Why Does a Brass Tube's Resonance Only Produce Overtones?

  • Context: Undergrad 
  • Thread starter Thread starter fregor
  • Start date Start date
  • Tags Tags
    Frequencies
Click For Summary

Discussion Overview

The discussion centers around the resonance frequencies of a brass tube, specifically why only overtones are perceived when the tube is struck, despite calculations suggesting a fundamental frequency. Participants explore the implications of tube length, mode of vibration, and the interaction between the tube and the air column inside it.

Discussion Character

  • Exploratory
  • Technical explanation
  • Debate/contested

Main Points Raised

  • One participant calculates the fundamental frequency of a 200mm brass tube with open ends to be 843.5 Hz but hears a resonating frequency of 1687 Hz, suggesting the perception of the first overtone instead.
  • Another participant notes that holding the tube at 25% length does not create a node for the fundamental frequency, which may influence the observed resonance.
  • Questions are raised about how the oscillation is initiated and how the frequency is measured, indicating potential variability in results based on these factors.
  • Some participants suggest that the brass tube may have its own resonance frequencies that could interfere with the air column's resonance.
  • There is a suggestion to model the vibrations of the tube as a "bar" with one end clamped, which would not produce a harmonic series like a string clamped at both ends.
  • Concerns are expressed about the accuracy of the calculated frequencies and the relationship between the tube's material properties and the air column's behavior.

Areas of Agreement / Disagreement

Participants express differing views on the nature of the resonance being observed, with some supporting the idea that only overtones are heard while others question the calculations and assumptions made about the tube's behavior. The discussion remains unresolved regarding the reasons for the perceived frequencies.

Contextual Notes

There are limitations in the assumptions made about the tube's oscillation modes and the interaction between the brass and the air column, which may affect the perceived resonance frequencies.

fregor
Messages
1
Reaction score
0
Greetings, didn't know where to post this. To which category it fits, if even any.
Anyway, I'm studying sound production and am doing a work on resonating frequencies of a certain tube.
Please bare in mind I'm not a physician or in the studies of physics, just a musician trying to understand resonance in acoustics. Please move thread if in wrong part of forum

I've done a test on how to calculate the actual resonating frequency of a certain tube with OPEN ends.
I'm using a brass tube of 200mm with a diameter of 0.7 cm.
In the calculation I came to the conclution of 847 Hz, but the actual frequency that's resonating while hitting the tube is 1687 Hz. I hit the tube while holding approximately 25 % of the tube to hold it on a node. So I don't disturb the resonance. It's the same frequency that's heard when dropping the tube on the ground without holding it. So it shouldn't be that I'm manipulating the frequency response by holding it on 25%. The deviation from 843.5 is small but I think what I'm hearing is the second harmonic (first overtone) and not the fundamental. But why does not the fundamental resonate? In all literature I read it says that it should be the fundamental frequency that is heard.

So the fundamental frequency should be 843.5, why am I then only hearing 1687 while making it resonate?
f1 =843.5 =fundamental frequency = first harmonic
f2 =1687 =first overtone = second harmonic
f3 =2530.5 =second overtone = third harmonic
and so forth.
What I then began to think was that when hitting the tube the "first overtone" is the one that's heard it must be that, but I can not explain why. When the calculus tells me the fundamental is 843.5 and the literature says it's the frequency that should be heard.

I'd be glad if someone has a answer for this.
 
Last edited:
Physics news on Phys.org
The motion of air in the tube won't change the tube itself so much, so the position where you hold it should not matter much. At 1/4 the length you do not have a node for the fundamental frequency.
fregor said:
but I think what I'm hearing is the second harmonic (first overtone) and not the fundamental.
Probably.

How do you start the oscillation? What hits the tube where?
How do you measure the frequency?

The brass could have its own resonance frequencies, but it is unlikely that they are so close to an resonance frequency of the air inside.
 
fregor said:
Greetings, didn't know where to post this. To which category it fits, if even any.
Anyway, I'm studying sound production and am doing a work on resonating frequencies of a certain tube.
Please bare in mind I'm not a physician or in the studies of physics, just a musician trying to understand resonance in acoustics. Please move thread if in wrong part of forum

I've done a test on how to calculate the actual resonating frequency of a certain tube with OPEN ends.
I'm using a brass tube of 200mm with a diameter of 0.7 cm.
In the calculation I came to the conclution of 847 Hz, but the actual frequency that's resonating while hitting the tube is 1687 Hz. I hit the tube while holding approximately 25 % of the tube to hold it on a node. So I don't disturb the resonance. It's the same frequency that's heard when dropping the tube on the ground without holding it. So it shouldn't be that I'm manipulating the frequency response by holding it on 25%. The deviation from 843.5 is small but I think what I'm hearing is the second harmonic (first overtone) and not the fundamental. But why does not the fundamental resonate? In all literature I read it says that it should be the fundamental frequency that is heard.

So the fundamental frequency should be 843.5, why am I then only hearing 1687 while making it resonate?
f1 =843.5 =fundamental frequency = first harmonic
f2 =1687 =first overtone = second harmonic
f3 =2530.5 =second overtone = third harmonic
and so forth.
What I then began to think was that when hitting the tube the "first overtone" is the one that's heard it must be that, but I can not explain why. When the calculus tells me the fundamental is 843.5 and the literature says it's the frequency that should be heard.

I'd be glad if someone has a answer for this.

How are you calculating the allowed modes? Are you modeling the vibration of the air column (like a flute or organ pipe) or the brass tube (like chimes) ? I don't think it is the former, since the value for f1 is way too low.

If the latter (which I suspect), you should be modeling the vibrations of a "bar" with one end clamped. For these vibrations, you will not get a harmonic series, like you would for a string clamped at both ends.

Something is odd with your numbers...
 
How long is the tube?
 
CWatters said:
How long is the tube?
200mm according to the first post.

The calculated resonance frequencies look fine for air, but if the brass tube itself oscillates we will get completely different frequencies.
 

Similar threads

Replies
4
Views
3K
  • · Replies 6 ·
Replies
6
Views
4K
  • · Replies 21 ·
Replies
21
Views
7K
  • · Replies 2 ·
Replies
2
Views
1K
  • · Replies 3 ·
Replies
3
Views
2K
  • · Replies 7 ·
Replies
7
Views
6K
  • · Replies 92 ·
4
Replies
92
Views
6K
  • · Replies 7 ·
Replies
7
Views
2K
  • · Replies 21 ·
Replies
21
Views
2K
  • · Replies 4 ·
Replies
4
Views
7K