sergiokapone
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The discussion revolves around the mathematical description of shapes created by laser beams, particularly in relation to Lissajous curves and their connection to music frequencies. Participants explore the theoretical and practical aspects of these shapes, including their generation and characteristics in the context of chaos theory and differential equations.
Participants express differing views on the nature of the shapes produced, with some supporting the idea of Lissajous curves while others point out the existence of different closed curves. The discussion remains unresolved regarding the definitive mathematical characterization of these shapes.
There are limitations in the discussion regarding the assumptions made about the waveforms and their relationships, as well as the specific mathematical frameworks that may apply to the shapes being discussed.
Back in undergrad, I made a 2-D laser deflection mirror that I could drive in the horizontal axis with a lower-frequency waveform (like 50Hz-100Hz), and I drove the music signal into the vertical deflection circuit. You could adjust the horizontal sinusoid to get the best Lissajous figures for each particular piece of (rock) music. Very fun...sergiokapone said:Is there a math that describes these shapes at least one frequency?
Can you e-mail the person who created that figure and other similar figures? Perhaps they would share their setup details with you.sergiokapone said:Well, if there were always Lissajous curves, then everything is fine. But sometimes closed curves are obtained, which are far from similar to such figures.
berkeman said:Back in undergrad, I made a 2-D laser deflection mirror that I could drive in the horizontal axis with a lower-frequency waveform (like 50Hz-100Hz), and I drove the music signal into the vertical deflection circuit. You could adjust the horizontal sinusoid to get the best Lissajous figures for each particular piece of (rock) music. Very fun...