Measuring Beauty | Can Beauty be Quantified?

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The discussion revolves around whether beauty can be quantified or measured, acknowledging its subjective nature. Participants argue that while certain traits may be cataloged as beautiful, individual perceptions vary widely, influenced by personal preferences and evolutionary factors. The conversation highlights that beauty encompasses various forms, including physical appearance, personality, and even natural phenomena, suggesting a complex interplay of subjective and objective elements. Some propose that beauty might be assessed through physiological responses or common traits, yet consensus remains elusive due to differing individual standards. Ultimately, beauty is framed as a deeply personal experience, shaped by individual interpretation and societal influences.
  • #31
selfAdjoint said:
A fact known to Shakespeare. "There is no Beauty but has some strangeness i' the proportion".

Mentat asked about the meter, or commented about the meter.

this was believed by Francis Bacon (1561-1626) who wrote a bunch of essays including an essay called:

"BEAUTY

Virtue is like a rich stone, best plain set; and surely virtue is best in a body that is comely, though not of delicate features; and that hath rather dignity of presence than beauty of aspect. Neither is it almost seen, that very beautiful persons are otherwise of great virtue; as if nature were rather busy not to err, than in labor to produce excellency. And therefore they prove accomplished, but not of great spirit; and study rather behavior than virtue. But this holds not always: for Augustus Cæsar, Titus Vespasianus, Philip le Bel of France, Edward the Fourth of England, Alcibiades of Athens, Ismael the Sophy of Persia, were all high and great spirits; and yet the most beautiful men of their times. In beauty, that of favor 1 is more than that of color; and that of decent 2 and gracious motion more than that of favor. That is the best part of beauty, which a picture cannot express; no nor the first sight of the life. There is no excellent beauty that hath not some strangeness in the proportion. A man cannot tell whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions; the other, by taking the best parts out of divers faces, to make one excellent. Such personages, I think, would please nobody but the painter that made them. Not but I think a painter may make a better face than ever was; but he must do it by a kind of felicity (as a musician that maketh an excellent air in (music), and not by rule. A man shall see faces, that if you examine them part by part, you shall find never a good; and yet altogether do well. If it be true that the principal part of beauty is in decent motion, certainly it is no marvel though persons in years seem many times more amiable; pulchrorum autumnus pulcher [beautiful persons have a beautiful autumn]; for no youth can be comely but by pardon, and considering the youth as to make up the comeliness. Beauty is as summer fruits, which are easy to corrupt, and cannot last; and for the most part it makes a dissolute youth, and an age a little out of countenance; but yet certainly again, if it light well, it maketh virtue shine, and vices blush."
 
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  • #32
mee said:
I saw on a documentary that much of beauty (I hope I get this correct) is often seen as the ratio of 1:1.618 or some such thing for body parts. Something like that.

Not really. The ratio that's being referred to is the golden ratio, which has some numerological (thing astrology) appeal.

In practice there are certain types of features that consistently considered to be beautiful for example strong jaw lines, clear skin, and good facial symetry. Additionally in women Large eyes, large lips, a small nose, and a hip to waist ratio of 1.7 are (generally) considered attractive.
 
  • #33
if a quality is measurable (assigning a number on a scale)
then things can be ranked
weight is measurable so things can be ranked by weight

Gale asks if B. is measurable. No it is not.
One of the most difficult and arbitrary things to do is to rank two beautiful things and say which has more beauty. this is a sign that B cannot be quantified and cannot be assigned a number on a scale. some things cant.



The sense of beauty has evolved both genetically and culturally. It is not identical in everybody but it is broadly similar from individual to individual, with exceptions of course. It represents accumulated experience and the results of choices.

Those who have chosen well have passed their ideas along to us. The sense of beauty in humans has survival and reproductive value, representing a store of information

The sense of beauty involves irrational guesswork at a subconscious level about what will repay focusing ones attention on.
It is in the involuntary focus of attention.

The line of poetry or the physical law has no beauty apart from the
evolved-over-millennia ability of humans to recognize and be alert to it.
 
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  • #34
0TheSwerve0 said:
I haven't read through all these, but the bit about music chords caught my eye. It reminded me of a discussion in music class where we came to the conclusion that the reason some pieces are more beautiful than others is because the dissonance resolves into consonance. Of course, you can have just consonance, but it seems that greater beauty is created through the progress of imperfection to perfection. Through resolution. In that way, imperfection serves a great purpose.

Yet many pieces which are technically well composed are boring. Take Carl Czerny, for example. He wrote thousands of pieces, all skillfully composed. But none reached anywhere near the heights of his great teacher.

I don't think consonance resolving into dissonance is the answer for music. Take the music of the likes of Webern and Stravinsky. Beautiful music, but it certainly doesn't adhere to the usual tonal principles of consonance and dissonance.

I'm not sure about beauty in general, but for art the answer lies somewhere in between objectivity and subjectivity. Art is the product of an intersubjective world, so it's extremely difficult to justify a completely subjective aesthetic theory. On the other hand, art allows for a variety of interpretations, and this does seem to conflict with a completely objective aesthetic theory.

I think qualitative judgements can be made, and we can talk about better or worse in a comparative sense. But I think it's impossible to talk about best and worst.
 
  • #35
Stevo said:
Yet many pieces which are technically well composed are boring. Take Carl Czerny, for example. He wrote thousands of pieces, all skillfully composed. But none reached anywhere near the heights of his great teacher

I didn't mean to imply that was the rule for all music, it was just something that I discovered in a few pieces (esp. Palestrina). I don't think simply composing by numbers yields a beautiful piece. But resolution of dissonace to consonance is a relief of tension and an arrival to balance, perfection, however you describe consonance.
 
  • #36
Does a flower know that it exists?
 
  • #37
0TheSwerve0 said:
I didn't mean to imply that was the rule for all music, it was just something that I discovered in a few pieces (esp. Palestrina). I don't think simply composing by numbers yields a beautiful piece. But resolution of dissonace to consonance is a relief of tension and an arrival to balance, perfection, however you describe consonance.

Well, it's just that you said "the reason some pieces are better than others". If this criteria only holds in a limited case, then I don't think we can claim that it's the reason why one piece is better than another. It may be part of the issue, nonetheless, but I think it is subsumed under a more general theory of musical expression.
 
  • #38
Mentat said:
Normally I'd just agree with you, but I recently saw a T.V. special on the subject, and a certain philosopher made a statement that made me think twice about the "eye of the beholder". He (sorry, I can't remember his name) basically implied: If we were to observe the way that the actual eye is constructed, we could logically assume, from it's ability to detect light, that there is such a thing as light in the first place. So, why not also assume that there is such a thing as objectively definable "beauty", considering the fact that the "beholder" has an "eye" with which to detect it, it seems we should be able to logically deduce that such a thing must exist.

But the point is not what the eye beholds, but what the opinion of the beholder is concerning what is being beheld.
 
  • #39
Stevo said:
Well, it's just that you said "the reason some pieces are better than others". If this criteria only holds in a limited case, then I don't think we can claim that it's the reason why one piece is better than another. It may be part of the issue, nonetheless, but I think it is subsumed under a more general theory of musical expression.

I guess I'll take this to an actual music thread.

http://forums.philosophyforums.com/showthread.php?t=7332
 
  • #40
Imparcticle said:
But the point is not what the eye beholds, but what the opinion of the beholder is concerning what is being beheld.

Personal opinion may weigh in on it, but there are certainly things that seem to be almost universally attractive. Males, with I suppose the exception of homosexual males, are attracted to a healthy female body. Almost all human beings will find a forest more intrinsically beautiful than a city street. Designers recognize that groups of three are universally pleasing to the subconscious mind. A singer who actually hits the notes is more pleasing to the ear than one who is tone deaf. I think it is worth investigating why these standards hold true.
 
  • #41
0TheSwerve0 said:
I guess I'll take this to an actual music thread.

http://forums.philosophyforums.com/showthread.php?t=7332

I didn't reply, basically because I don't have the time right now to reply in a manner which I would deem satisfactory.

I am a serious musician (not professional, just serious) and I have done a lot of study on the philosophy of music. I will put forth a few views, and discuss their merits. At the moment, I don't have the time. I'm currently behind schedule with some work I have to do.

The philosophy of music is not a trivial issue, and I think some of the responses in that thread show just how easily the nature of music can be misunderstood. It's a very elusive thing to talk about, but definitely worthwhile.
 
  • #42
Imparcticle said:
But the point is not what the eye beholds, but what the opinion of the beholder is concerning what is being beheld.

Not exactly. The statement is that "beauty is in the eye of the beholder". The beholder need not prefer the same kind of beauty as another, but the philosopher was merely stating that some things are, by their nature, beautiful (that is, of course, if you follow his reasoning).
 
  • #43
No, I am afraid I do not follow this philosopher's reasoning. You are explaining that some things have intrinsic properties which make them beautiful. But what is beauty? It is a subjective adjective.
 
  • #44
I used to consider human physical beauty to be linked to a combination of rarity of physical characteristics in the socety we live in, and what society has decided (through whatever circumstances ... ) to consider beautiful.

I just read Njorl's post (on the first page) about the statistical study that found cretain average features scored high as well as certain extreme (sorry-only word i can think of) fearures.It seems to confirm the theory - does it?

About music - I haven't really thought about that. But it seems on the serface to be quiet a different kind of beauty to peiople's faces for example. I have a feeling it has something to do with people's mother-language and what other sounds they've been exposed to when young. Is there muscial scales/notes sequences that are universally (around the whole world and maybe also over long time) that is considered to be beautiful? - other than the few dissidents. I've read somewhere not that long ago that scientists have found a link between musical scales (12?) and voice/language of humans - does that have an effect?
 
  • #45
Beauty is probably best considered this way - remember when you were a young kid and you would while away the hours cutting the womens magazine lingerie ads into a scrapbook?

Okay - I guess you all had the experience when a gust of wind blew in the bedroom window and upsets the marvelous patterns you had made on the floor with the various pictures of brassiere-clad lovelies. Not forgetting the annoyance that this could have assisted the authorities in building a psychological profile on you just a few years down the track - wasn't it just the pits!

So up rocks the mailman - Now excuse me for being possibly a little disturbed or just your average teenager BUT Stuff! the George Foreman Grill - I've waited months for this department store catalogue - straight to the relevant stuff - lots of pretty women in underwear - the rest of the catalogue is for well who cares. Okay - enough of that - So then just what gives a female beauty? - I think the rules are fairly simple:

1) If she knees you in the balls and doesn't say thank you for dinner - THAT is NOT beautiful

2) If when she opens her mouth she talks to you at the same volume level as an Aeroflot coming in for a regulation landing into the side of a mountain - THAT is NOT beautiful

3) If she has more hair on her armpits than you have on your back - THAT is NOT beautiful

4) If her teeth set off the airport security detector each time you want to go on vacation to Tampa Island - THAT is NOT beautiful

5) If her entire record collection consists of nothing but Britney Spears and Weird Al Yankovic - THAT is NOT beautiful

6) If when you kiss her the experience conjures up the feeling of Elephant Seals blended with expired Papa Guiseppe pizza - THAT is NOT beautiful

7) When she blends in too well at the local Agriculture show and pesters you for the same ring that the Santa Gertrudis is wearing - THAT is NOT beautiful.

I trust I've cleared that one up now.

DR PINKLINE JONES
 
  • #46
beauty? it can't be measured by any measurement known to man...thats it and enough said...:)
 
  • #47
You could use some sort of arbitrary standard for which to quantify beauty but I think your results, on the whole, would be meaningless.
*Nico
 
  • #48
Beauty. Depending on your focus, upbringing and cultural constraints and how anal you are, beauty could be anything. I've heard people say, "beauty!" about a car accident. Go figure.

I did have a nice theory about beauty all worked out using compound curves and topographic calculus. But this punk that liked the car crash has blown the thing to ruins.

The most accurate description would be that it is a relative call that not only changes from person to person but also from second to second in each person.

Beauty.
 
  • #49
P-brane, well I contend it is more than that. I do not think beauty is well defined enough to be quantified or even to be specifically discussed. Of course one may arbitrarily define and quantify beauty but yes because of subjectivism and other factors I think any attempt to do this would be fool's errand as the results would be meaningless.
*Nico
 
  • #50
Nicomachus said:
P-brane, well I contend it is more than that. I do not think beauty is well defined enough to be quantified or even to be specifically discussed. Of course one may arbitrarily define and quantify beauty but yes because of subjectivism and other factors I think any attempt to do this would be fool's errand as the results would be meaningless.
*Nico

That's beautiful, Nico. :rolleyes:
 
  • #51
the difficulty is how u treat each subject that your are measuring. if you consider something beautiful or pleaseant than youre actions will change towards your subject. that is the problem when you measure beauty, your actions will undoubtledly predetermine youre response.
 
  • #52
Research by Zajonc (if you know how to pronounce his name please let me know) suggests that the more we are exposed to something, the more we like it. He found this for men's faces as well as for things like Chinese-like lettering.

If we can take liking the look of something as being the thin end of the wedge for thinking it is beautiful, then:

'Beauty is in the eye of the beholder - if beheld repeatedly'. :confused:
 
  • #53
beauty...

man, I don't know how to measure it, but it sure is beautiful isn't it? :wink:


you guys are all beautiful.. :redface:

when you are on drugs, everything is beautiful... :smile:

wait I've figured it out! You meausre beauty by how much beer you've had!



you're all beautiful, see ya
 
  • #54
Here is something not beautiful - a bit of social Darwinism from Magro (1997):

"Why Barbie Is Beautiful. A study of a long series of hominid fossils reveals a progressive loss of some physical attributes and the acquisition of other characteristics. One wonders why evolution has been remodeling the human form in what often seem to be nonadaptive ways. A curious, superficially frivolous test may offer some insights, some of which may be profound.

Drawings and photographs showing humans with various physical traits were prepared and shown to 495 subjects, who were asked to select the most attractive characteristics.

In disfavor were: short shins, short legs, bowed legs, large and pointed canines, gums showing above the teeth, short thumbs, long palms, curved fingers, jutting jaws, short necks. These are all primitive features still seen in apes and monkeys.
Favored were: tallness, long legs, slim waists, long necks, curved red lips, large eyes, square shoulders, straight teeth, straight fingers, smooth and hairless skin, nonsloping foreheads, flat abdomens.

These are all features "derived" during evolutionary history. A look at a photograph of a Barbie doll, which accompanied the article, proves that Barbie epitomizes these favored characteristics.
Apparently, human males have been selecting their mates for these traits. The fossil record indicates this Barbie trend over millions of years. In effect, humans are selectively breeding themselves with Barbie as a goal for women".

http://www.science-frontiers.com/sf118/sf118p16.htm

Bad news for girls with short thumbs & long palms :confused:

As with all social Darwinism, what's the evidence? Flimsy, and in this case blond and plastic too :smile:
 
  • #55
Physical attractiveness studies, in brief

the number 42 said:
a bit of social Darwinism from Magro (1997):

"Why Barbie Is Beautiful. A study of a long series of hominid fossils reveals a progressive loss of some physical attributes and the acquisition of other characteristics. One wonders why evolution has been remodeling the human form in what often seem to be nonadaptive ways. A curious, superficially frivolous test may offer some insights, some of which may be profound.

As with all social Darwinism, what's the evidence?


Furnham, Adrian; Mistry, Disha; McClelland, Alastair. The influence of age of the face and the waist to hip ratio on judgements of female attractiveness and traits. Personality & Individual Differences. Vol 36(5) Mar 2004, 1171-1185.
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(from the journal abstract) Various studies have established that the waist to hip ratio (WHR) influences perceptions of female attractiveness. The present study investigated the assumption that ageing of the face will exert a greater influence than WHR in ratings of female attractiveness, when WHR in females is manipulated within the normal range (0.67-0.85). In a within subjects design, 100 participants (mean age 23.4 years) rated 27 photographs on the following scales: youthfulness, attractiveness, fertility, healthiness, fecundity (likelihood of being pregnant), attractive to the opposite sex, a good mother and sexiness. The photographs had been digitally manipulated in terms of three levels of age of the face (young, middle, older: range around 20-40 years) and three levels of WHR (low, medium, high). Regressional analyses indicated that although WHR was found to have a significant influence on all the above attributes, the age of the face was found to have a greater effect. Results are interpreted in terms of age being a sexually selected trait providing potential mates with information concerning phenotypic and genetic quality.


Wade, T. Joel; Irvine, Kristin; Cooper, Marjorie. Racial characteristics and individual differences in women's evaluations of men's facial attractiveness and personality. Personality & Individual Differences. Vol 36(5) Mar 2004, 1083-1092.
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(from the journal abstract) Prior research investigating the perception of men's faces has not considered the hybrid nature of black and white racial characteristics. Fifteen faces ranging from "pure" black or white to "hybrid" black and white were rated in the present research. Main effects for race of face were hypothesized. Predominantly black faces were expected to receive higher ratings for dominance and gender identity characteristics. Predominantly white faces were expected to receive the highest attractiveness rating and higher ratings for nurturant and expressive characteristics. The results supported the hypotheses and are discussed in terms of parental investment theory and existing research.


Sugiyama, Lawrence S. Is beauty in the context-sensitive adaptations of the beholder? Shiwiar use of waist-to-hip ratio in assessments of female mate value. Evolution & Human Behavior. Vol 25(1) Jan 2004, 51-62.
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The proposition that universal standards of female beauty reflect adaptations for reproductive value assessment does not preclude cross-cultural variation that is contingent on local environmental variation. Cross-cultural tests of the hypothesis that men have adaptations generating preference for low female waist-to-hip ratios (WHR) have used stimuli that were not scaled to local conditions, and have confounded WHR with level of body fat. I present a reassessment of the WHR hypothesis, showing that when effects of WHR and body weight are less confounded, and local environmental context is taken into account, it appears that Shiwiar forager-horticulturist men of Ecuadorian Amazonia may use both WHR and body weight in assessments of female sexual attractiveness in a manner consistent with the prediction of a context-sensitive preference psychology.


Jones, B. C; Little, A. C; Feinberg, D. R; Penton-Voak, I. S; Tiddeman, B. P; Perrett, D. I. The relationship between shape symmetry and perceived skin condition in male facial attractiveness. Evolution & Human Behavior. Vol 25(1) Jan 2004, 24-30.
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Studies have shown that male faces high in symmetry are judged more attractive than faces low in symmetry even in images where visual cues to facial symmetry are reduced. These findings suggest that there are correlates of facial symmetry that influence male facial attractiveness independently of symmetry itself. Apparent healthiness of facial skin is one factor that may influence male facial attractiveness and covary with facial symmetry. Here, using real and composite male faces, we found that males with symmetric faces were perceived as having healthier facial skin than males with relatively asymmetric faces (Study 1), and that facial colour and texture cues were sufficient to maintain an attractiveness-symmetry relationship when the influence of facial shape was minimised (Study 2). These findings suggest that colour and texture cues contribute to the relationship between attractiveness and symmetry in real faces.


Olby, Brian Christopher. Perceived attractiveness and personality attributes: A gender and racial analysis. Dissertation Abstracts International: Section B: the Sciences & Engineering. Vol 63(9-B), 2003, 4420
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Subjects rated 12 female body shapes with respect to their physical attractiveness, and the extent to which they would be expected to possesses various personality characteristics. The shapes were varied using 3 levels of overall weight and 4 levels of body shapeliness. The sample was modified to control for socioeconomic factors and results are based on 297 undergraduates from Caucasian, African American, and Hispanic racial backgrounds. Loglinear analyses revealed that men and women, regardless of racial background, rated shapely underweight females as most physically attractive, sexy, and ideal for a woman, followed by normal weight figures of similar proportion. African Americans, women in particular, judged the shapely normal weight figures more favorably than the other subjects. Multidimensional scaling and subsequent frequency analyses showed that those figures judged as most attractive, sexy, and ideal were also expected to be fairly emotionally stable, and most successful and interpersonally competitive, but least faithful, kind, and family-oriented. Overweight female shapes, while rated as least physically attractive, sexy, and emotionally stable, were expected to be most family-oriented, kind, and faithful. Shapely normal weight figures were judged to be attractive and sexy, and were assumed to possesses a moderate amount of the personality traits in question. The results suggest that Caucasian and Hispanic subjects prefer shapely underweight women, while African Americans, particularly women, find shapely underweight and shapely normal weight women to be physically appealing. African American women also rate shapely normal weight women favorably with respect to personality traits. This perceptual difference may help inoculate them from developing eating disturbances and account for the low prevalence rate of eating disorders in African Americans compared to women of other racial backgrounds. It is suggested that future research identify those beliefs, values or behaviors that seem to inoculate African American women from developing eating disorders. Once identified, mental health professionals may facilitate their development in those women who are likely to have eating problems.


Johnston, Victor S. Female facial beauty: The fertility hypothesis. Pragmatics & Cognition. Vol 8(1) 2000, 107-122.
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Notes that prior research on facial beauty has suggested that the average female face in a population is perceived to be the most attractive face. The author argues that this finding, however is based on an image processing methodology that appears to be flawed. An alternative method for generating attractive faces is described and the findings using this procedure are compared with the reports of other experimenters. The results suggest that (1) beautiful female faces are not average, but vary from the average in a systematic manner and (2) female beauty can best be explained by a sexual selection viewpoint, whereby selection favors cues that are reliable indicators of fertility.


Soler, C; Nunez, M; Gutierrez, R; Nunez, J; Medina, P; Sancho, M; Alvarez, J; Nunez, A. Facial attractiveness in men provides clues to semen quality. Evolution & Human Behavior. Vol 24(3) May 2003, 199-207.
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Facial attractiveness has been related to health in both men and women. Certain psychological, physiological, and secondary sex characteristics have been used as accurate markers of hormonal and developmental health. The main objective of this study was to investigate the capacity of women to select males of high reproductive quality based on their facial attractiveness. A total of 66 males were included in the study. Each of them provides a semen sample, and frontal and lateral photographs were taken. Semen analysis was made according to standard WHO (1999) guidelines for morphology, motility, and concentration. Moreover, a Sperm Index (SI) was calculated as the principal component of these parameters. In Study 1, 66 women rated the attractiveness, as a possible permanent couple, of pictures of all 66 men. In Study 2, the pictures of a subset of 12 males were randomly selected from three semen quality subgroups (terciles named good, normal, and bad, according to the value of the SI). These 12 pictures were rated on attractiveness by two independent sets of women (N=88 and N=76). Facial attractiveness ratings were significantly (P<.05) and positively correlated with sperm morphology, motility, and SI, but not with concentration, for all the women sets.
 
  • #56
Van Duuren, Mike; Kendell-Scott, Linda; Stark, Natalie. Early aesthetic choices: Infant preferences for attractive premature infant faces. International Journal of Behavioral Development. Vol 27(3) May 2003, 212-219.
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Previous studies have shown that when newborn and young infants are shown attractive and unattractive adult faces they will look longer at the attractive faces. Three studies with infants ranging from 5 months to 15 months were conducted to examine whether this attractiveness effect holds for infants looking at infant faces. A standard preferential looking technique was used in which infants were shown pairs of colour slides of upright (Experiments 1 and 2, n = 16) or inverted (Experiment 3, n = 16) infant faces previously rated by adults for attractiveness. Although Experiment 1 did not reveal an attractiveness effect, this effect did become manifest in Experiment 2 after increasing stimulus exposure time and replacing three of the original stimulus faces. The attractiveness effect was lost when faces were presented upside down. Findings are discussed in relation to the feature-based vs. configural processing debate in the face processing literature and in relation to the notion that attractiveness is based on presexual maturity rather than "cuteness".


Wade, T. Joel. Evolutionary theory and African American self-perception: Sex differences in body-esteem predictors of self-perceived physical and sexual attractiveness, and self-esteem. Journal of Black Psychology. Vol 29(2) May 2003, 123-141.
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Evolutionary biological theory has been shown to be relevant to an understanding of how individuals assess others' physical and sexual attractiveness. This research used the Body-Esteem Scale and multiple regression to determine if this theory is also relevant to an understanding of self-perceived physical and sexual attractiveness and self-esteem for a sample of 9l African Americans (aged 18-39 yrs). The hypotheses that regression models of physical and sexual attractiveness would differ within and across sex groups and that models of self-esteem would differ across sex groups in accordance with evolutionary theory were supported. Attributes (if the body related to fecundity and successful mothering characteristics predicted for women and attributes of the body related to strength and dominance predicted for men. In addition, attributes of the body dealing with sexual maturity were stronger predictors of sexual attractiveness for women. This research indicates that evolutionary biological theory can provide relevant insight for an understanding of self-perceived attractiveness and self-esteem for African Americans.


Streeter, Sybil A; McBurney, Donald H. Waist-hip ratio and attractiveness: New evidence and a critique of a "critical test". Evolution & Human Behavior. Vol 24(2) Mar 2003, 88-98.
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An evolutionary model of mate choice predicts that humans should prefer honest signals of health, youth, and fertility in potential mates. D. Singh and others have amassed substantial evidence that the waist-hip ratio (WHR) in women is an accurate indicator of these attributes, and proposed that men respond to WHR as an attractiveness cue. In response to a recent study by L. G. Tassinary and K. A. Hansen (1998) that purports to disconfirm D. Singh's hypothesis, we present evidence showing a clear relationship between WHR and evaluations of attractiveness. We evaluated responses of 95 undergraduate students to a range of waist, hip, and chest sizes, spanning the 1st through 99th percentiles of anthropometric data. Waist, hip, and chest sizes were altered independently to give WHRs of 0.5, 0.6, 0.7, 0.9, and 1.2. We replaced line drawings with more realistic computer-manipulated photographs. The preferred WHR was 0.7, concordant with the majority of previous results. By asking participants to estimate weight in each stimulus figure, we were able to statistically control for the effects of weight on attractiveness judgments; the effect of WHR remained.


Ishi, Hanae; Gyoba, Jiro. Analyses of psychological aspects of attractiveness in feminized and juvenilized Japanese faces. Tohoku Psychologica Folia. Vol 60 2001, 29-34.
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Averaged Japanese faces were quantitatively transformed into feminized or juvenilized faces by morphing. Fifty-six university students (28 males and 28 females) evaluated the facial attractiveness, and the attractiveness score was compared between the feminized and the juvenilized faces. As a result, for female faces we found that juvenilization was preferred to feminization, while the optimal transformation ratio producing high attractiveness was limited to a narrower range for feminization than for juvenilization. However, there was no large difference between the juvenilized and the feminized faces in male attractiveness. Thus, the present study indicates that feminization and juvenilization have different psychological effects on the attractiveness of female faces in spite of the similarity between the average young adult female face and child face. In contrast, juvenilization and feminization have the same effect on the attractiveness of male faces, while male faces are largely different from female and child faces in both physical and psychological aspects.


Dixson, Alan F; Halliwell, Gayle; East, Rebecca; Wignarajah, Praveen; Anderson, Matthew J. Masculine somatotype and hirsuteness as determinants of sexual attractiveness to women. Archives of Sexual Behavior. Vol 32(1) Feb 2003, 29-39.
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Five questionnaire studies asked 685 women to rate the attractiveness of outline drawings of male figures that varied in somatotype, body proportions, symmetry, and in distribution of trunk hair. In Study 1, back-posed figures of mesomorphic (muscular) somatotypes were rated as most attractive, followed by average, ectomorphic (slim), and endomorphic (heavily built) figures. In Study 2, computer morphing of somatotypes to produce an intergraded series resulted in a graded response in terms of perceived attractiveness which mirrored the findings of Study 1. In Study 3, back-posed figures were manipulated in order to change waist-to-hip ratios and waist-to-shoulder ratios. In Study 4, symmetric figures of a mesomorphic somatotype were rated as less attractive than a normal version of the same man. Study 5 showed that presence of trunk hair had a marked, positive effect upon women's ratings of attractiveness for both mesomorphic and endomorphic male figures. Women also judged figures with trunk hair as being older and they consistently rated endomorphic figures as being older than mesomorphs. These results are consistent with effects of sexual selection upon visual signals that advertise health, physical prowess, age, and underlying endocrine condition in the human male.


Konecni, Vladimir J; Cline, Laney E. The 'golden woman': An exploratory study of women's proportions in paintings. Visual Arts Research. Vol 27(2,Issue54) 2001, 69-78.
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Examined painters' use of the golden section, that is, the ratio 0.618-to-1, and other proportions when depicting females. 28 female figures painted during the period 1900-1967 were examined concerning the facial ratios of cheekbone width over face length and bi-section at eyebrows, and the body ratios of bisection at the navel and waist to hip. 81 university students (mean ages 21.1 yrs - 23.6 yrs) assessed the age and physical attractiveness of the portrayed females. Results show a strong attractiveness bias in favor of younger female figures. The most attractive figures differed significantly from others in that there was significantly less variability in 3 of the 4 examined ratios. Both the ratios of cheekbone width over face length and the bi-section at the navel were, in line with classical ideals, at the golden section for the most attractive figures, which also displayed significantly less waist-to-hip variability than the rest of the sample. Findings suggest that painting may act as intuitive transmitters of the accumulated cultural wisdom regarding females' proportions, attractiveness, health, and reproductive fitness.
 
  • #57
hitssquad said:
Findings suggest that painting may act as intuitive transmitters of the accumulated cultural wisdom regarding females' proportions, attractiveness, health, and reproductive fitness.

the number 42 said:
Apparently, human males have been selecting their mates for these traits

Nice try, hitsquad. However, the fact that people of many cultures and throughout history have seen characters in the constellations doesn't mean that Orion, the Ursas, Daffy etc are really there.

It may well be true that guys have been unconsiously selecting for Barbie for a long time (and presumably gals select for Ken), but all the abstracts in the world aint going to prove it. All we end up with is a lot of circumstantial evidence, not a shred of causal evidence. That's what I mean by 'flimsy'.
 
  • #58
Landfills are beautiful too.
 
  • #59
Gale17 said:
i wonderede whether beauty could be quantified...


There are numerous attempts by sociologists. They're pretty straightforward. And they all show that beauty is a social construction, as everything else is. (At least if you agree with their basic assumption that something like class and social identity does in fact exist). But then you're only measuring "beauty as a social construction". So this is all quite tautological.

If you say that beauty is a purely subjective perception, then you say beauty is a purely subjective perception. Rather tautological too.

You can quantify beauty if you want to quantify it.

All pretty boring, if you ask me :-)
 
  • #60
shonagon53 said:
There are numerous attempts by sociologists. They're pretty straightforward. And they all show that beauty is a social construction, as everything else is.

If you ask a sociologist about beauty, they may well say its a social construction. If you ask a biologist, they may say its genetic. Ask a painter, they might say its about light and shade. All of these, including biology, can be seen as part of the 'construction' of beauty.

Of course on a personal level, this is purely academic. If I think something is beautiful then I like it whether a sociologist agrees or not. But if we were to consider that beauty consists of some quality beyond the subjective... then we have to agree that it is possible that sometimes when we think a thing is beautiful, we are wrong.
 

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