Returning to Live Performances

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SUMMARY

The discussion centers on the resurgence of interest in live performances, particularly after attending a matinee of Riverdance, which has been celebrated since its debut in 1994. The attendee emphasizes the unique experience of live performances, especially in European classical music, which relies on volume and acoustics that recordings fail to capture. The conversation also touches on the challenges of attending performances due to distance, convenience, and the impact of Covid-19 on audience attendance preferences.

PREREQUISITES
  • Understanding of live performance dynamics
  • Familiarity with European classical music principles
  • Knowledge of the impact of acoustics in theater settings
  • Awareness of post-Covid audience behavior trends
NEXT STEPS
  • Research the history and impact of Riverdance on live performances
  • Explore the acoustics of different theater venues
  • Investigate audience engagement strategies post-Covid
  • Learn about the evolution of European classical music and its performance practices
USEFUL FOR

This discussion is beneficial for theater enthusiasts, music lovers, event organizers, and anyone interested in the dynamics of live performances and audience experiences.

gleem
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Years ago we frequented live performances of plays, symphonies, and dance. Then we moved and our attendance dropped dramatically because the best theaters were too far away. I retired and we moved again but lost the incentive to go to a theater although one was not too far away but seemed inconvenient and perhaps expensive. But then a show that we had seen and enjoyed decades ago arrived, Riverdance(30). It has been 30 years since its introduction in 1994. My wife bought tickets. Yesterday we attended a matinee performance rekindling the exciting experience of a live performance, a performance which cannot be appreciated any other way.

A fellow attendee sitting next to me commented, "Isn't this a great way to spend a Sunday afternoon."

Yes, it was.
 
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Though I listen to a great deal of recorded music -- Youtube is miraculous -- I will go to a great deal of trouble to attend live performances. European classical music in particular evolved to sound good in real life and suffers from recording. Among other things recordings aren't loud enough, and European classical depends heavily on volume. As my music professor said, "My mother said, 'Always end the piece loud'". And that's what they almost always do.

I don't get into the crowd thing though. If I were the only one in the audience that would be fine with me.
 
Hornbein said:
Among other things recordings aren't loud enough, and European classical depends heavily on volume. As my music professor said, "My mother said, 'Always end the piece loud'". And that's what they almost always do.
That is one good thing about live performances you can feel the music, especially in a theater.

Hornbein said:
I don't get into the crowd thing though. If I were the only one in the audience that would be fine with me.
I don't particularly like stadium venues for performances with way too many people. Theaters have way fewer attendees and the acoustics are better. Covid was another thing that has lessened my desire to attend live performances during the last four years.
 

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