Algr said:
Bzzzt!
Video has six parameters. One of time, two of space, and three channels of color. (RGB or HSV). Taste has five, the others aren't so well understood. (At least by me.)
Time is a "parameter" for all senses. Sight, sound, taste, touch and smell can all vary over time. Every sense is gifted (or burdened) with poor persistence -- we sense changes better than we sense constant values.
One should probably be careful to decide for each of these "parameters" whether it is a dimension of the space in which the sensors are arrayed or a dimension in the space of sensations each sensor can detect. [It is a sort of vector field -- a vector-valued function taking a vector as input]
For color you have three dimensions in the space in which the sensors live (time, latitude on the retina and longitude on the retina) and three dimensions in the space in which the sensory readings live (red, green, blue or other mapping).
There is arguably an extra two-valued dimension of the space in which the visual sensors live. You have two eyes. This is, of course, post-processed and factored into depth perception.
Or, perhaps, you could call that five dimensions in the space in which the sensors are arrayed (time, latitude, longitude, which eye, which color ) and one dimension for the space in which the readings live (intensity).For sound you have two dimensions in the space in which the sensors live (time and distance in the cochlea). Each sensor has a single dimension for its output (intensity).
Again, there is an extra two-valued dimension in the space in which the auditory sensors live. You have two ears. This is, of course, coordinated with time, post-processed and factored into direction detection.
When we transmit visual images, we typically eliminate the "which eye" dimension, except for stereoopticons and 3-D movies. We sometimes eliminate the "which color" dimension and use black and white. We often eliminate the "when" dimension and transmit still photographs. Or preserve it and transmit videos.
When we transmit sound, we sometimes eliminate the "which ear" dimension and broadcast single channel audio. Sometimes we preserve it and broadcast two channel stereo. On occasion, we dramatically compress the dimensions to a small finite set, the values to an even smaller range and transmit something called "sheet music" instead of audio recordings.
Even more commonly, we do some extreme post-processing called "language" and write down "words".
Edit: Note that there is a word and a Wiki page devoted the possibility of transmitting touch sensation between remote consenting adults. Some commercial products are available.