Why Does Fundamental Freq Have Largest Amplitude?

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SUMMARY

The fundamental frequency typically exhibits the largest amplitude due to the shape of the vibrating medium, such as a plucked string, which aligns with the Fourier Transform's maximum at the fundamental mode. However, exceptions exist where higher harmonics can dominate, particularly through asymmetrical plucking or strategic dampening along the string. The relationship between frequency, stiffness, and mass is governed by the equation f = (1/2π)√(K/M), indicating that lower frequency harmonics generally produce greater amplitudes due to lower stiffness. The discussion also clarifies the formation of standing waves through the superposition principle, despite the apparent contradiction with wave cancellation.

PREREQUISITES
  • Understanding of Fourier Transform principles
  • Basic knowledge of wave mechanics and standing waves
  • Familiarity with the equation for frequency in vibrating systems: f = (1/2π)√(K/M)
  • Experience with string instruments and their harmonic behavior
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  • Study the effects of asymmetrical plucking on string vibrations
  • Explore the principles of wave superposition and standing wave formation
  • Investigate the relationship between stiffness and amplitude in vibrating systems
  • Analyze case studies of organ reed pipes and their harmonic outputs
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Musicians, acoustics engineers, physics students, and anyone interested in the principles of sound production and wave behavior in musical instruments.

Jimmy87
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Please could somebody explain why the fundamental frequency always has the biggest amplitude in comparison to the rest of the harmonics?
 
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The reason that the fundamental usually dominates will be because of the shape of the string when plucked - the Fourier Transform of the initial shape will normally have a maximum at the fundamental mode. But it doesn't necessarily. You can excite a string with asymmetrical plucking at 1/4 and 3/4 along its length and get the first overtone dominating with no significant fundamental OR by placing a dampening finger, half way along a guitar string (or other places) you can get higher overtones (not exact harmonics unless the medium is ideal - but referred to by guitarists as harmonics - but they're not Physicists so it's OK for them)
 
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The fundamental doesn't always have the biggest amplitude.

For example see Fig 2 (page 6 of the PDF) in http://www.haskins.yale.edu/sr/SR111/sr111_23.pdf

Several counter-examples of organ reed pipes here: http://www.pykett.org.uk/reedpipetones.htm - e.g Fig 9 the 5th harmonic is loudest, followed by the 3rd.

The reason why lower frequency harmonics usually have bigger amplitudes than higher, is because of the basic equation for the frequency of a vibrating object, ##f = (1/2\pi)\sqrt{K/M}## where K and M measure the stiffness and mass of whatever is vibrating. Often, the amount of vibrating mass is about the same for all the harmonics, and the stiffness increases as the frequency increases. For a fixed amount of forrce, you get a bigger amplitude of vibration from a low stiffness (because displacement = stiffness / force), and so the low frequency harmonics tend to have bigger amplitudes.
 
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Don't they die out??

Two waves traveling in opposite direction should die out according to super position principle (Zero amplitude). Then how standing waves are produced? Is this not a contradiction? Please help. thank you.
 
pscience said:
Two waves traveling in opposite direction should die out according to super position principle (Zero amplitude). Then how standing waves are produced? Is this not a contradiction? Please help. thank you.

The anti- phase condition only occurs right at the termination. The relative phases of incident and reflected wave vary with distance and superposition produces the standing wave.
 
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