Letter reflection from beer can

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    Beer Reflection
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Discussion Overview

The discussion revolves around the optical effects observed with reflections from a beer can, specifically focusing on the color and nature of the reflections produced by the lettering on the can. Participants explore the implications of light sources, angles, and surface properties in this context, with a mix of theoretical and experiential insights.

Discussion Character

  • Exploratory
  • Technical explanation
  • Debate/contested

Main Points Raised

  • Some participants question whether the object in question is a can or a bottle and discuss the direction of sunlight illumination.
  • It is suggested that the can is facing west with the sun in the east, and that shadows are cast by other consumed beers.
  • Concerns are raised about the opacity of cans and how that affects the observed reflections.
  • Participants note that white letters can produce varying reflections, sometimes appearing white and other times black, leading to confusion.
  • One participant mentions the need to consider all illuminants and their relative geometry to the objects involved.
  • A technical explanation is provided regarding diffuse and specular reflectance, highlighting differences in how light interacts with surfaces based on their properties.
  • There is a discussion about the potential for shiny surfaces to create sharp images in shadows, contrasting with the behavior of diffuse reflections.

Areas of Agreement / Disagreement

Participants express a range of views, with some agreeing on the nature of reflections while others remain uncertain or confused about the underlying principles. No consensus is reached regarding the specific optical phenomena at play.

Contextual Notes

Participants mention various assumptions about the setup and the nature of the reflections, indicating that the discussion may depend on specific conditions not fully detailed in the posts.

Who May Find This Useful

This discussion may be of interest to those studying optics, material science, or anyone curious about the interaction of light with different surfaces.

nmsurobert
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TL;DR
I was sitting outside drinking and noticed that the color of reflection of the white letters and black outlines was inverted in the shadow. The green makes sense, but I don't under understand the other two I've been trying to explain it to myself but I've had no luck. Google has been no help either.
PXL_20220423_214527296~2.jpg
 
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Clear as mud
 
nmsurobert said:
It's a can. The can is facing west and the sun is in the east.
The shadow is being cast by other beers that have been consumed.
Um, cans are opaque...
 
berkeman said:
Um, cans are opaque...
That doesn't explain anything to me lol. I've tried this with different cans since I first saw this a few weeks ago. And sometimes white letters make white reflections but other times white letters make black reflections.
 
Last edited:
Strangely this does not seem to be a case:wink: of Beer's Law...
Seriously list all illuminants and the relative geometry to all salient objects
 
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nmsurobert said:
sometimes white letters make white reflection but other times white letters make white reflections.
Yeah, I can see how that would be confusing...
 
Am I being trolled right now?
I figured there would be some physical explanation this.
 
  • #10
The Mentors are still trying to figure out who is being trolled in this thread.

Post a clear diagram and many more pictures of the setup and images if you want a serious answer. I'm drinking wine anyway...
 
  • #11
And you might want to correct your typo that I pointed out in my post #8. Assuming that it was indeed a typo...

Lordy.
 
  • #12
The set up
PXL_20220507_225410224.jpg

The lettering on "Pale Ale" is white outlined in black.
PXL_20220507_225419212.jpg

The reflection of the letters "pa" and every other letter cast in the shadow is black. And the outlines are reflected in white.
PXL_20220507_225543743.MP~3.jpg
 
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  • #13
That's better.
When you look at the can, you are seeing diffuse reflectance from the can to your eye.
When you look at the projection in the shadow, that light is diffusely reflected from the floor after being initially specularly reflected by the can surface.
The diffuse reflectance from a surface can be very different than the specular: most often this is due to local roughness and pigment particle size. The white pigment does not reflect the specular strongly but does reflect diffusely well.
I used to be an expert at this when I designed reflectance based medical instruments.
 
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  • #14
hutchphd said:
That's better.
When you look at the can, you are seeing diffuse reflectance from the can to your eye.
When you look at the projection in the shadow, that light is diffusely reflected from the floor after being initially specularly reflected by the can surface.
The diffuse reflectance from a surface can be very different than the specular: most often this is due to local roughness and pigment particle size. The white pigment does not reflect the specular strongly but does reflect diffusely well.
I used to be an expert at this when I designed reflectance based medical instruments.
How interesting. I never would've thought of diffusion. Thank you! That makes sense now.
 
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  • #15
nmsurobert said:
How interesting.
Thanks for the good question!
 
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  • #16
nmsurobert said:
How interesting. I never would've thought of diffusion. Thank you! That makes sense now.
I would add that there are probably areas of shiny / specular paint surface which will do the equivalent (laterally inverted) of cut out holes, which would form images on the other (shady) side of the can. The reflection shadows will be pretty sharp because the distance to the table top is short.

I'm not sure that diffuse reflections are likely to form sharp images; it would be 'out of character', imo. Such diffuse images would tend to fill up the sharper images and reduce contrast.
 
  • #17
sophiecentaur said:
I'm not sure that diffuse reflections are likely to form sharp images; it would be 'out of character', imo. Such diffuse images would tend to fill up the sharper images and reduce contrast.
The highly diffusely reflective (white) letters appear bright on viewing directly because they profligately squander this incident solar flux in all directions leaving little for specular reflection. The black letters are more mirror-like and actually produce more specular intensity.
Remember this is outside and the specular reflected collimated sunlight dominates the "ground" image.
 

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