How Do Harmonics Work on a Guitar String?

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SUMMARY

This discussion focuses on the mechanics of harmonics in guitar strings, emphasizing that the fundamental frequency (n=1) is the primary mode of vibration due to its lower energy requirement. Even when a string is pressed to create different notes, the remaining length vibrates at the fundamental frequency. Harmonics are always present, but to produce specific overtones, the string must be initially deformed into a shape corresponding to the desired harmonic. Techniques such as finger damping and pinch harmonics are discussed as methods to achieve clearer pitches.

PREREQUISITES
  • Understanding of fundamental frequency and harmonics in string instruments
  • Basic knowledge of wave mechanics and vibration modes
  • Familiarity with Fourier transforms and their application in sound analysis
  • Experience with guitar techniques, including finger damping and plucking methods
NEXT STEPS
  • Research the principles of Fourier transforms in sound wave analysis
  • Explore advanced guitar techniques for producing harmonics, such as pinch harmonics
  • Study the physics of wave mechanics as it applies to string instruments
  • Investigate the role of string length and tension in determining harmonic frequencies
USEFUL FOR

Musicians, particularly guitarists, sound engineers, and anyone interested in the physics of musical instruments and sound production.

jaumzaum
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We have many harmonics in a string

[PLAIN]http://img43.imageshack.us/img43/3452/dfshfghdfh.jpg Why when we play a guitar string with the finger it vibrate in n=1, where L = lambda/2

Even when we press the string in a given position (to make another note for example) the remaning L vibrates in the fundamental harmonic .

Why we always have this and how can we play the second harmonic, or any other harmonic in a string?
 
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Good evening jaumzaum

The fundamental is the lowest energy configuration. That is it takes less energy input to cause vibration in the fundamental than any other mode.

It is an underlying principle of nature that systems try to adopt the configuration of least energy before entering higher energy states.

So even if you get the string vibrating in a higher mode by overdriving (adding excess energy) some, probably a greater part, will be transferred to the fundamental.

However there are always harmonics present, the note (vibration) is never purely at the fundamental.

go well
 


It is an underlying principle of nature that systems try to adopt the configuration of least energy before entering higher energy states.

What's the explanation for this? I'm "intuitively" thinking of the Boltzmann factor but I'm not sure if the canonical ensemble can be applied to a guitar string.
 


Hello again Mr Vodka, good luck with your second (?) year.

Yes this principle appears in many places and guises, from thermodynamics to Occams Razor to quantum theory to structural mechanics...to... and the statistics of partitioning of states follows it.
 


jaumzaum said:
Why when we play a guitar string with the finger it vibrate in n=1, where L = lambda/2

Even when we press the string in a given position (to make another note for example) the remaning L vibrates in the fundamental harmonic .
There's pretty good evidence that other modes exist in the vibration, because a plucked guitar string doesn't sound like, say, a flute.
 


If you attached an oscillator to a string and it vibrated at non-harmonic frequencies you'd end up with moving waves, similar to jerking a taught slinky, rope, or hose up and down. This also happens just after plucking a string depending on where and how a string is plucked, but those non-harmonic moving waves are quickly dampened out.
 


The answer is that you have totake the shape you give the string when you pluck it, and decompose that into elementary excitations of the various harmonics. Typically when you do that, you get a large component of the fundamental, say with the standard "triangular" pluck (look up Fourier transforms for more on this). If you want to play a pure overtone, you need to deform the string initially into a shape that looks like the overtone you want. That's more or less what you do when you move your fingers down the frets-- remember that the fundamental of a shorter string looks a lot like a harmonic of a longer one.
 


Delta Kilo said:

There must be more to it than node position, since a tapped or finger-damped harmonic has a clear piercing pitch even when the node position is the same as where you would fret the guitar and play normally - i.e. a "harmonic" sound at the octave fret is not the same as a fretted sound at the octave fret. Perhaps the guitar neck plays a role somehow. As the article states, you can get a really high, clear piercing pitch with a pinch harmonic, which basically puts the node farther up closer to the bridge.
 

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