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I would _never_ play that reactor
To the aurally-offended guitar student, chords only made sense when their sounding cacophonous was physically impossible. But musical harmony is not a static sounding of stacked tones. Musical harmony is a dynamic shifting between consonance and dissonance. The judging of a power technology out of social context might be seen as simplistic as the judging of a chord out of musical context.
I once attended a talk by the late guitarist/music-instructor Howard Roberts wherein he related that he had once been teaching a class of guitar students some interesting chords. At least some of these chords apparently were pretty colorful because, as Howard reported to us his talk audience, after he showed the guitar class one of the chords in particular one of the students complained, "I would never play that chord." Howard admitted to us that it had been a thoroughly obnoxious-sounding chord. But he then pointed out that the aesthetic value of a chord might not best be judged by how it sounds alone, but by how it sounds in the context of a chord progression -- and that even the most dissonant chord, as that one was, can be revealed to be a thoroughly aesthetically-pleasing chord within the appropriate context.Ivan Seeking said:To me, nuclear only makes sense when a meltdown is physically impossible.
To the aurally-offended guitar student, chords only made sense when their sounding cacophonous was physically impossible. But musical harmony is not a static sounding of stacked tones. Musical harmony is a dynamic shifting between consonance and dissonance. The judging of a power technology out of social context might be seen as simplistic as the judging of a chord out of musical context.