Cyrus
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Nell looks like a mini Bono with those glasses

zoobyshoe said:Tha advantage of a huge image, though, is that you can crop out small sections as your finished image and those will still have an amazing amount of information in them.
What brand you have? I got a Panasonic. 5 MP, 6x optical zoom. Through the lens viewing.DaveC426913 said:Yep. This was one of the primary criteria in my camera-buying. I got a 5MP so that could crop at will. Having a very high rez is a good substitute for a long zoom.
And I was blown away when I took a pic of a critter using my Macro!
In 5 days at Lake Tahoe, I took 120 pictures. I also use it a lot for work - documenting job sites.Pengwuino said:So how many people here actually take a lot of pictures? It seems like EVERYONE has a digital camera and there's so much digital camera crap with printers and such on the market... but I don't know anyone who actively takes a lot of pictures. Sure maybe a few a month... but no one seems to take a lot of pictures yet everyone has a digital camera (and many many newer 3MP+ cameras... not just ones they got back in the day and still have around)
I thought more of an Elton John, but that's just how old I am.cyrusabdollahi said:Nell looks like a mini Bono with those glasses![]()
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I deliberately picked a tiny camera, the http://www.steves-digicams.com/2004_reviews/dimagex50.html" .zoobyshoe said:What brand you have? I got a Panasonic. 5 MP, 6x optical zoom. Through the lens viewing.
DaveC426913 said:I deliberately picked a tiny camera, the http://www.steves-digicams.com/2004_reviews/dimagex50.html" .
I knew that, unless it was small enough to carry with me everywhere, it would not get used enough, and I would rue my choice. As it is, I have it with me at all times. I carry it in my "murse" (MANpouch).
My criteria, in order, were:
- 5MP (high enough to crop freely, and also substitute for high zoom)
- FAST power-up (<2s) and shutter latency (The camera I was borrowing before I bought my own was a Coolpix with a 6 second startup. You might as well not have a camera at all.)
- tiny (shirt pocket-sized)
- Lithium batteries (the best choice)
- large viewer
I have little use for most of the fancy bells and whistles that they try to stick on cameras these days. Other than flash and macro, I use two features: light balance and bracketing exposure.
Yeah? Do you have a set up for that? I've taken pics of http://www.davesbrain.ca/sketches03.html" but I have a terrible time with hot spots and uneven liggting (grnated becasue I haven't bothered making a proper balanced setup). I'd like to hear what yours is like.zoobyshoe said:I use it when photographing my drawings for instance.
:shrug : While I'd like to be a purist and do the bulk of my work in-camera, frankly, I'm a PhotoShop junkie.zoobyshoe said:One nice feature I didn't realize it was going to have is the black and white option.
You are luckier than most people I hear who burn through reg batteries at an unbelievable rate. (However, I will keep in mind your advice about not trusting the battery meter. I'll suggest that to the next person I hear with that trouble.)zoobyshoe said:I didn't bother with rechargable batteries. I'm just using regular ones, and as long as I keep a spare set with me am fine.
Those are great, Dave. You are a good modeler of shape. There's something about them that reminds me strongly of some of Van Gogh's pencil and pen and ink works, something about what things attract you to emphasize, although I don't think he did any nudes.DaveC426913 said:Yeah? Do you have a set up for that? I've taken pics of http://www.davesbrain.ca/sketches03.html" but I have a terrible time with hot spots and uneven liggting (grnated becasue I haven't bothered making a proper balanced setup). I'd like to hear what yours is like.
Yeah, one click and they're black and white. (I'm going to pretend there is some advantage to snapping the originals in the black and white mode, though, even though I'm not aware of any.):shrug : While I'd like to be a purist and do the bulk of my work in-camera, frankly, I'm a PhotoShop junkie.
Don't know about meters. My camera just stops working when the batteries are too low, and gives the message to change them. Even though they are no longer powerful enough to operate the camera, they will operate many other things for a while yet. Clocks, of course, but even flashlights and tape players work on the batteries that don't have enough juice for my camera.You are luckier than most people I hear who burn through reg batteries at an unbelievable rate. (However, I will keep in mind your advice about not trusting the battery meter. I'll suggest that to the next person I hear with that trouble.)
zoobyshoe said:Those are great, Dave. You are a good modeler of shape. There's something about them that reminds me strongly of some of Van Gogh's pencil and pen and ink works, something about what things attract you to emphasize, although I don't think he did any nudes.
Yup, that sounds familiar. When I was doing them proper-like, it was a pain.zoobyshoe said:I don't have a special set up. I tape them to one wall of a garage and play with various arrangements of uncovering the windows and different degrees of opening the main garage door. All has to be done during the day, of course. I tried photofloods but had no luck, and they are touchy to work with.
Well, I can think of one - I just don't like to admit it. In-the-field composition takes skill (mine's pretty rusty). But most anyone can improve a picture if they have PhotoShop and enough time.zoobyshoe said:Yeah, one click and they're black and white. (I'm going to pretend there is some advantage to snapping the originals in the black and white mode, though, even though I'm not aware of any.)
Oh, my mistake. I thought you were saying that the batteries still worked in the camera even after the meter showed they were depleted. So yeah, it sounds like your camera eats batteries like I've heard.zoobyshoe said:Don't know about meters. My camera just stops working when the batteries are too low, and gives the message to change them. Even though they are no longer powerful enough to operate the camera, they will operate many other things for a while yet. Clocks, of course, but even flashlights and tape players work on the batteries that don't have enough juice for my camera.
I can't compose a shot to save my life. I try hard, and always think they look as well arranged as possible, but something is wrong with my instincts in this regard. Some people have a natural eye for it.DaveC426913 said:Well, I can think of one - I just don't like to admit it. In-the-field composition takes skill (mine's pretty rusty). But most anyone can improve a picture if they have PhotoShop and enough time.
Me neither. PhotoShopping gives me the time and tools to plan carefully.zoobyshoe said:I can't compose a shot to save my life. I try hard, and always think they look as well arranged as possible, but something is wrong with my instincts in this regard. Some people have a natural eye for it.
You just gotta get PhotoShop.zoobyshoe said:I have Printshop Pro and have tried "improving" photos but have found that things like "sharpen" don't actually work, and manipulating histograms is, apparently, beyond me. I understand the principle, but can't get the effects I want. When ever I'm done working on a picture it always seems more degraded in general. I've had good results with a couple things like selecting an object and darkening the background behind it, and the blemish remover tool is pretty good: removed scratches and dust marks.
Few are charcoal. I'm a tight, controlled sketcher, so I don't tend to go for that kind of loosy-goosy medium. Pencil is my fave, followed by chalk pastel. I do pen & ink too, but have less luck. Most of my illo work is done in pen (felt tip) though.zoobyshoe said:Are your drawings charcoal? Ever do pen and ink? Are those from life?
Drawing from life much more difficult to do than what I do (from photos) and you're really excellent at it. In the second bunch you linked to I especially like how you modeled the woman's back in the top left nude: a lot of depth, shape, structure.DaveC426913 said:Those pics are from life, yes.
Just more of the same kind of stuff. No excursions into different media.What about you? You have any stuff beyond what you posted earlier?
Significant to whom? I presume you.Bladibla said:I never take casual images. Any image i take has to be significant in some way.
Astronuc said:All pics were shot with a Canon EOS 1D Mark II.
Check these pictures out!
http://nature.gardenweb.com/forums/load/bird/msg0517460527347.html?1
I used to shoot 8-12 rolls/day, and most were 36 frames/roll. Of course, I too was constrained by money.SimplySolitary_ said:How beautiful!
I have an old Nikon FG-20 (I do believe) that I just adore. It was given to me this past Christmas - I've always wanted a camera that took 'real pictures'. If given the chance (And money to buy film), I'd take at least three rolls a day. I usually only take about a quarter of that, when I have money. I've got negatives lying around everywhere! :)
Astronuc said:I used to shoot 8-12 rolls/day, and most were 36 frames/roll. Of course, I too was constrained by money.
With a digital camera, I can easily shoot 200-300 or more frames in a day. I have two memory cards, or I take the laptop along to download one card.
Are YOU Dave in VA?Astronuc said:All pics were shot with a Canon EOS 1D Mark II.
Check these pictures out!
http://nature.gardenweb.com/forums/load/bird/msg0517460527347.html?1
No, I'm in the NY area. My wife browses Garden Forum, and I seem to remember you mentioning that you post pictures there.DaveC426913 said:Are YOU Dave in VA?
I use a Kodak EasyShare DX6490 (4 MegaPixel), with 10X zoom and 3X digital zoom for combined 30X, and auto-focus. However, one problem I've noticed is that the combination of low light and full zoom leads to blurry pictures because of long exposure. Zooming in with the digital zoom (> 10X total) for closeups requires fixing the camera to a solid base, which is not always practical.SimplySolitary_ said:What kind of digital camera do you use??