News Massive Fire at Notre Dame cathedral

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The discussion centers on the devastating fire at Notre Dame Cathedral, with participants expressing heartbreak over the potential loss of its historic architecture and artwork. Concerns are raised about the extensive woodwork inside the cathedral, particularly in the bell tower, which may have fueled the fire. The renovation project, involving lead materials, is suspected to have contributed to the incident. Despite the damage, it is noted that the main stone structure remains intact, and efforts are underway to save significant elements like the stained-glass windows. The community expresses hope for restoration and acknowledges the cultural significance of the cathedral.
  • #31
Klystron said:
For your edification the prayer "Hail, Mary" was put to music long before the 20th Century.

At seminary-college in the 1960's I played a popular version of "Ave Maria" attributed to Johann Sebastian Bach arranged for pipe organ. Legend has it that Bach wrote the tune after being given a penance to recite some number of repetitions of the prayer but preferred to play it on an organ. A more prosaic version notes that Bach wrote many religious songs while selling organs to churches and cathedrals.

Bach's arrangement of "Ave Maria" remains one of my favorite songs to sing in Latin and Spanish (English versions fail to scan IMO). I was taught much older versions of "Ave Maria" arranged for lute and guitar but do not remember sources.

As @sysprog says, Bach did not write or arrange "Ave Maria". Bach wrote a keyboard prelude, without the Ave Maria tune. Quite a few years later, Gounod added his original Ave Maria tune on top of the Bach prelude - ingenious and beautiful.

Bach prelude:



Bach prelude + Gonoud tune


 
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  • #32
DrClaude said:
The fact that the prayer was put to music was new to me too, despite having been raised catholic. However, that appears to be quite recent, as the composer was born in 1974:
http://ecclesia-cantic.fr/speaker/frere-jean-baptiste-de-sainte-famille/

Here's the one mentioned by you and @OmCheeto :
 
  • #33
J.S. Bach's Prelude No. 1 in C Major, from Well Tempered Clavier, was published in 1722.

Gounod's melodic superimposition thereon, leaving the Prelude mostly otherwise unchanged, was published in 1853.

In between, 'Ellen's Song', a hymn addressed to Mary, that was part of his 'Lady of the Lake' cycle, was published by Franz Schubert in 1825.

Its lyrics, which began with 'Ave Maria', were soon thereafter changed in popular versions to more closely resemble the Catholic prayer in commemoration of the Salutation and Annunciation of Gabriel the Archangel to Miriam (Mary), in which Gabriel announced to Mary that she was to become mother of a son, by the power of the Most High overshadowing her, and causing her to conceive a child, though as she said, she did not know a man, and that she was to call the child Yeshua (Jesus).

Here is Luciano Pavorotti singing the song set to Schubert's composition:

 
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  • #34
DennisN said:
I visited York a long time ago in the eighties, I guess in 1984 or 1985, I don't remember, but I do think it was after the fire. I remember York as a very nice city with lots of historical sites, and I remember the York Minster very well. Here's a photo of mine from the visit:

View attachment 242183
Thanks for posting that picture.
Along with the things I listed previously that I didn't know about Notre Dame.

I also:
1. could not have identified a picture of it.​
Guessing a lot of really old cathedrals look alike:​
2019.04.20.old.churches.png
2. "notre" means "our" in French.​
So the church's name means "Our Lady of Paris".​
ps. Please don't yell at me about those "anno" numbers. They are very complicated.
 
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  • #35
OmCheeto said:
ps. Please don't yell at me about those "anno" numbers. They are very complicated.
Not very complicated -- 'Anno 1161' is the expanded version of AD 1161, with the 'Domini' part of the term omitted. :oldwink:
 
  • #36
sysprog said:
Not very complicated -- 'Anno 1161' is the expanded version of AD 1161, with the 'Domini' part of the term omitted. :oldwink:
Well, if you read the wiki entry on "York Minster", you'll find that the church now, is not the same church that was built in 627.

The first recorded church on the site was a wooden structure built hurriedly in 627...
In 741, the church was destroyed in a fire.
...

Guessing the other cathedrals had similar histories.
 
  • #37
OmCheeto said:
Well, if you read the wiki entry on "York Minster", you'll find that the church now, is not the same church that was built in 627.

The first recorded church on the site was a wooden structure built hurriedly in 627...
In 741, the church was destroyed in a fire.
...

Guessing the other cathedrals had similar histories.
Apparently I misconstrued what you meant by the Anno numbers being complicated -- I agree that the associated histories are rather complicated as to what is reported to have been built when.
 
  • #38
Here is a long and very good NY Times article.
It's a forensic look at:
  • the timecourse of the fire,
  • many details of the firefighting efforts, and
  • their (not yet worked out) theories of what happened.
It also has a lot of great graphics (similar to their diagram posted above) and pictures.
It shows:
  • how the fire spread,
  • what the fire fighters did, and
  • specifically why they were afraid that the whole thing would fall down.
 
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  • #39
Here is another longish NY Times article on the rebuilding of Notre Dame.
In this article, they are looking at how decisions they make about the restoration affect the sound in the building.
They present recordings from different places in models of different acoustic spaces showing the differences in different parts of the space and in other shapes and sizes of rooms.
I found it interesting that in older times, the laypeople area of the cathedral would not have been able to make out the words spoken (but they were in Latin then which most would not have understood anyway (speaking only French)) due to the reverberations.

Screenshot 2023-03-05 at 9.36.24 AM.png


But wait, there's more:
Here is a thread featuring a David Byrne (talking heads guy) video about the affects of different acoustic spaces on the music preformed in them.
 
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  • #40
BillTre said:
I found it interesting that in older times, the laypeople area of the cathedral would not have been able to make out the words spoken (but they were in Latin then which most would not have understood anyway (speaking only French)) due to the reverberations

Not to trend to far off topic from Notre Dame cathedral, but my Latin teachers described two probable paths for Latin pronunciation. The 'Germanic' school held with hard consonants such that Marcus Cicero sounds like "Markis Kikeroo". The 'Gaulist' held that early French preserved the purist Latin in Europe, a theory supported by some modern linguists. So, French and local patois speakers may have understood more church Latin than English speakers under similar circumstances despite poor acoustics.

As an ex-Catholic I can attest that regular Catholic Mass attendees either read along in their missals during Latin sections, or simply responded to familiar cues to stand, sit and kneel.

After Vatican II symposium in 1962, most Catholic ceremonies were performed in the local vernacular. A major exception to this papal edict, nearly leading to another schism, took place in (Back on topic) France. No doubt reactionary Catholic factions in France seize on the Latin mass and related issues to support or oppose rebuilding funds for the damaged cathedral.
 

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