made the viewer wonder why he liked to park in such strange places - you couldn't feel any motion.
http://img379.imageshack.us/img379/3823/chinamangulch028yu0.jpg
Low resolution barely does the picture justice. Don't make a mistake or you'll damage the rock.

I would say you were in the wrong place, you could have been squished if that thing ran amok
 
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  • #36
That church is amazing. Just the age of it is something. The link to the story of the arc and the church history is fantastic. As a mini documentary on the church, This is a great job Wollie.
 
  • #37
BobG said:
Or another clue. The entire left third of the picture is dead space.

Another picture that fills the whole frame (I have a bigger selection at home. These are what I happened to have on my thumb drive.) But this was a pretty awesome Jeep. This was the only picture of it where I was in the right place at the right time. My other pictures of it made the viewer wonder why he liked to park in such strange places - you couldn't feel any motion.
http://img379.imageshack.us/img379/3823/chinamangulch028yu0.jpg
Low resolution barely does the picture justice. Don't make a mistake or you'll damage the rock.

WOW BobG that pic is like poetry in motion and it isn't even moving.
 
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  • #38
glondor said:
That church is amazing. Just the age of it is something. The link to the story of the arc and the church history is fantastic. As a mini documentary on the church, This is a great job Wollie.

Well heck, i am all puffed up now, thank you very much.
 
  • #39
What are you shooting for? I mean if its just like a newspaper, etc those are fine. Too much composition and it would be to artsy for news/documentary type stuff...

Remember people, he's in the UK...You Oregonians and LisaB should know what its like to not see the sun for many months at a time...
 
  • #40
Would anyone be interested in Chesterton?

http://www.search.windowsonwarwickshire.org.uk/engine/resource/default.asp?resource=8889

It is only a few miles from me and has great history, ranging from the roman fort the wind mill to Peyto.
 
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  • #41
Another study in color contrast and composition

autumn.JPG


I think I should have used fill-in flash.

But of course, you could always focus on the bird :smile:

bird.JPG
 
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  • #42
I was going to suggest the 1/3 rule too, but see others have already chimed in. I thought of it when I saw this photo of Wolram's:

PICT0029.JPG


As your soliciting advice, Wolram, I'll just say this might be a really nice shot if the thing in the dead center were off to one side or the other.

Another aspect of photo composition is to look for something to "frame" the rest of the picture. See Andre's photo in post 41 for a nice example of framing.

You might read here:
http://www.digitalphotoguides.com/composition.html

and also see if you can find useful tips at these links:
http://www.google.com/search?source...raphy+composition+tutorial&btnG=Google+Search
Mark
 
  • #43
Redbelly98 said:
I was going to suggest the 1/3 rule too, but see others have already chimed in. I thought of it when I saw this photo of Wolram's:



As your soliciting advice, Wolram, I'll just say this might be a really nice shot if the thing in the dead center were off to one side or the other.

Another aspect of photo composition is to look for something to "frame" the rest of the picture. See Andre's photo in post 41 for a nice example of framing.

You might read here:
http://www.digitalphotoguides.com/composition.html

and also see if you can find useful tips at these links:
http://www.google.com/search? ...hanks Mark next time i will try the 1/3 rule.
 

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