zoobyshoe
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Fuzzyfelt: thanks for posting this. It took me a couple years to get round to reading the links, but they are quite interesting. I recommend them to anyone interested in this thread.fuzzyfelt said:I'd thought this was a well established fact for most of my life, as it explains some personal experiences that would be difficult to explain otherwise. Only here, with talk of scientific evidence, did it occur to question this. I've tried and haven't found a lot of reliable material, but I'm not good at looking for this.
Here are some
'There is in fact experimental evidence that both defocused attention (Dewing & Battye 1971; Dykes & McGhie 1976; Mendelsohn 1976), and high sensitivity (Martindale & Armstrong 1974; Martindale 1977), including sensitivity to subliminal impressions (Smith & Van de Meer 1994) are associated with creativity.' http://cogprints.org/2105/00/inklings.htm
Martindale (1999) identified a cluster of attributes associated with high creativity. One is defocused attention: the tendency not to focus exclusively on the relevant aspects of a situation, but notice also seemingly irrelevant aspects (Dewing & Battye, 1971; Dykes & McGhie, 1976; Mendelsohn, 1976). A related attribute is high sensitivity (Martindale, 1977, 1999; Martindale & Armstrong, 1974), including sensitivity to subliminal impressions; stimuli that are perceived but of which one has no memory (Smith & Van de Meer, 1994).http://cogprints.org/3417/01/cf.htm
And,
So we did that study, and what we found from the debriefing was indeed that they were thinking at a very free-floating way that's kind of analogous to what is characterised as free association in psychoanalytic thinking. And what we observed during 'rest' was that the parts of the brain that are active during rest are the parts that we call the association cortex. The association cortex has no specific function; it's part of the brain and you know we have about four association cortices in our brains spotted around in different locations. They're the parts of the brain that make connections with other parts of the brain. So my theory is that during the creative process which derives from these kind of unconscious states that we go into when we free-associate or when our brain 'rests' – during that, ideas are floating around, colliding, making connections, sometimes the connections are not very important or trivial but sometimes they're original. And people who have especially well developed association cortices are likely to be more creative. That's the working theory, and I'm just embarking on a study right now of highly creative people using functional imaging and using tasks or conditions where I can study the way their association cortex works. I mean I'm giving them tasks that will stimulate their creativity and then see if indeed that draws on their association cortex. It's actually one of the more fun studies I've done.
http://www.abc.net.au/rn/science/mind/stories/s1580738.htm
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