Heinrich Ignaz Franz von Biber is quickly becoming my 2nd-favourite composer

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SUMMARY

Heinrich Ignaz Franz von Biber (1644-1704) is recognized as a significant Bohemian composer and violinist, particularly noted for his innovative use of scordatura in his violin works. His compositions, including the "Nightwatchman" Serenade and "Harmonia Artificiosa," showcase emotional depth and complexity, often pre-dating the Baroque masterpieces of Pachelbel and Bach. Biber's Missa salisburgensis, attributed to him, features an unprecedented polyphonic structure with 53 independent voices, marking it as a landmark in music history. His violin sonatas, especially those recorded by Romanesca/Manze and John Holloway, are celebrated for their expressive qualities and have garnered a dedicated following among classical music enthusiasts.

PREREQUISITES
  • Understanding of Baroque music characteristics
  • Familiarity with scordatura and its application in violin compositions
  • Knowledge of polyphonic structures in choral music
  • Awareness of historical context surrounding composers like Bach and Pachelbel
NEXT STEPS
  • Explore Biber's "Sonatae Tam Aris Quam Aulis Servientes" for its unique compositional style
  • Investigate the significance of scordatura in Baroque violin music
  • Study the Missa salisburgensis and its impact on polyphonic music
  • Listen to recordings of Biber's violin sonatas by Romanesca/Manze and John Holloway for comparative analysis
USEFUL FOR

Classical music enthusiasts, violinists, music historians, and anyone interested in the emotional and innovative aspects of Baroque-era compositions.

fourier jr
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Heinrich Ignaz Franz von Biber is quickly becoming my 2nd-favourite composer ever

check this guy out:
Heinrich Ignaz Franz von Biber (August 12, 1644 – May 3, 1704) was a Bohemian composer and violinist.

He was born in Wartenberg (now Stráž pod Ralskem, Czech Republic). In 1684 he became Kapellmeister in Salzburg, where he died twenty years later.

His prolific works show a predilection for canonic use and harmonic diapason that pre-date the later Baroque works of Johann Pachelbel and Johann Sebastian Bach. He was known as a violin virtuoso and is best known for his violin works, many of which employ scordatura (unconventional tunings of the open strings). He wrote much choral and chamber music, concerti, operas and a number of more well-known pieces such as the "Nightwatchman" Serenade and "Harmonia Artificiosa."

A work which is currently attributed to him (formerly it was attributed to Orazio Benevoli) is the Missa salisburgensis, an astonishing polyphonic setting of the Mass for 53 independent voices. Whether or not it is by Biber, it has more independent contrapuntal lines than any other piece of music from before the 20th century.
http://en.wikipedia.org/wiki/Heinrich_Ignaz_Biber

i've got his violin sonatas played by both romanesca/manze & john holloway, harmonia artificiosa & mensa sonora both by musica antigua koln (aka MAK) & his missa salisburgensis & they're all awesome. some of the most emotional, passionate music I've ever heard. I've got his Sonatae Tam Aris Quam Aulis servientes on order; i read that if i like bach's brandenburg concertos (which i do) i'll like that stuff. I've got high expectations based on that recommendation & biber's other muisc. his mensa sonora is also some of the most achingly romantic (in the usual sense) music I've ever heard. every time i listen to the 2nd suite in f is like the end a spear driving into my chest.

the harmonia artificiosa is 7 partitas for 2 violins, except i can't tell that there are two violins there, MAK is so good both violinists play so well together i can't tell them apart. that is, unless it's a bar or 2 where they do their own thing. i thought it was pretty amazing once i realized it's 2 violins playing perfectly in sync together.

the violin sonatas might be the most well-known biber stuff because romanesca/manze made a legendary recording of them in the early 1990s. manze sounds like a baroque eddie van halen playing that stuff. john holloway's recording is more gentle; it sounds more like evening or sitting-in-the-bath-with-candles-all-around-while-rubbing-a-girl's-feet music

see if your library or cd store has any of this guy's stuff, especially if you're into baroque-era music. (i know some people on the board like more recent crap though :-p )
 
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fourier jr said:
...some of the most emotional, passionate music I've ever heard.
Beautiful review. I love strings, particularly violin and would like more romantic (soothing) music in my collection--I'm not sure what you mean by emotional and passionate.

I like contemporary music too, but go through moods and phases. :smile:
 
Your enthusiasm and the detailed descriptions, along with the various characterizations, have convinced me to keep an eye open for his stuff. It sounds like it will be well worth it.
 
I've played some of his chamber music, I'd be lying if I didn't say it seemed plain weird... out-of-place chromaticism and the like... but anyway I'll keep an eye out for these violin sonatas.
 
rachmaninoff said:
I've played some of his chamber music, I'd be lying if I didn't say it seemed plain weird... out-of-place chromaticism and the like... but anyway I'll keep an eye out for these violin sonatas.
Weird like maybe he was crazy, or weird like he was an experimentalist? (Not that the two couldn't go hand in hand.)
 
SOS2008 said:
Beautiful review. I love strings, particularly violin and would like more romantic (soothing) music in my collection--I'm not sure what you mean by emotional and passionate.

not 'academic' & dry. usually when i think of bach it's something dry & not too happy or sad. i guess that's the bach stereotype but of course there are more than enough counterexamples to refute that. biber is generally the opposite, very expressive. they're either really happy or really sad, or both. (happy & sad at the same time like you're away from someone you love for a while)

rachmaninoff said:
I've played some of his chamber music, I'd be lying if I didn't say it seemed plain weird... out-of-place chromaticism and the like... but anyway I'll keep an eye out for these violin sonatas.
i started with the violin sonatas, then i branched out. the manze/romanesca recording also has the "sonata representativa" where the violinist is supposed to imitate various animal sounds. the part with the cuckoo is the most exciting 38 seconds i had heard in a while. the holloway recording has a couple unpublished sonatas also. holloway plays with both organ & harpsichord accompaniment which might be an unusual combo but has a good effect. the organ is just pad for the violin to play on top of, it doesn't get in the way. maybe that's what gives it its 'ethereal' quality, making it good nite-time music.
 
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