Analog to digital signal converter in digital cameras

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Discussion Overview

The discussion revolves around the process of how light is transformed into digital images in cameras, specifically focusing on the role of analog-to-digital converters (ADCs) in this transformation. Participants explore the technical aspects of ADCs, their types, and their implications for image quality in digital photography.

Discussion Character

  • Exploratory
  • Technical explanation
  • Conceptual clarification
  • Debate/contested

Main Points Raised

  • One participant expresses confusion about how light is converted into images in digital cameras, specifically mentioning their Nikon D5200.
  • Another participant suggests that understanding the ADC part of signal processing is essential, noting that different types of ADCs may be used in cameras, with SAR and Σ-Δ being common for still images.
  • A participant shares a link to an article about ADC architectures, indicating that there is a vast amount of information available on the topic.
  • Concerns are raised about the complexity of ADCs, with one participant mentioning the need to understand basic concepts before delving deeper into ADCs.
  • Discussion includes the concept of digital pixels, where the number of bits per pixel affects color representation, with most inexpensive cameras using 8-bit pixels, while higher-end cameras may use 10 to 16 bits.
  • One participant explains the process of how sensor pixels sample the image and how analog values are quantized into digital numbers, which are then processed and stored in the camera memory.
  • There is mention of color processing in cameras, where the RGB values from the sensor are mapped to display pixels, and additional processing enhances the final image quality.

Areas of Agreement / Disagreement

Participants express varying levels of understanding and familiarity with the topic, and while some agree on the importance of ADCs in the process, there is no consensus on the best approach to learning about them or the specifics of their implementation in cameras.

Contextual Notes

Participants acknowledge the complexity of ADCs and the varying levels of information available, suggesting that foundational knowledge may be necessary before tackling advanced concepts. There is also a recognition that different camera models may employ different ADC technologies.

Who May Find This Useful

This discussion may be useful for individuals interested in digital photography, camera technology, and the underlying principles of signal processing in imaging systems.

rudransh verma
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I am reading How computers work and I don’t grasp it. So how is light ultimately get transformed into a beautiful picture on screen in a digital camera? I have got D5200 Nikon. It’s a nice begineers camera.
 
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This video may help you get started. To understand the whole thing at the deepest level would be a lifelong project.

 
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DaveE said:
I guess from your title you are asking about the ADC part of the signal processing. There are several different types of ADCs and I'm not sure all cameras use the same type. I would guess SAR and Σ-Δ are the most common for still pictures. Here's one of about a million articles about ADCs on the web.

https://www.analog.com/en/analog-dialogue/articles/the-right-adc-architecture.html
Does this come under electrical engineering ?
I read it and it Looks difficult to understand completely. I found about it in “How computer works” book and was curious to understand it. But I think I have to go back a bit and first understand the basics.
https://www.tanguayphotomag.biz/photo-editing/adc-and-your-digital-cameras-bit-depth.html
This is a simple explanation but I don’t get the pixel part
“These digital pixels consist of data bits that establish exactly what color that pixel will be. The more bits, the more possibilities for more precisely defining the color's hue, saturation, and brightness. Most inexpensive digital cameras process 8-bit pixels. Better digital cameras may have 10 bits or 12 bits per pixel. That's good, because more information usually translates into better color, more subtle transitions or gradations, and increased clarity of detail in the highlights and shadows. Professional digital cameras and studio digital cameras may even associate 14 or 16 bits of data with each pixel.”
 
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rudransh verma said:
Does this come under electrical engineering ?
Yes. Analog EE, really.

rudransh verma said:
I read it and it Looks difficult to understand completely. I found about it in “How computer works” book and was curious to understand it. But I think I have to go back a bit and first understand the basics.
There is a lot of information out there about this. The link I gave may be a bit too advanced initially. But I'm sure there are others that start more slowly. Search the web for ADCs and you'll find the appropriate level for your knowledge and interest. However, one problem is that there are some quite different solutions to this. You may not care enough to study all of the different versions, since they all do the same job at the basic level.

I would start with SAR (successive approximation) ADCs.
The basic idea here is like an intelligent way to solve this problem:
I'm thinking of a number between 0 and 127, figure out what it is with a minimum number of questions.
1) Is it less than 64? Yes.
2) Is it less than 32? No.
3) Is it less than 48? No.
4) Is it less than 56? Yes.
5) Is it less than 52? Yes.
6) Is it less than 50? No.
7) Is it less than 51? No.
8) Then it must be 51.

Each question splits the remaining unknown range in half. The sequence of yes/no answers gives the binary representation of the number. 5110 = 01100112.
 
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rudransh verma said:
So how is light ultimately get transformed into a beautiful picture on screen in a digital camera?
It's 'painting by numbers'. Each element on the sensor (pixel) is a 'sample' of the image of the scene that's on the sensor array. (Those are 'samples') The Analogue values of the light signal on the sensors are changed (quantised) into digital numbers and all those millions of numbers are fed to (mapped into) the camera memory memory.

Because it's colour, there are three kinds of sensor, in a matrix and basically the R, G or B value of each pixel goes to a pixel on your display screen. Most cameras will store the image data using fewer memory elements than there are sensor pixels to save storage. There is a lot of clever processing in the camera and display which improves the picture by, for instance, adjusting the colour balance and sharpening up the image so the unpromising picture you take with your camera turns up at the other end with (sometimes aurtomatic) improvements.
 

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