What causes paint to change colour over time?

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SUMMARY

The primary causes of paint color change over time are oxidization due to air exposure and fading from ultraviolet (UV) light exposure. Modern paints exhibit varying degrees of lightfastness, which refers to their resistance to fading when exposed to light. Plant-based pigments are generally more susceptible to these changes compared to mineral pigments. Historical examples illustrate this, as 19th-century Japanese woodcut prints often show significant color fading, while 15th-century Persian miniatures retain their vibrancy.

PREREQUISITES
  • Understanding of oxidization processes in materials
  • Knowledge of UV light effects on pigments
  • Familiarity with lightfastness and its significance in art preservation
  • Basic concepts of pigment types, specifically plant-based vs. mineral pigments
NEXT STEPS
  • Research the concept of lightfastness in modern paints
  • Explore the chemical processes involved in oxidization of pigments
  • Investigate the differences between plant-based and mineral pigments
  • Learn about preservation techniques for historical artworks
USEFUL FOR

Artists, conservators, art historians, and anyone interested in the longevity and preservation of painted artworks.

Superposed_Cat
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What compounds,reactions and factors cause modern day paint to change hue intensity over time? Any help appreciated.
 
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I guess it depends on the paint, so you won't get a "one size fits all" answer.
 
Pick any you know the most about,
 
Oxidization due to exposure to the air and fading due to exposure to UV (sunlight, even indirect) are the two primary causes.
 
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Thanks
 
Google for "lightfastness".
 
DrDu said:
Google for "lightfastness".

You sure that's not a description of the speed of light? :wink:
 
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Borek said:
I guess it depends on the paint, so you won't get a "one size fits all" answer.

phinds said:
Oxidization due to exposure to the air and fading due to exposure to UV (sunlight, even indirect) are the two primary causes.

And broadly pigments of plant origin will be more photosensitive and oxidisable than 'mineral'' pigments so typical Japanese woodcut print of the 19th century the colours will be faded, whilst in a Persian miniature in a book of the 15th century they will be almost like new.
 

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