hypatia said:
This girls got great expression! I love it.
You did well with the texture of the Demin Jacket. I noticed in the O-Pic the dark under her eyes, and the flushed ear. You did get the eyes perfect, the ear looks more shadowed then flushed. Is it perhaps because its hard, if not impossible, to make something look flushed with shades of grey?
Let's compare the two directly:
Original photo:
Drawing:
In the original photo her expression looks a bit depressed or tired and a tad suspicious. I toned down the value of the shadows on her face in the drawing considerably to alleiviate that and melded a shadow above her eyebrow on the right with her eyebrow to make it look more raised and qizzical. In the drawing I think she looks more alert, and, perhaps, shrewed, rather than suspicious. Tweaking her expression like that was, perhaps, my main concern.
The rest of my effort was directed to creating (or maybe better: exploring) the three main textural events: hair, skin, and jacket. I've done lots of hair and skin before. The denim was the main challenge and took the most time.
The texture of the fabric itself, plus a sense of its stiffness, and the characteristic way it puckers at seams, were all concerns in finding a way to render it.
I'm not sure that her ear is actually flushed, or if the relative colors are simply thrown out of balance by the odd lighting. In any event, it doesn't serve any purpose to preserve that impression in the drawing since I'm trying to enhance her apparent mood.
It's perfectly possible, though, to suggest a flushed expression in shades of gray if you want to do that.