sergiokapone
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The discussion centers on the mathematical principles behind laser beam patterns, specifically Lissajous figures, which are generated through the manipulation of two frequencies. Participants reference chaos theory and ordinary differential equations as foundational concepts for understanding these shapes. A user shares their experience with a 2-D laser deflection mirror driven by a 50Hz-100Hz waveform for horizontal movement, while the vertical movement is controlled by an audio signal. The conversation emphasizes the importance of frequency synchronization in creating visually appealing patterns.
PREREQUISITESThis discussion is beneficial for mathematicians, physicists, artists working with visual displays, and audio engineers interested in the intersection of sound and visual art through laser technology.
Back in undergrad, I made a 2-D laser deflection mirror that I could drive in the horizontal axis with a lower-frequency waveform (like 50Hz-100Hz), and I drove the music signal into the vertical deflection circuit. You could adjust the horizontal sinusoid to get the best Lissajous figures for each particular piece of (rock) music. Very fun...sergiokapone said:Is there a math that describes these shapes at least one frequency?
Can you e-mail the person who created that figure and other similar figures? Perhaps they would share their setup details with you.sergiokapone said:Well, if there were always Lissajous curves, then everything is fine. But sometimes closed curves are obtained, which are far from similar to such figures.
berkeman said:Back in undergrad, I made a 2-D laser deflection mirror that I could drive in the horizontal axis with a lower-frequency waveform (like 50Hz-100Hz), and I drove the music signal into the vertical deflection circuit. You could adjust the horizontal sinusoid to get the best Lissajous figures for each particular piece of (rock) music. Very fun...